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Jay and Mark Duplass talk “Jeff, Who Lives At Home” and future projects

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Anyone who’s seen “Cyrus,” “The Puffy Chair” or “Baghead” knows that writer/director brothers Jay and Mark Duplass don’t tell run-of-the-mill stories. Their films walk the fine line between comedy and drama, and often seek to find truth in the most normal of situations.

Their new project, “Jeff, Who Lives At Home,” is no different. The movie follows two brothers, a “burnout” who lives at home named Jeff (Jason Segel) and his asshole brother Pat (Ed Helms), as they navigate through a day that seems like any other. But Jeff, who has a passionate belief in fate thanks to a love of the movie “Signs,” is convinced that this day is the culmination of his destiny. Meanwhile their mother, played by Susan Sarandon, discovers on her birthday that she has a secret admirer in her office, and struggles to discover whether she can open herself up to a new romance at her age.

IFC recently had the chance to talk to the Duplass brothers about their inspiration for “Jeff” and their experience working on the film. In the below interview, we talk casting choices, future project and the joys of having a stoner as your main character. Read on, but beware that some “Jeff” spoilers do lie ahead.

IFC: Is this film at all autobiographical in terms of the relationship between the two brothers?

JAY DUPLASS: No. I think that Mark said best recently. He was saying that Pat and Jeff are both in side of both of us. We would like the Jeff part to come out more. We’re working on that. But basically, Mark and I are sort of workaholics; we grew up in Catholic school. We kind of put our heads down and worked very, very hard, and making this film was a little bit of wish fulfillment for us, because we wish we were a lot more like Jeff. We love guys like that.

I think, for better or for worse, we inherently kind of see them as somewhat heroic. We realized that they appear to most people as just sort of like burnouts, but for us there’s this other element of them being kind of like rogue agents operating outside of the norms of society, and taking chances and hoping for bigger things in their lives. At least, the ones that we have been friends with. That’s what kind of inspired us to make the film.

IFC: What was the inspiration to tell a story from a character like Jeff’s perspective?

MARK DUPLASS: Jay and I are always interested in these sort of unlikely hero protagonists. [You] find yourself rooting for this person that you can’t believe you’re rooting for. And I guess, not to get too corny about it, but Jay and I have a deep-seated love for these kinds of people and you can very quickly write them off as just a quick stoner profile, but if you take the time to dig a little deeper, there’s a lot of hopes and dreams inside of Jeff. So, for us, it was less a conscious decision to do that and more just following our [interests] of what we’d want to see.

IFC: Where did you come up with the idea for Susan Sarandon’s storyline?

JD: Well, we always try to do something a little different, like you’re talking about with the tone that we have on Jeff. We’re obviously acknowledging that most people would reference him as a stoner, but we’re choosing to explore this other side of him, happening concurrently with all of these other characters, in this case specifically with Susan’s character. A mother character, typically in a movie, is usually used just as a counterpoint and to sort of yell at them and be angry with them. And we do a little bit of that, but we were just interested in her having this sort of sexual awakening.

I guess the theme of the movie, you know, thinking about it retrospectively, is that all of these characters are not happy, they’re stuck, and they’re trying to get to that next level. They’re trying to get to that point where they have a little bit of air and a little bit of light and a little bit of joy in their life and none of them are very good at getting there or know how to get there. For Susan’s character, we just got excited about this idea of this inter-office romance and her, not only being resistant to the romance, but also being resistant to the idea that she could even participate in something like that in this stage of her life, and … that was exciting to us.

IFC: How did you decide the actors to play each role?

MD: Jason [Segel] was the first guy we brought on board because we knew he had that wonderful everyman quality plus he’s a bit of a dreamer himself, and we knew he’d be the right fit. And then we brought on Ed [Helms], because if you’re asking someone to play a douchebag in your movie, then you have to really cast a nice person for them because when it’s time for them to turn a little bit, you have that.

But in regards to Judy [Greer], we knew absolutely we wanted her for the film mostly because she has this very [unique] quality about her which is she can be simultaneously tragic, sad and funny at the same time. And it’s very hard to watch a sweet girl like Judy cry and find yourself sympathizing with her and laughing at the same time. That’s just a real testament to the spirit of her.

IFC: Do you two have plans to work on any other movies in the future?

MD: We have a whole bunch of things right now and we’re both having kids this year, so lots of things on the horizon.

IFC: One last question for you Jay. I know Mark has been spending a lot of time acting recently, but are you ever going to make the jump in front of the camera?

JD: It’s possible that I might do something this summer. I mean, up until this point, with all the films Mark and I have made, I’m the primary camera operator, so it definitely is hard to get in front of the camera when you’re behind it. It’s kind of just been not really on our radar, not really an option up until this point. But there’s a film that someone has asked me to act in and I might do that this summer.

What are your thought on the Duplass brothers’ approach to filmmaking? Tell us in the comments section below or on Facebook and Twitter.

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Brock Hard

Brockmire’s Guide To Grabbing Life By The D***

Catch up on the full season of Brockmire now.

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“Lucy, put supper on the stove, my dear, because this ballgame is over!”

Brockmire has officially closed out its rookie season. Miss the finale episode? A handful of episodes? The whole blessed season?? You can see it all from the beginning, starting right here.

And you should get started, because every minute you spend otherwise will be a minute spent not living your best life. That’s right, there are very important life lessons that Brockmire hid in plain sight—lessons that, when applied thoughtfully, can improve every aspect of your awesome existence. Let’s dive into some sage nuggets from what we call the Book of Jim.

Life Should Be Spiked, Not Watered Down.

That’s not just a fancy metaphor. As Brockmire points out, water tastes “awful. 70% of the water is made up of that shit?” Life is short, water sucks, live like you mean it.

There Are Only Three Types of People

“Poor people, rich people and famous people. Rich people are just poor people with money, so the only worthwhile thing is being famous.” So next time your rich friends act all high and mighty, politely remind them that they’re worthless in the eyes of even the most minor celebrities.

There’s Always A Reason To Get Out Of Bed

And 99% of the time that reason is the urge to pee. It’s nature’s way of saying “seize the day.”

There’s More To Life Than Playing Games

“Baseball can’t compete with p0rnography. Nothing can.” Nothing you do or ever will do can be more important to people than p0rn. Get off your high horse.

A Little Empathy Goes A Long Way

Especially if you’ve taken someone else’s Plan B by mistake.

Our Weaknesses Can Be Our Greatest Strengths

Tyrion Lannister said something similar. Hard to tell who said it with more colorful profanity. Wise sentiments all around.

Big Things Come To Those Who Wait

When you’re looking for a sign, the universe will drop you a big one. You’re the sh*t, universe.

And Of Course…

Need more life lessons from the Book of Jim? Catch up on Brockmire on the IFC App.

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Oh Mama

Mommie May I?

Mommie Dearest Is On Repeat All Mothers Day Long On IFC

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The cult-classic movie Mommie Dearest is a game-changer. If you’ve seen it even just once (but come on, who sees it just once?), then you already know what we’re talking about.

But if you haven’t seen it, then let us break it down for you. Really quick, we promise, we’ll even list things out to spare you the reading of a paragraph:

1. It’s the 1981 biopic based on the memoir of Christina Crawford, Hollywood icon Joan Crawford’s adopted daughter.
2. Faye Dunaway plays Joan. And boy does she play her. Loud and over-reactive.
3. It was intended as a drama, but…
4. Waaaaaay over-the-top performances and bargain-basement dialogue rendered it an accidental comedy.
5. It’s a cult classic, and you’re the last person to see it.

Not sold? Don’t believe it’s going to change your life? Ok, maybe over-the-top acting isn’t your thing, or perhaps you don’t like the lingering electricity of a good primal scream, or Joan Crawford is your personal icon and you can’t bear to see her cast in such a creepy light.

But none of that matters.

What’s important is that seeing this movie gives you permission to react to minor repeat annoyances with unrestrained histrionics.

That there is a key moment. Is she crazy? Yeah. But she’s also right. Shoulder nipples are horrible, wire hangers are the worst, and yelling about it feels strangely justified. She did it, we can do it. Precedent set. You’re welcome.

So what else can we yell about? Channel your inner Joan and consider the following list offenses when choosing your next meltdown.

Improperly Hung Toilet Paper

Misplaced Apostrophes

Coldplay at Karaoke

Dad Jokes

Gluten Free Pizza

James Franco

The list of potential pedestrian grievances is actually quite daunting, but when IFC airs Mommie Dearest non-stop for a full day, you’ll have 24 bonus hours to mull it over. 24 bonus hours to nail that lunatic shriek. 24 bonus hours to remember that, really, your mom is comparatively the best.

So please, celebrate Mother’s Day with Mommie Dearest on IFC and at IFC.com. And for the love of god—NO WIRE HANGERS EVER.

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Breaking News

From Canada With Love

Baroness von Sketch Show premieres this summer on IFC.

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Breaking news that (finally) isn’t apocalyptic!

IFC announced today that it acquired acclaimed Canadian comedy series Baroness von Sketch Show, slated to make its US of A premiere this summer. And yes, it’s important to note that it’s a Canadian sketch comedy series, because Canada is currently a shining beacon of civilization in the western hemisphere, and Baroness von Sketch Show reflects that light in every way possible.

The series is fronted entirely by women, which isn’t unusual in the sketch comedy world but is quite rare in the televised sketch comedy world. Punchy, smart, and provocative, each episode of Baroness von Sketch Show touches upon outrageous-yet-relatable real world subjects in ways both unexpected and deeply satisfying: soccer moms, awkward office birthday parties, being over 40 in a gym locker room…dry shampoo…

Indiewire called it “The Best Comedy You’ve Never Seen” and The National Post said that it’s “the funniest thing on Canadian television since Kids In The Hall.” And that’s saying a lot, because Canadians are goddamn hilarious.

Get a good taste of BVSS in the following sketch, which envisions a future Global Summit run entirely by women. It’s a future we’re personally ready for.

Baroness Von Sketch Show premieres later this summer on IFC.

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