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Brad Bird is “gratified” by the continued popularity of “The Iron Giant”

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It’s hard to believe that it’s been 13 years since “The Iron Giant” first charmed audiences in theaters. The movie launched the career of beloved filmmaker Brad Bird, who has gone on to write and direct such projects as “The Incredibles” and “Ratatouille,” as well as helm last year’s “Mission: Impossible — Ghost Protocol” (his first live action feature).

“The Iron Giant” is being honored with a charity screening tomorrow at the Los Angeles Animation Festival, and Bird and actors Christopher McDonald and Eli Marienthal are expected to be in attendance. IFC had the chance to catch up with Bird in anticipation of the screening to talk to him about “The Iron Giant” more than a decade after it was first released.

IFC: You must be excited about “The Iron Giant” screening tomorrow night at the Animation Festival.

BRAD BIRD: It’s so awesome getting an opportunity to see it again on a large screen with an audience.

IFC: Did you expect that this film would be as popular now as it was when it came out?

BIRD: That’s what you hope for. You want these things to last. I think all of us who made it are gratified that it has.

IFC: Vin Diesel did the voice for the Iron Giant in his pre-“Fast and the Furious” and “Riddick” days. Do you guys still talk?

BIRD: No, I haven’t talked to him in a long time, but I’m happy that he’s gotten the great career that he has, because I got along great with him, and he was very easy and good to work with.

IFC: How was the casting process different for this film than it was for, say, a live action film?

BIRD: It was different for every one of [the cast members]. I oftentimes kind of hear voices in my head and sometimes they’re famous people and sometimes they’re not, and sometimes they’re a little bit famous and sometimes they’re somebody that is about to be famous. I don’t really cast for any sort of marquee value, I cast because I think they’re right for it.

In the instance of Harry Connick [Jr.] in the first recording session, he kind of put on a beatnik voice and we tried it for about five minutes and I said, “How would you say this?” And he said, “Well I’d just say dah duh dah duh dah,” and he had this great sort of New Orleans-tinged lilt, and it sounded effortlessly cool. And I just said, “Just do that.” And it worked great. Even though I hadn’t thought of the character as having any kind of subtle accent, it made him an outsider — you know, since the film is set in Maine — and it made him very subtly vocally — I mean visually, he’s very much an outsider — made him an outsider in a way that was unexpected and terrific.

I was just really happy with our voice cast. I think Jennifer [Aniston] did a fantastic job, and I think Chris McDonald was perfect as Kent Mansley, and we had a wonderful child actor in Eli Marienthal, and I was just happy straight down the line. Vin, as you said, was not well known at that time, but he had made a short film called “Multi-Facial” that I had seen and he was versatile, but he had this sort of rumble that just sounded powerful and yet sympathetic.

IFC: How would you say animated filmmaking has changed since you did “The Iron Giant”?

BIRD: At the time that “Iron Giant” was done, Disney was considered really kind of the only place that could be really successful at it. I mean, Pixar was successful. They had done like two films at that point. Pixar’s second film, “A Bug’s Life,” came out the same year as “Iron Giant.” Because that was released by Disney, that was kind of included under the Disney umbrella. Now I think people think very differently about animation. Many different studios have had successful animation releases, and it’s considered more a part of the mainstream movie diet than it was when we made “Iron Giant.”

IFC: Would you ever make a sequel to it?

BIRD: I don’t think so. I think that the story is pretty much complete as it is, even though it suggests something beyond the film at the end. I kind of think that that’s the story that we set out to tell and we told it. But I do, you know, think about doing other animated films.

Do you plan on checking out “The Iron Giant” in Los Angeles tomorrow? Do you think the film has aged well? Tell us in the comments section below or on Facebook and Twitter.

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SDCC OMG

Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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