DID YOU READ

Reality Bites: Tim Grierson on “Act of Valor” and the problem with authenticity

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For an industry that makes its money selling make-believe, Hollywood sure gets hung up on authenticity from time to time. Whether it’s the stars of “Saving Private Ryan” going through a modified boot camp to prepare for their roles or the producers of “Moneyball” casting real baseball scouts to appear alongside Brad Pitt’s GM character, studios will occasionally trumpet the lengths they go to make their movies as believable as possible. (Or, in the case of the found-footage genre, the lengths they’ll go to make a fictional horror film look like a documentary.)

The latest film to make a virtue of its realism is the action movie “Act of Valor,” which features actual Navy SEALs in the main roles. And while that decision has some benefits, I couldn’t help but keep thinking one thing while watching “Act of Valor”: Do people really care how authentic movies are?

As you may have heard, “Act of Valor” started out as a Navy recruitment video from commercial directors Mike “Mouse” McCoy and Scott Waugh before morphing into a feature film about a team of SEALs who have to stop a terrorist plot within the U.S. The directors, who got permission to use official military hardware like submarines and helicopters, decided they had to have SEALs and not actors as their protagonists. As Waugh explained to the Los Angeles Times, “My analogy to them was, ‘Take “Top Gun,” pull Maverick out, and put in the real Maverick.’” If all that’s not enough authenticity for you, they also used real ammo during the fight scenes, and there’s no CGI in the movie.

When you’re making an historical drama, it’s understandable that you’d want the events you’re depicting to be as close to what really happened as possible. (Although as last year’s Oscar-winning “The King’s Speech” demonstrates, you can fudge a fact or two and most people won’t mind.) But with action flicks, does it matter? Lots of producers think so: Many movies cooperate with the Department of Defense to gain access to military equipment or information. But with “Act of Valor,” the filmmakers wanted to go a step further by showing what the lives of the clandestine SEALs are really like. But even then there’s some secrecy: The two main characters, Chief Dave and Lt. Rorke, are played by SEALs named Dave and Rorke, although their full names are never revealed. (Their real-life wives and kids are also in the film.)

Incorporating actual soldiers and their families is a decent way to drive home these heroes’ reality. (We see them as they say goodbye to their loved ones, who know nothing about where they’re going, other than it’ll be someplace incredibly dangerous.) Nonetheless, “Act of Valor” can’t help but suffer because, well, these guys are Navy SEALs. They’re not actors — that’s not their job. Consequently, when it comes to making us care about them as people in the context of a piece of entertainment, it never quite works because they don’t have the dramatic faculties for it. As has been noted in a few reviews, the weird irony of “Act of Valor” is that because actors play the bad guys — casting real-life terrorists might have been a little difficult — they’re a lot more compelling than the good guys. It’s the downside to that need for authenticity: Fiction films are, ultimately, about pretend, which requires skills that go beyond being the actual person that you’re playing. (Plus, no matter how convincing the producers want things to be, some artificiality is inevitable — unless all the baddies we see shot in the head by SEAL snipers really were killed, of course.)

That said, there are advantages to the filmmakers’ quest to keep things real. While I hope it doesn’t inspire would-be Spielbergs in the audience to film their action scenes with live ammo, a couple firefights in “Act of Valor” have a spark to them simply because of the fact that you’re seeing what genuine gunfire looks like in a battle. And because of their training, the film’s Navy SEALs have a brutal, steely efficiency in the action sequences that’s less showy than what you normally see in war movies. You get the idea that these guys don’t mess around and that they’re total pros — even if no one’s told them that if they really want to be movie stars, they ought to come up with witty lines whenever they kill the bad guys.

But in the end, those moments of realism don’t add a lot to what makes people supposedly want to see movies in the first place. “Act of Valor” doesn’t have great characters, and its story is a pretty dull globetrotting race against time. So why did the film do so well commercially this past weekend, easily surpassing insiders’ box office predictions?

The answer may lie in the trailers I saw before “Act of Valor.” In trailer after trailer — whether it was for “John Carter” or “The Raven” or “G.I. Joe: Retaliation” — I was struck by how effects-heavy and, honestly, fake they all seemed. They could all be great films, but with our current obsession for CGI, we’re inundated with action movies in which everything is possible but not much looks real. “Act of Valor” is a forgettable film, but its success this weekend is a reminder that there’s always an audience craving something that feels a little truer. We all love the escapism of movies, but sometimes the illusion of authenticity can seem pretty appealing as well.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
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Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
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Awkward Dancing

Because every dad needs a signature move.
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Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
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Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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