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DID YOU READ

Brad Bird offers update on the disaster movie, “1906”

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With “Mission: Impossible – Ghost Protocol,” Brad Bird has proven that he’s got what it takes to be a great live-action filmmaker. The director best known for his work on “The Iron Giant,” “The Incredibles” and “Ratatouille” wowed audiences with his installment of the “Mission: Impossible” saga that was released last year, and has said in interviews that he plans to continue making live action movies.

It would make sense that Bird would next go on to make his long-planned San Francisco earthquake movie “1906,” but it turns out that’s not the case. IFC had the chance to catch up with Bird while he was promoting the Los Angeles Animation Festival’s charity screening of “The Iron Giant,” and he shared that “1906” is no closer to making its way to the big screen than it ever was.

The problem, he explained, never had anything to do with his lack of a live action resume. Instead, it is with his struggle to gather all the strands of “1906’s” story together into one feature-length script that has caused Bird the most problems in adapting it.

“If there were any doubts that I could handle a live action film, I think those have eased. But it doesn’t make solving the story challenges [of that film] any easier,” Bird explained. “I mean, that’s really what’s so far kept it from moving forward, is that it’s just an incredibly challenging story to pull together.”

“1906” is based on the best-selling novel of the same name that was written by James Dalessandro. It examines the corruption in the San Francisco government before and during the 1906 earthquake that shook the city. There are many different storylines woven together to craft the larger picture that is “1906,” and it doesn’t help that the story is set against one of the most famous natural disasters in American history.

“I mean, in a movie like ‘Titanic,’ there’s a certain amount of healthy limitation in the fact that it’s one ship in the middle of the ocean,” Bird said. “With ‘1906,’ it’s a city, and it becomes exponentially harder to sort of reign in the storylines and take advantage of all the amazing things that were happening in this place at that particular moment in time. The script and the story is what’s elusive on ‘1906’ more than it is any hesitations with me as a filmmaker.”

Bird has often said that it would be much easier to adapt the story as a mini-series instead of a film but, as he told us, “I want to be on the big screen.” And even in the sequel-happy world that we now live in, “1906” wouldn’t really work as a feature film series because it centers around the earthquake.

“I don’t think you can really do a ‘1906 Part 2: The Rebuilding,'” Bird said with a laugh. “If you’re going to deal with the earthquake, you have to deal with it in the movie, and I just think the audience would just hate you if you led up to the earthquake and then didn’t have it in the first film. And I think after the earthquake and after all of that is over, it sort of becomes a slower film about rebuilding a city, which is maybe good, but I think it would be a tough thing to plan for.”

So it sounds like the rumor suggesting that “1906” would come out this year is only a bit of wishful fantasy. But Bird hasn’t written the adaptation off just yet.

“I’ve got to find a way to do it in a movie length and that’s what’s been challenging, is trying to pull the story in enough to fit into a movie, and yet take advantage of all the unbelievable rich and diverse stories at that particular place at that moment in time,” he said. “You never know. We may get it figured out yet.”

Would you rather see “1906” as a feature film or a miniseries? Tell us in the comments section below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.