DID YOU READ

Hollywood’s top 10 maverick directors

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Hollywood demands plenty from directors. In a forest of remade classics, “Chipmunks” sequels and other safe, dependable investments, studios want bankable reasons to invest in innovation. Indie filmdom has long been a launchpad for Hollywood careers, but only a select few filmmakers can claim to have gone against the grain with enough force to change long-term trends.

From Spike Lee and Woody Allen’s takes on New York life to Stanley Kubrick and James Cameron’s new experiments with special effects, these ten directors topped our list of wave-makers and game-changers. Each of them showed the establishment how approach movies from new perspectives, and each one deserves to be called a maverick.

Some of these towering figures are no longer with us, and a few are still making their marks, but we have them all to thank for heading into new territory and ensuring that other creators down the line would be inspired to think differently as well.

For more on today’s maverick filmmakers, tune in to the 2012 Spirit Awards on Saturday, February 25 at 10/9c on IFC. And while you’re watching, don’t forget to log into IFC.com chat with our movie experts LIVE via IFC Sync, presented by Capital One.


10. Amy Heckerling

Career highlights: “Fast Times at Ridgemont High,” ”European Vacation,” “Clueless”
Paved the way for: Judd Apatow, Kevin Smith and John Hughes

Heckerling gained a cult foothold in an overwhelmingly male-dominated class of directors when her film “Fast Times at Ridgemont High” debuted in 1982. “European Vacation” and “Look Who’s Talking” cemented her place in ‘80s comedy, but they also proved her ability to score big rankings and dollars at the box office.


9. Robert Redford

Career highlights: “Ordinary People,” “Quiz Show”
Paved the way for: Quentin Tarantino, Steven Soderbergh and Darren Aronofsky

It is difficult to understate the importance of Redford’s career and the extent of his impact on film both inside and outside of Hollywood. After building a formidable acting career (which already included an Oscar nomination for “The Sting”), he earned a directing win right out of the gate for 1980’s “Ordinary People.” His honorary Oscar in 2002 speaks for his career as a whole, though, as well as the importance of the Sundance Institute, which has opened big doors for countless directors and independent projects.


8. Kathryn Bigelow

Career highlights: “Near Dark,” “Point Break,” “The Hurt Locker”
Paved the way for: The Wachowskis and Mary Harron

A diehard indie filmmaker throughout her career, Bigelow made history with her 2009 Best Director Oscar for “The Hurt Locker.” She was the first woman to win in the category, but it only marks the tip of her iceberg-sized career. Few resumes come with credits as diverse and awesome as her jarring Best Picture-winner, “Point Break” and “Near Dark”—regardless of gender. When it comes to directors, her creative brilliance and scope are in a class of their own.


7. Spike Lee

Career highlights: “Do the Right Thing,” “Malcolm X” and “Bamboozled”
Paved the way for: Lee Daniels, John Singleton and Dee Rees

Lee may be a magnet for controversy, but the fact of the matter is that the guy knows how to direct a well-crafted film, even when the project doesn’t translate to a ticket-sales jackpot. “Bamboozled” and “Miracle at St. Anna” have suffered their fair shares of critical attacks, but even when they were getting picked apart, they still introduced discourses on race at the movies that all too often stay clear of the spotlight.


6. Woody Allen

Career highlights: “Annie Hall,” “Manhattan” and “Midnight in Paris”
Paved the way for: Zach Braff, Jon Favreau and Christopher Guest

Woody Allen staked out his own genre of nakedly up-front narrators and navel-gazing New Yorkers, but his larger body of work has been a titanic beacon for aspiring filmmakers of all types. His movies make big budgets and big casts seem absolutely unnecessary, and his use of simple documentary techniques in his comedies paved the way for countless mockumentaries and narrator-driven flicks that have sprouted up in recent decades.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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