DID YOU READ

Would-be Tetsuo actor Toby Kebbell explains where the live-action “Akira” movie went wrong

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Plans have been put on hold for a live-action film based on “Akira,” the celebrated manga and animated film by Katsuhiro Otomo, but that hasn’t stopped details of the stalled project from finding their way online.

After some early concept art for the film hit the ‘net last week, we now have even more details about the project, thanks to “Wrath of the Titans” actor Toby Kebbell.

Back in November, the British actor was named as one of the leading candidates to play Tetsuo, a teenager who’s abducted by the government after developing powerful psychic abilities. During the press junket for “Wrath of Titans” — in which he plays the demigod Agenor — Kebbell shed a little more light on what the role would’ve entailed, the concerns he had about playing Tetsuo, and where he thinks the project went awry.

“Yes, that was genuine,” said Kebbell of the initial reports linking him to the role of Tetsuo. “I also got sent an email from a brother of mine that had all of these people’s faces, and I was like, ‘Shit! All of those people are going for it as well? Bastards!'”

“I’m probably never going to get an opportunity again to do [‘Akira’],” he said, adding that his initial take on the script left him feeling a bit, well… concerned.

“They were like, ‘This is going to be a big franchise!'” he explained. “So I said, ‘Then in that case, understand that I’ve read the comics, and I’ve read the comics that got turned into the annuals, and then the annuals that got turned into the one-off anime. So if you really want to do it, then why don’t you look at the six comics and just put two into each film?'”

“That way my character, Tetsuo, is not the lead,” he continued. “He’s not the second lead, and he’s not the third or the fourth lead, because there are eight major characters there. You’ve got great young actors, and you could get them in there. That’s the way to do it if you want to do sequels.”

The studio’s response, according to Kebbell, was not exactly encouraging.

“They were like, ‘Welllll…'” he shrugged. “So I told them, ‘Then this is a remake [of the animated movie], and I don’t want to do a live-action remake of the cartoon, because [the cartoon] is perfect and you’re not going to do it dark enough — so therefore, I don’t want to do it.”

Still, Kebbell said the potential of an “Akira” movie was hard to ignore, and his feelings about the studio’s plans for the film were borne out of his appreciation for the source material. For Kebbell, the relationship between Tetsuo and Kaneda, the gang leader who takes Tetsuo under his wing and treats him like a younger brother, is the most important theme of the story and the element that’s most vital to preserve in any adaptation.

“I was desperate to play Tetsuo, but Tetsuo in the comic and annual form,” he explained. “He’s brilliant in the anime, but if you know anything about the comics, they cut so much of the story out. You care about him, because it’s brilliantly done, but you don’t really care about Kaneda, who isn’t.”

“The other thing they wanted to do was make [Tetsuo and Kaneda] brothers,” he continued. “I was like, ‘The point is that Tetsuo can’t comprehend how someone who isn’t his brother could love him so much — and that’s where his wrath and his rage come from. Do you not see that? Why have you made them brothers? What the fuck are you doing?'”

Now that the project’s been shelved, Kebbell says he doesn’t hold out much hope that he’ll be able to bring his vision for Tetsuo to the big screen — but if “Akira” does indeed get made, he hopes to see it done the right way.

“I was desperate to do it, but I just hoped they were going to take the six annuals and adapt them,” he reiterated. “Having said that, they’ll probably read this and go, ‘We’re never working with him again.’ But I wish they would. Sometimes it’s a shame that money rules, because there are great stories to be told out there.”

“Wrath of the Titans” hits theaters March 30, and stars Sam Worthington, Liam Neeson, Ralph Fiennes, Edgar Ramirez, and Toby Kebbell. Keep an eye on IFC.com for more from the “Wrath of the Titans” press junket.

What’s your take on the live-action “Akira” movie? Chime in below or on Facebook or Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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