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Brad Bird isn’t ruling out “The Incredibles 2”

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Brad Bird might be planning to continue making live action films for the foreseeable future, but that doesn’t mean that he’s done with animated movies for good. Even though he wowed audiences with his live action debut, “Mission: Impossible — Ghost Protocol,” the director is best known for his projects “The Incredibles,” “Ratatouille” and “The Iron Giant,” and is one of the most established animation directors in the business.

IFC caught up with Bird recently while he was promoting the Los Angeles Animation Festival’s charity screening of “The Iron Giant,” and shared that he does have some ideas for future animated projects. As someone who has always written and directed the animated films that he’s worked on, the ideas are all the fodder Bird needs for his future work.

“I don’t have any that are signed, sealed and delivered deals, but I have ideas that I would love to pursue someday,” Bird said. “I don’t think my next film is going to be animated, but I haven’t ruled out animation at all. I love the medium and I have other ideas that I’d like to do in it at some point.”

One movie that fans have been clamoring to see is “The Incredibles 2.” Bird has never promised a sequel to the 2004 Pixar film, but its story about a family of superheroes certainly leaves a variety of storylines open to be explored. He just doesn’t have the right story about the Parr family to explore yet.

“I really love those characters and if I can figure out a whole story to do I would do it. But one of the advantages that we had in the original ‘Incredibles’ was that several of the characters had never really got to flex their muscles before. They were repressed, and it was about them discovering their own abilities,” Bird said. “Any sequel to it, that particular thing — which is really a wonderful thing to be able to explore in a movie — that’s sort of gone. And so you have to find something that is equally interesting to do in a sequel.”

Though he hasn’t found a way to tell a new “Incredibles” story right now, Bird isn’t ruling “The Incredibles 2” off the table forever. The nice thing about animated films is that the actors don’t age because they’re all computer generated. If Bird wanted, he could return to the story five years from now and still be able to acquire the same voice cast and make an appropriate sequel, much like “Toy Story 3” did 11 years after “Toy Story 2” hit theaters.

“I would not say no to [‘The Incredibles 2’], because I really love that world and I love those characters. If I can figure out a complete thing — you know, I have a lot of ideas that I love — but the whole story, I haven’t got it yet,” Bird explained. “But if I can do that and make something that was to ‘Incredibles’ what ‘Toy Story 2’ was to ‘Toy Story,’ I would love to do it.”

What would you want the “Incredibles” sequel to be about? Tell us in the comments section below or on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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