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DID YOU READ

How “The Hunger Games” succeeds as an adaptation where “Twilight” and “Harry Potter” failed

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There’s a lot riding on the March 23 release of “The Hunger Games.” Whether you like or loathe the film will be based on your personal preferences, but it can be universally agreed upon that “The Hunger Games” not only is a good movie, but that it succeeds as a fully fleshed out adaptation where most before it have failed.

This is coming from a die-hard “Harry Potter” fan. And while I wouldn’t consider myself a Twi-Hard, I am well versed in both the films and the books. So it’s not entirely objective when I say that both series’ onscreen adaptations are not that great, but it is an honest statement.

“The Hunger Games,” on the other hand, stands on its own as a movie. It deviates from the source material in a way that is honest to Suzanne Collins’ book, and also often strengthens the story. Much like HBO’s adaptation of “Game of Thrones,” every additional scene in the movie adds something that should have been there to begin with.

That’s not to say that “The Hunger Games” is without its flaws. Every movie has them. But that’s the key word right there. “The Hunger Games” is a movie in its own right whereas both “Twilight” and “Harry Potter” were chained at the hips to their source material.

This isn’t an editorial with the intention of bashing “Harry Potter” or “Twilight.” Both of those franchises are successful for a reason, and are good in their own right. “Harry Potter” tells the story of a boy wizard with a big destiny, while “Twilight” tells the tale of the unrequited love between a human and a vampire. The problem with those films, though, is that they don’t add much to the screen that wasn’t already on the page.

By contrast, “The Hunger Games” isn’t constrained by the book’s story. Collins’ novels offer hints that a larger saga is taking place, and the film shows us that. And its strength lies in that component of the movie.

The argument can be made that “The Hunger Games” was always going to be best served as a movie. The action-packed and dramatic story was constantly constricted by Katniss’s first-person perspective while it was always obvious that the tale being told was much bigger than just her. Without that restraint, the film was able to set the stage for the future “Hunger Games” films while also allowing the world of Panem to be fully developed.

There is one character in particular that gets a much larger role in the film than he does in the books. His presence as a counterpoint for Katniss really works. By amping up his role in the movie (someone else will have to spoil who he is for you), the character helps highlight the brutality of the Capitol in a way just telling Katniss’s side of the story never would.

That’s not to say that “Twilight” and “Harry Potter” never stepped outside of the confines of the novels that they were based on, but those extra or changed scenes never quite worked the way they should have. Showing James, Laurent and Victoria killing innocent civilians didn’t have the same impact as hearing about the mysterious murders occurring in “Twilight” and wondering what was going on. And that scene in “Harry Potter and the Half-Blood Prince” where Bellatrix Lestrange burned down the Burrow felt out of place and also makes little sense in the continuity of the story.

In those film franchises, there was always the sense that viewers who hadn’t read the books were missing out on something important in the story that wasn’t being portrayed on the big screen. That’s not how it felt walking out of the theater following “The Hunger Games.” The heart of the story was in that film, and it did just as good a job telling Katniss’s tale as the book did.

It’s yet to be seen if “The Hunger Games” will do as well in theaters as the “Twilight” and “Potter” films, but my gut says that it will. Even if it doesn’t end up breaking the same records that the precious two franchises set, one thing is certain: it’s a much better movie than either of those were. And this is coming from a girl who vehemently thought “Harry Potter and the Deathly Hallows: Part 2” deserved a Best Picture Oscar nod this year.

Do you agree or disagree with our sentiments on “Twilight” and “Harry Potter”? Are you just pissed that I’ve taken those franchises names in vain? Tell us in the comments section below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.