DID YOU READ

How “The Hunger Games” succeeds as an adaptation where “Twilight” and “Harry Potter” failed

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There’s a lot riding on the March 23 release of “The Hunger Games.” Whether you like or loathe the film will be based on your personal preferences, but it can be universally agreed upon that “The Hunger Games” not only is a good movie, but that it succeeds as a fully fleshed out adaptation where most before it have failed.

This is coming from a die-hard “Harry Potter” fan. And while I wouldn’t consider myself a Twi-Hard, I am well versed in both the films and the books. So it’s not entirely objective when I say that both series’ onscreen adaptations are not that great, but it is an honest statement.

“The Hunger Games,” on the other hand, stands on its own as a movie. It deviates from the source material in a way that is honest to Suzanne Collins’ book, and also often strengthens the story. Much like HBO’s adaptation of “Game of Thrones,” every additional scene in the movie adds something that should have been there to begin with.

That’s not to say that “The Hunger Games” is without its flaws. Every movie has them. But that’s the key word right there. “The Hunger Games” is a movie in its own right whereas both “Twilight” and “Harry Potter” were chained at the hips to their source material.

This isn’t an editorial with the intention of bashing “Harry Potter” or “Twilight.” Both of those franchises are successful for a reason, and are good in their own right. “Harry Potter” tells the story of a boy wizard with a big destiny, while “Twilight” tells the tale of the unrequited love between a human and a vampire. The problem with those films, though, is that they don’t add much to the screen that wasn’t already on the page.

By contrast, “The Hunger Games” isn’t constrained by the book’s story. Collins’ novels offer hints that a larger saga is taking place, and the film shows us that. And its strength lies in that component of the movie.

The argument can be made that “The Hunger Games” was always going to be best served as a movie. The action-packed and dramatic story was constantly constricted by Katniss’s first-person perspective while it was always obvious that the tale being told was much bigger than just her. Without that restraint, the film was able to set the stage for the future “Hunger Games” films while also allowing the world of Panem to be fully developed.

There is one character in particular that gets a much larger role in the film than he does in the books. His presence as a counterpoint for Katniss really works. By amping up his role in the movie (someone else will have to spoil who he is for you), the character helps highlight the brutality of the Capitol in a way just telling Katniss’s side of the story never would.

That’s not to say that “Twilight” and “Harry Potter” never stepped outside of the confines of the novels that they were based on, but those extra or changed scenes never quite worked the way they should have. Showing James, Laurent and Victoria killing innocent civilians didn’t have the same impact as hearing about the mysterious murders occurring in “Twilight” and wondering what was going on. And that scene in “Harry Potter and the Half-Blood Prince” where Bellatrix Lestrange burned down the Burrow felt out of place and also makes little sense in the continuity of the story.

In those film franchises, there was always the sense that viewers who hadn’t read the books were missing out on something important in the story that wasn’t being portrayed on the big screen. That’s not how it felt walking out of the theater following “The Hunger Games.” The heart of the story was in that film, and it did just as good a job telling Katniss’s tale as the book did.

It’s yet to be seen if “The Hunger Games” will do as well in theaters as the “Twilight” and “Potter” films, but my gut says that it will. Even if it doesn’t end up breaking the same records that the precious two franchises set, one thing is certain: it’s a much better movie than either of those were. And this is coming from a girl who vehemently thought “Harry Potter and the Deathly Hallows: Part 2” deserved a Best Picture Oscar nod this year.

Do you agree or disagree with our sentiments on “Twilight” and “Harry Potter”? Are you just pissed that I’ve taken those franchises names in vain? Tell us in the comments section below or on Facebook and Twitter.

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Home Run

Hank Azaria Gets Thrown A Curve Ball

Brockmire Premieres April 5 at 10P

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Photo Credit: Everett Collection

Unless you’ve somehow missed every episode of the Simpsons since 1989, then surely you know that Hank Azaria is one of the most important character actors of our time. He’s so prolific and his voice is so dynamic that he’s responsible for more iconic personalities than most folks realize. Basically, he’s the great and powerful Oz — except that when you pull back the curtain the truth is actually more impressive. And now Hank is coming to IFC to bring yet another character to the TV pop culture hive mind in the new series Brockmire. Check out the trailer below.

Based on the following Funny or Die short and co-starring Amanda Peet, Brockmire follows the story of imploded major league sportscaster Jim Brockmire as he tries to resurrect his career by calling plays for a floundering minor league team in a podunk town.

The series is written by Joel Church-Cooper (Undateable) and produced by Funny or Die’s Mike Farah and Joe Farrell, meaning that there’s funny in front of the camera, funny behind the camera–funny all around. Sounds like a ball to us.

Brockmire premieres April 5 at 10P on IFC.

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Car Notes

Portlandia On People Who Can’t Park

Portlandia returns tonight at 10P on IFC.

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If flagrant bad parking takes nerve, then retaliatory note writing takes neuroses. Watch Fred and Carrie take passive aggression to next level in Car Notes, the new Portlandia web series presented by Subaru. The first episode is yours right here and now, and you can see every installment of Car Notes anytime online, on the IFC app and on demand.

Portlandia returns tonight at 10P on IFC.

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Nick Kroll and John Mulaney To Host Spirit Awards

The Spirit Awards Air February 25 LIVE on IFC.

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The 2017 Spirit Awards have finally found their frontmen: Nick Kroll and John Mulaney. And it’s no wonder. Just marvel in their splendid chemistry back when they appeared on Comedy Bang! Bang!:

The pair are prolific within the performing arts community: television (Kroll in The League and The Kroll Show, Mulaney as a writer of IFC’s own Documentary Now!), theater (including Broadway’s current Oh Hello Show), and stand-up comedy. In fact, it’s entirely possible that emceeing an awards show is one of the few remaining line items on their professional bucket lists.

It’s important to caveat this announcement, however. Unlike the bigger and more ubiquitously known awards shows, the Spirit Awards are not, well…boring. (We’re talking to you, Oscar.)

They’re funny. They’re honest. They have quality to match the red-carpet fanfare. And that’s alarmingly special. Last year’s show included some legitimately historic moments, like when transgender actress Mya Taylor won best supporting female, or Kate McKinnon’s hilarious and timely parody of Carol. See more highlights here to get the flavor of the Spirit Awards and read all about Film Independent to dig deeper.

The 2017 Spirit Awards air live February 25 at 5P ET exclusively on IFC.

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