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Jay and Mark Duplass talk “Jeff, Who Lives At Home” and future projects

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Anyone who’s seen “Cyrus,” “The Puffy Chair” or “Baghead” knows that writer/director brothers Jay and Mark Duplass don’t tell run-of-the-mill stories. Their films walk the fine line between comedy and drama, and often seek to find truth in the most normal of situations.

Their new project, “Jeff, Who Lives At Home,” is no different. The movie follows two brothers, a “burnout” who lives at home named Jeff (Jason Segel) and his asshole brother Pat (Ed Helms), as they navigate through a day that seems like any other. But Jeff, who has a passionate belief in fate thanks to a love of the movie “Signs,” is convinced that this day is the culmination of his destiny. Meanwhile their mother, played by Susan Sarandon, discovers on her birthday that she has a secret admirer in her office, and struggles to discover whether she can open herself up to a new romance at her age.

IFC recently had the chance to talk to the Duplass brothers about their inspiration for “Jeff” and their experience working on the film. In the below interview, we talk casting choices, future project and the joys of having a stoner as your main character. Read on, but beware that some “Jeff” spoilers do lie ahead.

IFC: Is this film at all autobiographical in terms of the relationship between the two brothers?

JAY DUPLASS: No. I think that Mark said best recently. He was saying that Pat and Jeff are both in side of both of us. We would like the Jeff part to come out more. We’re working on that. But basically, Mark and I are sort of workaholics; we grew up in Catholic school. We kind of put our heads down and worked very, very hard, and making this film was a little bit of wish fulfillment for us, because we wish we were a lot more like Jeff. We love guys like that.

I think, for better or for worse, we inherently kind of see them as somewhat heroic. We realized that they appear to most people as just sort of like burnouts, but for us there’s this other element of them being kind of like rogue agents operating outside of the norms of society, and taking chances and hoping for bigger things in their lives. At least, the ones that we have been friends with. That’s what kind of inspired us to make the film.

IFC: What was the inspiration to tell a story from a character like Jeff’s perspective?

MARK DUPLASS: Jay and I are always interested in these sort of unlikely hero protagonists. [You] find yourself rooting for this person that you can’t believe you’re rooting for. And I guess, not to get too corny about it, but Jay and I have a deep-seated love for these kinds of people and you can very quickly write them off as just a quick stoner profile, but if you take the time to dig a little deeper, there’s a lot of hopes and dreams inside of Jeff. So, for us, it was less a conscious decision to do that and more just following our [interests] of what we’d want to see.

IFC: Where did you come up with the idea for Susan Sarandon’s storyline?

JD: Well, we always try to do something a little different, like you’re talking about with the tone that we have on Jeff. We’re obviously acknowledging that most people would reference him as a stoner, but we’re choosing to explore this other side of him, happening concurrently with all of these other characters, in this case specifically with Susan’s character. A mother character, typically in a movie, is usually used just as a counterpoint and to sort of yell at them and be angry with them. And we do a little bit of that, but we were just interested in her having this sort of sexual awakening.

I guess the theme of the movie, you know, thinking about it retrospectively, is that all of these characters are not happy, they’re stuck, and they’re trying to get to that next level. They’re trying to get to that point where they have a little bit of air and a little bit of light and a little bit of joy in their life and none of them are very good at getting there or know how to get there. For Susan’s character, we just got excited about this idea of this inter-office romance and her, not only being resistant to the romance, but also being resistant to the idea that she could even participate in something like that in this stage of her life, and … that was exciting to us.

IFC: How did you decide the actors to play each role?

MD: Jason [Segel] was the first guy we brought on board because we knew he had that wonderful everyman quality plus he’s a bit of a dreamer himself, and we knew he’d be the right fit. And then we brought on Ed [Helms], because if you’re asking someone to play a douchebag in your movie, then you have to really cast a nice person for them because when it’s time for them to turn a little bit, you have that.

But in regards to Judy [Greer], we knew absolutely we wanted her for the film mostly because she has this very [unique] quality about her which is she can be simultaneously tragic, sad and funny at the same time. And it’s very hard to watch a sweet girl like Judy cry and find yourself sympathizing with her and laughing at the same time. That’s just a real testament to the spirit of her.

IFC: Do you two have plans to work on any other movies in the future?

MD: We have a whole bunch of things right now and we’re both having kids this year, so lots of things on the horizon.

IFC: One last question for you Jay. I know Mark has been spending a lot of time acting recently, but are you ever going to make the jump in front of the camera?

JD: It’s possible that I might do something this summer. I mean, up until this point, with all the films Mark and I have made, I’m the primary camera operator, so it definitely is hard to get in front of the camera when you’re behind it. It’s kind of just been not really on our radar, not really an option up until this point. But there’s a film that someone has asked me to act in and I might do that this summer.

What are your thought on the Duplass brothers’ approach to filmmaking? Tell us in the comments section below or on Facebook and Twitter.

Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

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Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

Ed Helms says “The Hangover 3″ is “not officially happening”

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It shouldn’t come as any surprise that Warner Bros is gearing up to make a third installment of their “The Hangover” franchise. The first two films grossed over $1 billion worldwide, and in all likelihood a third film would do just as well.

Last we heard, the stars were negotiating salary deals so that deal making on the project can be finalized. The Hollywood Reporter said that Warner Bros was hoping have the flick start shooting this summer and be ready for a Memorial Day 2013 release date. So when IFC caught up with star Ed Helms on the Film Independent Spirit Awards red carpet, it seemed only fair to ask him if he had heard any more news on the development of “The Hangover 3.”

“‘Hangover 3′ is going to be an independent movie,” he deadpanned. “We’re making it for $12,000. It’s all actual found footage.”

Well, if it worked for “Paranormal Activity,” it just might work for “The Hangover” boys. But all joking aside, Helms did offer an actual update on the flick.

“The real answer is that there’s a lot of positive momentum and energy in that direction, but we’re not there yet. It’s not officially happening. But I’m hopeful,” he said. “I would love to do it and we’ll see. I think there’s endless stories to tell with these guys.”

The THR story said that “The Hangover 3″ intends to ditch the “forgotten-debauchery formula of the first movies” and take the series in a new direction. There will likely still be a major hangover involved, but it won’t necessarily involve main characters Stu, Phil and Alan forgetting a night’s events and then spending the rest of the movie trying to remember them.

Helms felt that is the natural direction to take the series. When asked how the next movie will deviate from the previous two, he said he can think of plenty of ways to make “The Hangover 3″ feel fresh.

“I think you have to. That’s just kind of a no brainer,” Helms said of ditching the previously-successful formula. “That’s just one story construct. How does any movie do that? There’s infinite stories to tell. I think what the audiences like is just spending time with these guys. That’s certainly what we like about doing it. We’ll see. We’ll see what happens.”

Do you want to see “The Hangover 3″? How would you want the storytelling to change from the first two films? Tell us in the comments section below or on Facebook and Twitter.

Judd Apatow on origins of his “Knocked Up” spin-off: “Why do I have to meet new actors?”

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Judd Apatow‘s upcoming film “This Is 40″ might be a spin-off to his 2007 hit “Knocked Up,” but that also marks a first for the comedy director. He’s never before written or directed a follow-up to one of his movies. Thus far Apatow has three directorial film credits to date — “The 40-Year-Old Virgin,” “Knocked Up” and “Funny People” — and while some of his actors may overlap, his stories never do. Apparently while preparing “This Is 40,” Apatow decided it was time to revisit his favorite onscreen family.

“I started thinking about writing a movie about a family and their midlife crisis, and then I realized I already have that family in one of my movies and I like them. Why do I have to meet new actors? I can use these amazing actors that people seem to like and were interested in learning more about and it came out really well,” Apatow said when we caught up with him at Friday’s Hilarity for Charity event, which raised money for the Alzheimer’s Association.

While there will be some familiar actors in the spin-off like Paul Rudd, Jason Segel, Apatow’s wife Leslie Mann and their two daughters, Maude and Iris, there’s one face that will be noticeably absent. Seth Rogen, who starred in “Knocked Up,” will not be making an appearance in “This Is 40.” It will be the first time Rogen hasn’t appeared in a film Apatow has directed.

“[Filming is] already done, so I know the answer’s no because I’ve seen the movie and I’m not in it,” Rogen told us when asked if he would be in the movie. His thoughts on Apatow’s latest directorial effort? “It’s great. I love it. I wish [I was in it].”

Even though Rogen won’t be making an appearance in the film, there are plenty of exciting new stars who will. Apatow listed off Albert Brooks, John Lithgow and Megan Fox as three actors that fans should get excited to see in the movie. “It was a lot of other fun people,” Apatow said of the cast.

“This Is 40″ takes place a few years after “Knocked Up” left off and follows the lives of Pete (Rudd) and Debbie (Mann) as they struggle with issues with their jobs and marriage. It is due in theaters on December 21.

Are you disappointed Rogen won’t be in “This Is 40″? What other film would you like to see Apatow work on a spin-off for? Tell us in the comments section below or on Facebook and Twitter.

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