DID YOU READ

“21 Jump Street” writer talks cameos, car chases, and the sequel he’s already working on

21-jump-street-image-channing-tatum-jonah-hill

Posted by on

21 Jump Street” arrives in theaters this week, and it’s already generated a lot of buzz for doing what many thought was impossible: making a movie based on a television series that’s actually, well… really, really good.

IFC recently spoke with “21 Jump Street” co-writer Michael Bacall about the positive vibes surrounding the film as it approaches opening weekend, and his unique approach — along with co-writer and star Jonah Hill — toward paying homage to the source material while creating one of the year’s funniest films.


IFC: Given everything we’ve seen from movies based on TV shows so far, let’s be honest: no one expected this movie to be as good as it is. I’m sure you were aware of that from the start. What was different about your approach to the film that made it so different from its predecessors?

MICHAEL BACALL: A lot of that has to do with Jonah’s brand of comedy, at least in terms of where he started — with movies like “Superbad.” It’s an edgy, hard-“R” arena that you’re getting to play in here. That’s what was initially so exciting about it for both of us: getting to take something on and try and make it of the moment and really push the limits of a great “R” comedy in terms of the kind of gags we could get away with. I think we’re both fans of the buddy-cop genre, and “21 Jump Street” seemed like a good property to get to play around with in that genre. We’ve talked about working on an action comedy together for about a year before this idea came up, and Jonah called me up and said “21 Jump Street” and kind of blew my mind — because I watched that show when I was a kid, and at the time it was one of the coolest things on TV and incredibly edgy for the moment. If you watch it now, it probably seems a bit dated, but I used to love that show. It made you feel cool watching it.

IFC: A lot of times with films like this, it feels like they’re wavering between sincere homage and parody, and they collapse trying to balance both elements. What went into your decision regarding what sort of movie this is going to be?

BACALL: We knew we wanted to tell a new story, but also give some clever winks and nods to the source material. We didn’t want to become bogged down in parody, and we didn’t want to milk nostalgia as the primary goal of the movie. We wanted to tell a good story first, and come up with these characters who have a nice emotional journey. But as fans of the show, it was really enjoyable after we had that character foundation down, to go and find places to have some fun with it.

IFC: There’s always a lot of improvisational comedy in Jonah’s films, and Rob Riggle mentioned to me that there was a lot of ad-libbing and improv during the filming of “21 Jump Street.” Is that something you allow for when you’re writing a film with Jonah?

BACALL: Well, I try to write a draft that’s as tight as possible, and my goal is is that the draft is tight enough so that there’s a really good foundation for extremely talented improvisational actors like Jonah to jump off of in any given scene. My goal for something where improvisation is part of the process is to have a draft that’s good enough that, when it alternates between the draft and the improvisation, you can’t really tell the difference. That way, I can steal credit for all of the great lines the actors throw in. [Laughs]

IFC: Well, I have to ask you about the cameos in the film. We all know Johnny Depp appears in it, so without revealing any more details about his cameo, can you tell me how you handle that sort of thing from a screenwriting perspective? Did you write him in and then hope he’d do it, or was it something added after the fact?

BACALL: We had a few versions of it written, but we didn’t know until later in the process that he’d actually be doing it. The way that we wound up with what, well… what that cameo actually entails…. was that Johnny said he’d be interested, but only if we handled his role a certain way and did a certain thing with his character. That was really exciting for us, as you can imagine. We ran off and tried to come up with the most extreme way to satisfy his request that we possibly could.

IFC: Let’s talk about the moment this project was announced, and there was a collective groan from just about everyone not involved with making the movie. Is that sort of response intimidating? Is it a challenge?

BACALL: For me, it was almost an advantage. It’s a really enjoyable challenge to go into a project with full certainty that once it’s announced, the reaction will be… less than effusive from the community of people who follow that kind of thing. I really enjoy a good challenge, though, and I think we just wanted to exceed the expectation that most people have for remakes and reboots and rehashing, and try to do something really interesting with it. I think we kind of reveled in that challenge and expectation.

IFC: So now that early reviews are coming in and people seem to think so highly of it, do you feel vindicated?

BACALL: Not so much vindicated as relieved, excited, and appreciative that everyone involved in the production just knocked it out of the park. Our actors turned in world-class comedic performances. Phil [Lord] and Chris [Miller] are amazing directors, and pulled off some incredible stuff. We had a great producer for this thing with Neal Moritz, so yeah, I’m really excited and grateful that everybody brought their A-game to it.

IFC: Well, since we know there was a lot of improv in the film, what’s the scene in the film that you’re most proud of writing and seeing on the screen in the way you wrote it?

BACALL: I really loved the car-chase sequence. I’ve been wanting to write a good car chase since I knew what a car chase was, and just being able to build the gags into that sequence and have some fun action at the same time… I’m really grateful those guys were able to bring it to life in such an effective way. I think I hugged Phil and Chris after that sequence played through for the first time.

IFC: So with any film that has positive buzz, the next question becomes… when will we see a sequel?

BACALL: I’m actually hashing that out right now.

IFC: You’re working on the script for the sequel now?

BACALL: Yeah!

IFC: Okay, then… Good to know!

Chime in below or on Facebook or Twitter.

Watch More
Scarface Movie Al Pacino

Wanna Play?

Say Hello to Our Scarface Quiz

Play along with movie trivia during "Scarface" tonight at 8P on IFC.

Posted by on
Photo Credit: Everett Collection

Tony Montana is all about money, power and respect. And while we can’t promise you’ll get money or power by taking our Scarface quiz below, you will get respect if you get a perfect score. One out of three ain’t bad. Click below to take the quiz, and catch Scarface this month on IFC.

take-the-quiz-quotes-image

Watch More
Hank Azaria Commencement

Best Speech Ever

Hank Azaria’s Simpsons Advice For Grads, Questionable Shark Facts and More of This Week’s Funniest Videos

This week we're laughing at Hank's Tufts commencement speech, Jason Alexander's shark facts and more.

Posted by on
Photo Credit: YouTube/Tufts University

We’ve made it! Memorial Day weekend! But before we can complain that it’s over too quickly, take a moment to bask in the pre-break lack of productivity and enjoy some lighthearted videos.

From Hank Azaria channeling Chief Wiggum and other Simpsons characters while talking to college grads to “Shark-spert” Jason Alexander sharing questionable shark facts, here are five funny things from this week you need to watch.

1. Kermit Informs Fozzie Bear That They’ve Been Canceled

It’s never easy to see someone receive bad news, much less a Muppet. But if anything, Kermit’s poise and acceptance during a time of crisis is impressive, admirable even. Fozzie Bear, on the other hand, reacts with greater similarity to how we would: with baseless anger and utter despair.


2. Jason Alexander Offers Shark “Fin Facts”

Memorial Day weekend means the start of beach season, aka Shark Feeding Season. As part of IFC’s Shark Half-A-Day Memorial Day marathon, “sharks-pert” Jason Alexander offers up some interesting “fin facts” about our sharp-toothed friends from the deep. You can also check out Jason’s beach tips, and catch the Jaws movies with more “fin facts” from Jason this Memorial Day on IFC.


3. Game of Thrones’ Emilia Clarke Confirms Dothraki Is a Real Language

With eyes still dewy from the climax of this past Sunday’s Game of Thrones (Hold the door!), the Mother of Dragons herself Emilia Clarke dropped by Late Night with Seth Meyers to throw the diehard fans a reason to smile: Yes, Dothraki is a real language. Watch Clarke discuss the phonetics and grammar involved with vying for Westeros rule.


4. Hank Azaria Gives Advice Through Simpsons Characters

Hank Azaria — star of The Simpsons, The Birdcage, and Brockmire, premiering in 2017 on IFC — gave the commencement speech at his alma mater Tufts University. In the hilarious speech, Azaria discusses how he got through college, recounts his early career struggles, and offers up life advice via fan favorite Simpsons characters like Chief Wiggum and Comic Book Guy.


5. X-Men: The Animated Series Gets Honest

Screen Junkies are back this week with another round of Honest Trailers. This entry focuses on the cartoon mutants that comprise X-Men: The Animated Series — an ultra-’90s Marvel property that predates the comic book adaptation boom of the 21st Century. But looking back at the decade of Rob Liefeld and Todd McFarlane, this video finds much to mock.

Watch More
Weird Al Comedy Bang Bang Season 5

Call Him Al

“Weird Al” Talks Comedy Bang! Bang!, His Upcoming Tour, Favorite Videos and More

Weird Al comes to Comedy Bang! Bang! starting June 3rd at 11P on IFC.

Posted by on

With a career spanning five decades, “Weird Al” Yankovic has defined the song parody genre and become a beloved pop culture icon. Starting June 3rd, you’ll be able to catch him as the brand new Comedy Bang! Bang! bandleader Fridays at 11P on IFC.

We recently chatted with Al about joining Scott Aukerman on the new season, his upcoming tour, favorite CB!B! characters and his future dream projects. (Hint: it might involve actors spontaneously breaking into song.)

The Comedy Bang! Bang! bandleader gig seems like a natural fit for you. Did it take any time to get acclimated?

Weird Al: Yeah. It’s a slightly different skill set. The accordion is my main act, but I don’t use it on the show at all. It’s a keyboard setup. The actual setup is a little bit of a combination of what Reggie [Watts] had and [Kid] Cudi had. And a few extra things thrown in. So I’m trying to do my own version of what they brought to the show.

You’ve been on the Comedy Bang! Bang! podcast and the show many times. Do you have a favorite CB!B! character?

Weird Al: I’d probably have to say Doctor Time. Every time Scott wants me to do an evil character, he’s always got a bad English accent. [Laughs] Any time my character goes evil, he becomes sort of British.

Any favorite guests you’ve worked with?

Weird Al: Gosh, I love them all. Paul F. Tompkins is always fun. His Andrew Lloyd Webber character, Cake Boss, everything he does. And Andy Daly as well. They’re so versatile and so amazing at improv. That’s the one thing I was a little nervous about because I’ve never been super confident with my improv skills. But Comedy Bang! Bang!, particularly the TV version, is good for that because it’s all heavily edited. So it kind of gives me permission to try out whatever comes to my mind, so if it really sucks, they’re not gonna use it. [Laughs]

Scott Aukerman Weird Al

Your upcoming tour is a continuation of your Mandatory Fun tour from last year. Any new elements to the show?

Weird Al: Well, it is the same tour, so it’s not that much different. I might freshen some video a little bit. I’m hoping to use a bit or two from the current season of Comedy Bang! Bang! and slip that into the show somewhere.

The tour starts June 3rd in St. Petersburg, Florida and ends September 24th at Radio City Music Hall. How do you keep up the pace? 

Weird Al: It’s just a mindset. I’m really only working for two hours a day, so I basically just save up my energy for the show. I relax, surf online, watch satellite TV, read a book, rest my voice, and then give it all I got when I’m onstage.

Looking back at your vast song catalog, was there ever a parody that came to you immediately upon hearing the song?

Weird Al: Yeah, that’s happened a few times. More often than not, I have to think about it and analytically work out all the variations on a theme that I can and pick out the one with the most potential. But there’s been a few times where the idea came to me spontaneously. I think the first time I saw Michael Jackson’s “Bad” video, before it was even over, I thought, “Oh! I gotta do ‘Fat’! Super-plus-sized actors trying to get through a turnstile on a subway! I gotta do that!”

Do you have a favorite of your many hilarious videos?

Weird Al: Oh boy, it’s hard to say. “White and Nerdy” has been my biggest hit and that was a really fun video to do. But in terms of making a video, “Tacky” was really fun to do because it was so easy and I got to work with amazing people like Jack Black, Margaret Cho, Kristen Schaal, Eric Stonestreet, and Aisha Tyler. And we knocked it out in a couple of hours. We were having so much fun while making it, I kinda wish we weren’t so efficient and professional. [Laughs] I could’ve done that all night.

Was it filmed all in one take or was it stitched together?

Weird Al: That was all one take. Some people say, “Oh, I see where the edit is,” but it was all one shot. We did a total of six takes, and I think four of those takes were usable, but the last one was the best.

And you were directing while performing?

Weird Al: I directed that one, yeah. We location scouted and found a building in downtown LA that I thought was good for the shoot. I’ve since seen that building in a lot of other movies and TV shows — I think it was used in The Big Lebowski and a few others. It was difficult because I start the video in one set of clothes and I also end the video in a completely different set of clothes. So while the cameras were off me, because there’s only one elevator in the building, I had to run down five flights of stairs, quickly change my clothes, and hit my mark for the end. And after the take, we’d all just watch what we did, and say, “OK, let’s do it again.”

Is there a director you’d love to work with in the future?

Weird Al: Oh gosh, yeah, but I mean, music videos are notoriously low-budget so that’s why I end up directing them myself. [Laughs] But I’d love to be in a movie codirected by Steven Spielberg and Quentin Tarantino.

Do you have a particular genre of music that you love parodying the most? Or is it more of the moment and different for each song?

Weird Al: It doesn’t necessarily revolve around personal taste so much. It really depends more on the song than the genre. But I found rap songs tend to lend themselves to parody, mostly because there’s a lot of words to play with. A lot of pop songs are repetitive, and that’s sometimes been an issue. With rap, there’s no shortage of syllables to mess around with.

Given that you’ve been so prolific and done so much, is there any type of art left that you’d like to dip your toe in? Dramatic acting, perhaps?

Weird Al: Well, if Spielberg and Tarantino want me for their film, I wouldn’t want to turn them down. But there’s no burning desire to do drama. I love doing comedy and feel comfortable doing that. Writing a musical might be something I do down the line. I don’t know when but I might take a shot at something in that area. Other than that, I’ve done pretty much all I wanted to do in my life so far. A lot of it not successfully. [Laughs] But I took a stab at it and feel gratified by that.

You’ve had such a eclectic career in music and comedy. What do you attribute your longevity to?

Weird Al: [Laughs] I don’t know what I’d attribute the longevity to. There’s a modicum of talent, but it’s mostly because I surround myself with very talented people. I’ve got a great support group, I’ve got the same band since the early ’80s, and I’ve worked with the same people for decades. And I got a very loyal fan base and I love what I do. And somehow I’ve been very lucky and it’s worked out so far.

Watch “Weird Al” in an episode from the new season of Comedy Bang! Bang! right now, before the season premiere on Friday June 3rd at 11P.

Watch More
Powered by ZergNet