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DID YOU READ

“Goon” – impressions of a hockey movie masterpiece

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By Jordan Hoffman

Movies about baseball, basketball or football present a vocation rich in glory, glamour and dignity. There haven’t been too many films about hockey, but each one I see makes it look like a tour in ‘Nam. “Goon,” directed by Michael Dowse and co-written by Jay Baruchel has the makings of a frat house masterpiece and may just be my favorite, rowdy sports flick since the original “Bad News Bears.”

Try to imagine Lenny from “Of Mice and Men” on skates and you’ve got Doug Glatt. Seann William Scott is wonderfully cast as the kind hearted blockhead whose ability to both take and deliver a punch may lead his team toward victory. When we first meet him he’s working as a bouncer and looking for direction. (His domineering father played by Eugene Levy is a successful doctor, and not very proud of his son.) His best buddy, Baruchel, is a Grade-A New England dirtbag and hockey blogger. After a trip to a local minor league game leads to a fight in the stands, Doug finds himself with an offer to lace up and join as an enforcer, or, as is commonly known, be the (I bet you didn’t see this one coming) Goon.

One musical montage later (Canadian deities Rush, of course, with one of their early ones) Doug finds himself moved up from a team “not named for a radio station” but an actual major league farm club. His job is simple: protect the star player Guy LaFlamme, a hard-partying bozo, but a truly great player whose confidence is shot after a recent injury.

The injury came from the high stick of Ross Rehna, the mustachioed elder statesman of Goon-dom played by Liev Schrieber. The stage is now set for an operatic match-up as the bloody gloves prepare to be passed to the next generation.

Of the seven hundred things I love about the movie “Goon,” most stem from this: it makes no apologies. It revels in its brawls, belches and blue humor. Yes, there’s a race to the playoffs, but this is all secondary to true aims of our hero – and his goal, as is made perfectly clear – is to beat the hell out of Liev Schrieber. Oh, there’s team camaraderie galore, but it is stripped of much of the usual sports cliché bullshit and this refreshing honesty makes you care about the outcome even more.

By some miracle it actually does a decent job of explaining how the psychology of sanctioned fighting actually works in hockey. (I’ve often heard drunken yahoos, often with Boston accents, say “it’s paaht of the game,” but “Goon” was the first time I ever saw how.)

A sports film is nothing without its side characters and “Goon” has a locker room full of classic sociopaths. There’s also the best announcer since “Best in Show” and a fantastic angry coach in Kim Coates. The second he appeared I sprang up in my seat – aw, man, Tig from “Sons of Anarchy” is gonna scream at ’em on a bus! “Goon” does not disappoint, and he gets in a line that every kid on a hockey team will be quoting from now til the day the world freezes over.

“Goon” is a marvelous picture and, yeah, it’s “got heart” – but it is also smart enough to know that its core audience is too boozed-up and rowdy for too much heart. It is loud, violent, but really, really sharp. There are moments when the jokes are flying by as fast as the puck, so I’m sure I missed something. I’m sure I’ll get ’em all eventually, as this is a movie that’ll play on cable for years and always get you to stop flipping because “oh, wait, this next scene is the best.”

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.