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Lost Memories: Our 10 favorite amnesia movies

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Movies have dealt with the issues of memory and, specifically, amnesia since as far back as the 1932 Greta Garbo-starring As You Desire Me (and possibly even farther). Lost memories have become a go-to movie trope over the past few decades, with varying levels of success, and with the latest film to tackle the issue (the Channing Tatum and Rachel McAdams vehicle The Vow) hitting theaters this weekend, we thought it might be a good time to round up some of the coolest amnesia movies we’ve ever seen. Write them down before you forget them!


“Memento” (2000)

Remember way back before the year 2000 when no one really knew who Christopher Nolan was? I certainly do. Then this little film called “Memento,” starring Guy Pearce and Carrie-Anne Moss, premiered in September at the Venice International Film Festival to vast critical praise and it began to pick up steam as it rolled out to a wider audience. Before we knew it, “Memento” rode its non-linear structure, fantastic performances, and little sticky notes all the way to box office success and Academy Award nominations for Original Screenplay and Film Editing. The Nolan the world would come to know for his brilliant reinvention of the Batman series and for the genius mind-bending film Inception was born.

The thing that makes “Memento” such incredibly compelling cinema, aside from those fantastic performances and the aforementioned non-linear structure, is its ingenious use of a very unique brand of amnesia. Leonard Shelby (Guy Pearce) has anterograde amnesia, which means he can’t store any new memories. He spends the entire film jotting down new information on sticky notes (so he can actually keep track of his life without the assistance of a properly functioning memory) while he tries to put together the pieces of his own personal mystery. It’s an interesting take on the amnesia trope and a hell of a film that showed everyone the kind of talent that Christopher Nolan would soon be known for worldwide.

http://www.youtube.com/watch?v=Ch9Y-fcGlKs


“The Long Kiss Goodnight” (1996)

Three years before Renny Harlin started genetically engineering Mako sharks to eat Samuel L. Jackson, he chose the actor to star alongside Geena Davis in one of the great amnesia movies of our time – “The Long Kiss Goodnight.” Written by the great Shane Black (“The Monster Squad,” “Lethal Weapon”), “The Long Kiss Goodnight” tells the story of Samantha Caine (Geena Davis), a mother and teacher in Pennsylvania who was found, washed up on a New Jersey beach, pregnant, injured, and suffering from complete amnesia. (Think Snooki in about three more years). After searching for the next eight years or so, Caine finally discovers that she’s actually Charly Baltimore, an assassin for the CIA. She finally starts recovering some of those memories, turns all badass, hangs out with Samuel L. Jackson and kicks ass all over the place. It’s maybe the most feel-good case of amnesia on this list. Either way, it makes for some great cinema in what has become a classic of the amnesia film subgenre and the action film genre.


“Total Recall” (1990)

Nearly ten years after Arnold Schwarzenegger hit the big time by playing Conan the Barbarian and Conan the Destroyer, the actor was still one of Hollywood’s hottest tickets. Wrapped around the 1990 release of “Total Recall,” Schwarzenegger would star in hits like “Predator,” “Twins,” “Kindergarten Cop,” “Terminator 2: Judgment Day,” and “True Lies.” That’s a hell of a resume. Teaming up with director Paul Verhoeven (“RoboCop,” “Basic Instinct”) brought Ahhhhnold on the set of one of the weirdest amnesia films of all time – the sci-fi actioner “Total Recall.” Schwarzenegger stars as Doug Quaid, a construction worker who is really a secret agent that eventually ends up having to travel to Mars to figure out who he really is and why his memory was erased. He’s good. He’s bad. He’s a creepy killing machine from Mars. He becomes the first person (or thing) in a movie to tear off Michael Ironside’s arms. It’s a role only the Governator could love and one that he’ll likely never forget (even if his character would).


“Dark City” (1998)

Between 1994’s The Crow and 1998’s Dark City Alex Proyas seemed poised to be the next director to take Hollywood by storm with his dark, gothic neo-noir vision and technical prowess. Then he made I, Robot in 2004 and Knowing in 2009 and all the good will he earned with his early work went down the drain. We’re hoping he returns to form in 2013 with Paradise Lost but, regardless, we can always appreciate the amazing amnesia-centric film he crafted in Dark City. Sporting an all-star cast of Rufus Sewell, Keifer Sutherland, Jennifer Connelly, and William Hurt, Dark City starts with John Murdoch (Sewell) waking up in a hotel bathtub with a bad case of amnesia. He’s soon accused of murder and spends much of the film trying to clear his name by learning his true identity, all while on the run from both the police and the “Strangers.” And that’s just what’s going on right on the surface of this intelligent, creepy neo-noir sci-fi film. If you’ve never seen it, grab a copy of the Director’s Cut and consider yourself in for a real treat.


“The Bourne Trilogy” (2002-2007)

The 2002 debut of Doug Liman’s The Bourne Identity marked the beginning of what would eventually become one of action film’s greatest franchises. Starring Matt Damon as Jason Bourne, an amnesiac who spends three films trying to discover his true identity, and loosely based on Robert Ludlum’s novels, the film made a ton of money at the box office and turned Damon into a veritable action hero. Paul Greengrass picked up where Liman left off with The Bourne Supremacy in 2004 and The Bourne Ultimatum in 2007. Each film ratcheted up the realistic action that the series would become known for, gave Bourne a bit more information to process about his identity, and upped the ante for what action spy films could do without the extensive use of CGI. All three films revolve around Bourne’s amnesia and handle it in a way that’s both inventive and exciting. The only thing I’d like to forget about this series is the fact that Universal is likely moving forward on another Bourne film without Matt Damon.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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