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DID YOU READ

“21 Jump Street” writer talks cameos, car chases, and the sequel he’s already working on

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21 Jump Street” arrives in theaters this week, and it’s already generated a lot of buzz for doing what many thought was impossible: making a movie based on a television series that’s actually, well… really, really good.

IFC recently spoke with “21 Jump Street” co-writer Michael Bacall about the positive vibes surrounding the film as it approaches opening weekend, and his unique approach — along with co-writer and star Jonah Hill — toward paying homage to the source material while creating one of the year’s funniest films.


IFC: Given everything we’ve seen from movies based on TV shows so far, let’s be honest: no one expected this movie to be as good as it is. I’m sure you were aware of that from the start. What was different about your approach to the film that made it so different from its predecessors?

MICHAEL BACALL: A lot of that has to do with Jonah’s brand of comedy, at least in terms of where he started — with movies like “Superbad.” It’s an edgy, hard-“R” arena that you’re getting to play in here. That’s what was initially so exciting about it for both of us: getting to take something on and try and make it of the moment and really push the limits of a great “R” comedy in terms of the kind of gags we could get away with. I think we’re both fans of the buddy-cop genre, and “21 Jump Street” seemed like a good property to get to play around with in that genre. We’ve talked about working on an action comedy together for about a year before this idea came up, and Jonah called me up and said “21 Jump Street” and kind of blew my mind — because I watched that show when I was a kid, and at the time it was one of the coolest things on TV and incredibly edgy for the moment. If you watch it now, it probably seems a bit dated, but I used to love that show. It made you feel cool watching it.

IFC: A lot of times with films like this, it feels like they’re wavering between sincere homage and parody, and they collapse trying to balance both elements. What went into your decision regarding what sort of movie this is going to be?

BACALL: We knew we wanted to tell a new story, but also give some clever winks and nods to the source material. We didn’t want to become bogged down in parody, and we didn’t want to milk nostalgia as the primary goal of the movie. We wanted to tell a good story first, and come up with these characters who have a nice emotional journey. But as fans of the show, it was really enjoyable after we had that character foundation down, to go and find places to have some fun with it.

IFC: There’s always a lot of improvisational comedy in Jonah’s films, and Rob Riggle mentioned to me that there was a lot of ad-libbing and improv during the filming of “21 Jump Street.” Is that something you allow for when you’re writing a film with Jonah?

BACALL: Well, I try to write a draft that’s as tight as possible, and my goal is is that the draft is tight enough so that there’s a really good foundation for extremely talented improvisational actors like Jonah to jump off of in any given scene. My goal for something where improvisation is part of the process is to have a draft that’s good enough that, when it alternates between the draft and the improvisation, you can’t really tell the difference. That way, I can steal credit for all of the great lines the actors throw in. [Laughs]

IFC: Well, I have to ask you about the cameos in the film. We all know Johnny Depp appears in it, so without revealing any more details about his cameo, can you tell me how you handle that sort of thing from a screenwriting perspective? Did you write him in and then hope he’d do it, or was it something added after the fact?

BACALL: We had a few versions of it written, but we didn’t know until later in the process that he’d actually be doing it. The way that we wound up with what, well… what that cameo actually entails…. was that Johnny said he’d be interested, but only if we handled his role a certain way and did a certain thing with his character. That was really exciting for us, as you can imagine. We ran off and tried to come up with the most extreme way to satisfy his request that we possibly could.

IFC: Let’s talk about the moment this project was announced, and there was a collective groan from just about everyone not involved with making the movie. Is that sort of response intimidating? Is it a challenge?

BACALL: For me, it was almost an advantage. It’s a really enjoyable challenge to go into a project with full certainty that once it’s announced, the reaction will be… less than effusive from the community of people who follow that kind of thing. I really enjoy a good challenge, though, and I think we just wanted to exceed the expectation that most people have for remakes and reboots and rehashing, and try to do something really interesting with it. I think we kind of reveled in that challenge and expectation.

IFC: So now that early reviews are coming in and people seem to think so highly of it, do you feel vindicated?

BACALL: Not so much vindicated as relieved, excited, and appreciative that everyone involved in the production just knocked it out of the park. Our actors turned in world-class comedic performances. Phil [Lord] and Chris [Miller] are amazing directors, and pulled off some incredible stuff. We had a great producer for this thing with Neal Moritz, so yeah, I’m really excited and grateful that everybody brought their A-game to it.

IFC: Well, since we know there was a lot of improv in the film, what’s the scene in the film that you’re most proud of writing and seeing on the screen in the way you wrote it?

BACALL: I really loved the car-chase sequence. I’ve been wanting to write a good car chase since I knew what a car chase was, and just being able to build the gags into that sequence and have some fun action at the same time… I’m really grateful those guys were able to bring it to life in such an effective way. I think I hugged Phil and Chris after that sequence played through for the first time.

IFC: So with any film that has positive buzz, the next question becomes… when will we see a sequel?

BACALL: I’m actually hashing that out right now.

IFC: You’re working on the script for the sequel now?

BACALL: Yeah!

IFC: Okay, then… Good to know!

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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