DID YOU READ

Jay and Mark Duplass talk “Jeff, Who Lives At Home” and future projects

030812_jeff

Posted by on

Anyone who’s seen “Cyrus,” “The Puffy Chair” or “Baghead” knows that writer/director brothers Jay and Mark Duplass don’t tell run-of-the-mill stories. Their films walk the fine line between comedy and drama, and often seek to find truth in the most normal of situations.

Their new project, “Jeff, Who Lives At Home,” is no different. The movie follows two brothers, a “burnout” who lives at home named Jeff (Jason Segel) and his asshole brother Pat (Ed Helms), as they navigate through a day that seems like any other. But Jeff, who has a passionate belief in fate thanks to a love of the movie “Signs,” is convinced that this day is the culmination of his destiny. Meanwhile their mother, played by Susan Sarandon, discovers on her birthday that she has a secret admirer in her office, and struggles to discover whether she can open herself up to a new romance at her age.

IFC recently had the chance to talk to the Duplass brothers about their inspiration for “Jeff” and their experience working on the film. In the below interview, we talk casting choices, future project and the joys of having a stoner as your main character. Read on, but beware that some “Jeff” spoilers do lie ahead.

IFC: Is this film at all autobiographical in terms of the relationship between the two brothers?

JAY DUPLASS: No. I think that Mark said best recently. He was saying that Pat and Jeff are both in side of both of us. We would like the Jeff part to come out more. We’re working on that. But basically, Mark and I are sort of workaholics; we grew up in Catholic school. We kind of put our heads down and worked very, very hard, and making this film was a little bit of wish fulfillment for us, because we wish we were a lot more like Jeff. We love guys like that.

I think, for better or for worse, we inherently kind of see them as somewhat heroic. We realized that they appear to most people as just sort of like burnouts, but for us there’s this other element of them being kind of like rogue agents operating outside of the norms of society, and taking chances and hoping for bigger things in their lives. At least, the ones that we have been friends with. That’s what kind of inspired us to make the film.

IFC: What was the inspiration to tell a story from a character like Jeff’s perspective?

MARK DUPLASS: Jay and I are always interested in these sort of unlikely hero protagonists. [You] find yourself rooting for this person that you can’t believe you’re rooting for. And I guess, not to get too corny about it, but Jay and I have a deep-seated love for these kinds of people and you can very quickly write them off as just a quick stoner profile, but if you take the time to dig a little deeper, there’s a lot of hopes and dreams inside of Jeff. So, for us, it was less a conscious decision to do that and more just following our [interests] of what we’d want to see.

IFC: Where did you come up with the idea for Susan Sarandon’s storyline?

JD: Well, we always try to do something a little different, like you’re talking about with the tone that we have on Jeff. We’re obviously acknowledging that most people would reference him as a stoner, but we’re choosing to explore this other side of him, happening concurrently with all of these other characters, in this case specifically with Susan’s character. A mother character, typically in a movie, is usually used just as a counterpoint and to sort of yell at them and be angry with them. And we do a little bit of that, but we were just interested in her having this sort of sexual awakening.

I guess the theme of the movie, you know, thinking about it retrospectively, is that all of these characters are not happy, they’re stuck, and they’re trying to get to that next level. They’re trying to get to that point where they have a little bit of air and a little bit of light and a little bit of joy in their life and none of them are very good at getting there or know how to get there. For Susan’s character, we just got excited about this idea of this inter-office romance and her, not only being resistant to the romance, but also being resistant to the idea that she could even participate in something like that in this stage of her life, and … that was exciting to us.

IFC: How did you decide the actors to play each role?

MD: Jason [Segel] was the first guy we brought on board because we knew he had that wonderful everyman quality plus he’s a bit of a dreamer himself, and we knew he’d be the right fit. And then we brought on Ed [Helms], because if you’re asking someone to play a douchebag in your movie, then you have to really cast a nice person for them because when it’s time for them to turn a little bit, you have that.

But in regards to Judy [Greer], we knew absolutely we wanted her for the film mostly because she has this very [unique] quality about her which is she can be simultaneously tragic, sad and funny at the same time. And it’s very hard to watch a sweet girl like Judy cry and find yourself sympathizing with her and laughing at the same time. That’s just a real testament to the spirit of her.

IFC: Do you two have plans to work on any other movies in the future?

MD: We have a whole bunch of things right now and we’re both having kids this year, so lots of things on the horizon.

IFC: One last question for you Jay. I know Mark has been spending a lot of time acting recently, but are you ever going to make the jump in front of the camera?

JD: It’s possible that I might do something this summer. I mean, up until this point, with all the films Mark and I have made, I’m the primary camera operator, so it definitely is hard to get in front of the camera when you’re behind it. It’s kind of just been not really on our radar, not really an option up until this point. But there’s a film that someone has asked me to act in and I might do that this summer.

What are your thought on the Duplass brothers’ approach to filmmaking? Tell us in the comments section below or on Facebook and Twitter.

Commuters_105_MPX-1920×1080

Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

Posted by on

Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

Commuters_106_MPX-1920x1080

IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

BVSS-106-Stitching-web2

C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

Posted by on

Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

BVSS 101_14c

Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

BVSS_101_13

Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

BVSS 101_9_c

Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

IFC_Doc-Now_S2E1_1920x1080_v01_web

Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

Posted by on
Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

Powered by ZergNet