DID YOU READ

The directors of “Undefeated” tackle high school football

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“You keep doing the right thing. And good things will happen to you.”

Those are the words of high school football coach Bill Courtney to his team, the Manassas Tigers. Based on the incredible power of “Undefeated,” the film about Courtney and the Tigers, one has to assume that its directors, Dan Lindsay, and T.J. Martin, have been doing the right thing for a loooooong time. The film premiered at last year’s South by Southwest Film Festival, where it was quickly scooped up for distribution by The Weinstein Company. Now it’s nominated for the Academy Award for Best Documentary before it even opens in theaters this Friday.

The documentary category at the Oscars is always fraught with controversy. This year’s nominations have been particularly contentious thanks to snubs of terrific films like “The Interrupters,” “Senna,” and “Project Nim.” Regardless, “Undefeated” is a worthy Oscar nominee. The film, which bears obvious similarities to the television show “Friday Night Lights,” packs as strong an emotional wallop as any of the series’ best episodes.

Manassass High is located in North Memphis, Tennessee, one of the most economically depressed parts of the country. Its students are not only playing for pride, some of them are quite literally fighting for their future, like star offensive lineman O.C. Brown, whose unique physical abilities could land him a college scholarship if he could only get his grades up. His teammate Montrail, a.k.a Money, has the opposite problem: he’s an exceptional student, but he’s too small to play college ball and probably too poor to afford a good school any other way. And then there’s Chavis, a player who missed all of last season after he was sentenced to a term in a youth detention facility because of anger management issues.

These guys might sound more like the Bad News Bears than the Chicago Bears, but Courtney’s positive influence on these young men and their community over the course of a single remarkable season is nothing short of inspiring. Not to get too schmaltzy about it, but the world portrayed in “Undefeated” — where good deeds are rewarded in kind — is the world we all want to live in. And to know that this is a documentary, which means this is the world we actually live in, makes your heart soar.

During our conversation, Lindsay, Martin and I talked about how the project developed, why they chose to focus on O.C., Money, and Chavis instead of the traditional subject of football stories (i.e. the quarterback), and whether they ever received one of their own motivational Bill Courtney pep talks.

I’ve read that your original plan was to make a film specifically about O.C. Brown. How far into the process did you decide to widen the film’s scope and what spurred the decision?

Dan Lindsay: It happened after our first trip to Memphis to look into the idea. On that trip we met Bill Courtney, and his dynamic personality convinced us right away that he would be a part of the film. And then when he told us the stories of the previous five years and the amazing anecdotes of things that had happened in the past, we realized that really was the story: the team trying to break [Manassas’ 100-plus year] playoff jinx. That seemed like the perfect setup for a beginning, middle, and an end.

T.J. Martin: It opened up in scale after meeting Bill, but the approach of the film never changed even as it grew. From day one, we knew we wanted to make something more vérité. We were much more interested in things unfolding in front of the camera and less anecdotally.

We fought making a traditional sports film for a long time. The season gave us a nice spine, but we still thought a lot of the film would take place off of the field. Then we realized that it was undeniable how much drama was taking place on the field, and on the practice field, and so forth. About three games in, we realized if we were going to make a sports film we better make the best damn sports film there is.

It’s a damn good sports film, but it may be the only football movie I’ve ever seen where not only are the quarterback and the running back not the main characters, they don’t even have speaking roles. Was that a deliberate choice or was that simply how the finished film evolved in the editing room?

DL: That was our own stupidity, not a deliberate choice. [laughs] No, but it is funny; about halfway through the season we were like, “Oh man, we should probably be talking to the guys who are scoring all the touchdowns.”

[laughs]

DL: But it was always about the characters. We set out to make a documentary that would make you forget you were watching a documentary. We needed characters who had potential for a dramatic arc. They wanted something, and either they were going to get it or they weren’t. That was our focus. We did realize that people were probably going to be interested in who this great quarterback is. But it was never our intention to make a rah-rah football film, so those guys never seemed as important to us.

TJM: For lack of a better term, the way we “cast” our characters, besides trying to find whoever had the most potential for dramatic change within a short amount of time, was to pick people who were going to interact with each other and with the team. We did follow a couple of other storylines that were extremely compelling, but they didn’t make the final edit because we didn’t want to make a series of vignettes. We wanted it to be a really tight narrative where every scene propels the story forward.

Your subjects are so incredibly comfortable on camera. I’m sure a lot of that had to do with the way you guys built a relationship between you and then team. But watching how remarkably relaxed — and how incredibly open and honest — these young men are on camera, made me think about the world of YouTube videos and camera phones. Teens today think it’s totally normal to have a camera pointed at them. Do you think you guys benefitted from that?

DL: I don’t think we ever really thought about that. For us, the approach was to build a relationship. But I will say one of the reasons we got excited about the film after that first trip to Memphis was we were getting that kind of honesty right away. I can’t say what to attribute that to. Honestly, I think part of it is some of these guys were just happy to be able to express themselves and tell their stories. I know Money especially doesn’t really have a lot of people in his life who are asking him those kind of questions about his hopes and fears and stuff. I think our interest alone helped us.

Our age really benefited us, too. We’re both in our early 30s, so we weren’t unbelievably far removed from high school. We were able to relate to the kids in that way but we weren’t too far removed from the coaches either. It put us in this spot where we could relate to both the coaches and the students.

When a character like Money is going through hard times, how hard is it to just stand there with a camera and not go over and give the poor guy a hug?

TJM: It’s extremely difficult. In vérité documentaries, you’re really watching the relationship between the filmmaker and the subject. We didn’t want to be “objective” or not grow close to the subjects; we wanted an intimate film, so we did develop a pretty close relationship with our subjects. To watch them struggle with certain things in their lives, to watch them go through obstacles, and to know that in your own opinion they might be making the wrong decision, was extremely difficult. At the same time, that’s not our judgment call, and we always needed to remind ourselves of that.

With that said, Money went through some really tough times while we were there, including a lot of stuff that’s not even in the film. There were definitely times where we’d take him out to lunch, without the cameras, and give him an opportunity to vent and kind of figure out where his head was at. And that’s an opportunity to remind him that we care about his well-being.

DL: To answer your question directly, there are also times where you do give the guy a hug. We understand the line between filmmaker and subject, and we respect that, but at the same time it’s impossible not to get close with these guys, and sometimes it just happens. After [a crucial game], I was following Bill and he broke down, and I was like “None of this is necessary.” I put down the camera and we talked and I gave the guy a hug. You can’t help that. Or if you can help it, I think you end up with a very — I don’t mean this to be judgmental or anything — but a very sterile film. As an audience member, you can feel when a filmmaker is removed to that extent.

I spent part of my vacation in Memphis last summer, and I was unprepared for how hard the recession had hit the area. How familiar were you guys with Memphis and its problems before you started the film?

TJM: I personally didn’t know much about Memphis before going there. We did as much research as possible in advance, but we kind of had the same experience: when we got to North Memphis, we felt a stronger and more urgent need to tell this story. Dan and I have done a fair amount of traveling, and neither of us had seen poverty on that level in this country before. We never set out to make issues-based films; we always wanted to make more of a human interest piece. But the one thing that is pretty rare to find in communities like this is a film that celebrates the potential, the opportunities, and the good along with the bad. A lot of times in these communities, specifically communities like North Memphis, if there’s a media presence, they’re there to sensationalize a story about violence in the neighborhood or something like that. And we saw this more as an opportunity to celebrate the stories of the people who live in these communities.

As we see over and over in the film, Bill Courtney is a master of the halftime pep talk. Did you ever find yourselves on the receiving end of one of his pep talks?

TJM: [laughs] Definitely. In postproduction, we found ourselves on the receiving end of those pep talks ever day. And little does he know that’s what got us through nine months of post-production: listening to these amazing speeches by Bill. That actually gave us hope to go into the editing room each day when we were only 25 hours into a 500 hour logging session.

DL: We both still talk to Bill all the time. He always wants to know about everything going on in my life and he totally does it to us. [laughs] “Dan, you gotta embrace this moment!” Every once in a while I find myself getting kind of worked up when he’s talking to me. It’s an ongoing pep talk from him to me.

“Undefeated” opens in limited release this Friday. If you see it, let us know what you think on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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