DID YOU READ

How “The Hunger Games” succeeds as an adaptation where “Twilight” and “Harry Potter” failed

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There’s a lot riding on the March 23 release of “The Hunger Games.” Whether you like or loathe the film will be based on your personal preferences, but it can be universally agreed upon that “The Hunger Games” not only is a good movie, but that it succeeds as a fully fleshed out adaptation where most before it have failed.

This is coming from a die-hard “Harry Potter” fan. And while I wouldn’t consider myself a Twi-Hard, I am well versed in both the films and the books. So it’s not entirely objective when I say that both series’ onscreen adaptations are not that great, but it is an honest statement.

“The Hunger Games,” on the other hand, stands on its own as a movie. It deviates from the source material in a way that is honest to Suzanne Collins’ book, and also often strengthens the story. Much like HBO’s adaptation of “Game of Thrones,” every additional scene in the movie adds something that should have been there to begin with.

That’s not to say that “The Hunger Games” is without its flaws. Every movie has them. But that’s the key word right there. “The Hunger Games” is a movie in its own right whereas both “Twilight” and “Harry Potter” were chained at the hips to their source material.

This isn’t an editorial with the intention of bashing “Harry Potter” or “Twilight.” Both of those franchises are successful for a reason, and are good in their own right. “Harry Potter” tells the story of a boy wizard with a big destiny, while “Twilight” tells the tale of the unrequited love between a human and a vampire. The problem with those films, though, is that they don’t add much to the screen that wasn’t already on the page.

By contrast, “The Hunger Games” isn’t constrained by the book’s story. Collins’ novels offer hints that a larger saga is taking place, and the film shows us that. And its strength lies in that component of the movie.

The argument can be made that “The Hunger Games” was always going to be best served as a movie. The action-packed and dramatic story was constantly constricted by Katniss’s first-person perspective while it was always obvious that the tale being told was much bigger than just her. Without that restraint, the film was able to set the stage for the future “Hunger Games” films while also allowing the world of Panem to be fully developed.

There is one character in particular that gets a much larger role in the film than he does in the books. His presence as a counterpoint for Katniss really works. By amping up his role in the movie (someone else will have to spoil who he is for you), the character helps highlight the brutality of the Capitol in a way just telling Katniss’s side of the story never would.

That’s not to say that “Twilight” and “Harry Potter” never stepped outside of the confines of the novels that they were based on, but those extra or changed scenes never quite worked the way they should have. Showing James, Laurent and Victoria killing innocent civilians didn’t have the same impact as hearing about the mysterious murders occurring in “Twilight” and wondering what was going on. And that scene in “Harry Potter and the Half-Blood Prince” where Bellatrix Lestrange burned down the Burrow felt out of place and also makes little sense in the continuity of the story.

In those film franchises, there was always the sense that viewers who hadn’t read the books were missing out on something important in the story that wasn’t being portrayed on the big screen. That’s not how it felt walking out of the theater following “The Hunger Games.” The heart of the story was in that film, and it did just as good a job telling Katniss’s tale as the book did.

It’s yet to be seen if “The Hunger Games” will do as well in theaters as the “Twilight” and “Potter” films, but my gut says that it will. Even if it doesn’t end up breaking the same records that the precious two franchises set, one thing is certain: it’s a much better movie than either of those were. And this is coming from a girl who vehemently thought “Harry Potter and the Deathly Hallows: Part 2” deserved a Best Picture Oscar nod this year.

Do you agree or disagree with our sentiments on “Twilight” and “Harry Potter”? Are you just pissed that I’ve taken those franchises names in vain? Tell us in the comments section below or on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.