DID YOU READ

How “The Hunger Games” succeeds as an adaptation where “Twilight” and “Harry Potter” failed

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There’s a lot riding on the March 23 release of “The Hunger Games.” Whether you like or loathe the film will be based on your personal preferences, but it can be universally agreed upon that “The Hunger Games” not only is a good movie, but that it succeeds as a fully fleshed out adaptation where most before it have failed.

This is coming from a die-hard “Harry Potter” fan. And while I wouldn’t consider myself a Twi-Hard, I am well versed in both the films and the books. So it’s not entirely objective when I say that both series’ onscreen adaptations are not that great, but it is an honest statement.

“The Hunger Games,” on the other hand, stands on its own as a movie. It deviates from the source material in a way that is honest to Suzanne Collins’ book, and also often strengthens the story. Much like HBO’s adaptation of “Game of Thrones,” every additional scene in the movie adds something that should have been there to begin with.

That’s not to say that “The Hunger Games” is without its flaws. Every movie has them. But that’s the key word right there. “The Hunger Games” is a movie in its own right whereas both “Twilight” and “Harry Potter” were chained at the hips to their source material.

This isn’t an editorial with the intention of bashing “Harry Potter” or “Twilight.” Both of those franchises are successful for a reason, and are good in their own right. “Harry Potter” tells the story of a boy wizard with a big destiny, while “Twilight” tells the tale of the unrequited love between a human and a vampire. The problem with those films, though, is that they don’t add much to the screen that wasn’t already on the page.

By contrast, “The Hunger Games” isn’t constrained by the book’s story. Collins’ novels offer hints that a larger saga is taking place, and the film shows us that. And its strength lies in that component of the movie.

The argument can be made that “The Hunger Games” was always going to be best served as a movie. The action-packed and dramatic story was constantly constricted by Katniss’s first-person perspective while it was always obvious that the tale being told was much bigger than just her. Without that restraint, the film was able to set the stage for the future “Hunger Games” films while also allowing the world of Panem to be fully developed.

There is one character in particular that gets a much larger role in the film than he does in the books. His presence as a counterpoint for Katniss really works. By amping up his role in the movie (someone else will have to spoil who he is for you), the character helps highlight the brutality of the Capitol in a way just telling Katniss’s side of the story never would.

That’s not to say that “Twilight” and “Harry Potter” never stepped outside of the confines of the novels that they were based on, but those extra or changed scenes never quite worked the way they should have. Showing James, Laurent and Victoria killing innocent civilians didn’t have the same impact as hearing about the mysterious murders occurring in “Twilight” and wondering what was going on. And that scene in “Harry Potter and the Half-Blood Prince” where Bellatrix Lestrange burned down the Burrow felt out of place and also makes little sense in the continuity of the story.

In those film franchises, there was always the sense that viewers who hadn’t read the books were missing out on something important in the story that wasn’t being portrayed on the big screen. That’s not how it felt walking out of the theater following “The Hunger Games.” The heart of the story was in that film, and it did just as good a job telling Katniss’s tale as the book did.

It’s yet to be seen if “The Hunger Games” will do as well in theaters as the “Twilight” and “Potter” films, but my gut says that it will. Even if it doesn’t end up breaking the same records that the precious two franchises set, one thing is certain: it’s a much better movie than either of those were. And this is coming from a girl who vehemently thought “Harry Potter and the Deathly Hallows: Part 2” deserved a Best Picture Oscar nod this year.

Do you agree or disagree with our sentiments on “Twilight” and “Harry Potter”? Are you just pissed that I’ve taken those franchises names in vain? Tell us in the comments section below or on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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