DID YOU READ

Seth Rogen on Jonah Hill’s Oscar nomination: “He’s f–king psyched about it”

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When Jonah Hill first was announced as a cast member in Brad Pitt‘s “Moneyball,” it seemed like a strange fit for an actor best known for his comedic roles in films like “Superbad” and “Accepted.” But once the film came out, it was clear that Hill had given his best performance to date. He’s since earned a Best Supporting Actor nomination for the role, and in our opinion definitely deserves it.

Hill’s good friend and frequent costar Seth Rogen agrees. IFC got a chance to participate in a chat with the upcoming Spirit Awards host and asked him for his thoughts about Hill’s nomination. Rogen said he was more surprised that the Oscars recognized Hill’s great performance than he was that he was nominated.

“All my friends are talented enough to get nominated for awards,” Rogen told IFC. “I just am always surprised when things and people I like are also liked by, you know, things like the Oscars.”

The Oscar nominations were announced at the end of January, and Rogen said he has had a chance to talk to Hill since he found out he was up for an Academy Award. Unsurprisingly, Rogen said Hill is “fucking psyched about it.”

But it wasn’t that moment that made Rogen realize that he and his comedian friends actually had earned the attention of the Academy of Motion Picture Arts and Sciences members. Instead, it was in 2004 when “Million Dollar Baby” took home four Oscars including Best Picture and Best Director. Rogen recounted to IFC how he and his best bud Jay Baruchel, who was in the movie, were watching the Oscars together that year, and Baruchel got a shout-out from director Clint Eastwood.

“I literally remember we were like stoned off our asses watching the Oscars in my tiny shithole apartment and Clint Eastwood won and thanked Jay, who was sitting right next to me in his underwear on my couch,” Rogen remembered. “That was the first moment that I realized, ‘Oh, me and my friends, the people who do these Oscars are actually kind of aware of these guys I’m friends with and it could kind of break through in some way.'”

Even though Rogen repeatedly separated his tastes from those of the Oscar voters (“It’s always kind of surprising to me when [their preferences align],” he said), he was also quick to add that he actually is an Oscar voter and thus is “one of these people.” It seems fair to assume that Rogen voted for Hill’s performance to be nominated, even though his role in “Moneyball” has earned “21 Jump Street” star a new ultra-famous friend.

“It is a little weird to me that he is now friends with Brad Pitt,” Rogen admitted. “But he’s a friendly dude. He can be friends with Brad Pitt.”

Speaking of the Oscars, the one film that (at least in our opinion) was unfairly snubbed was “50/50,” a movie that Rogen both starred in and produced. Rogen said that it didn’t feel like a snub to him because he never honestly expected that “50/50” would get nominated.

“I feel like overall there’s very few moments when the Oscars tastes intersects directly with my tastes, so I don’t consider it a snub, to be honest. That implies that I assumed it was going to happen,” he said, then joked, “Maybe the sequel will get nominated.”


Watch Seth Rogen host the 2012 Spirit Awards on Saturday, February 25 at 10/9c on IFC. And while you’re watching, don’t forget to log into IFC.com chat with our movie experts LIVE via IFC Sync, presented by Capital One.


Were you surprised when Hill was nominated for an Academy Award? Are you disappointed “50/50” didn’t get any Oscar nods? Tell us in the comments section below or on Facebook and Twitter.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.