Both Steven Spielberg and Peter Jackson are hard at work right now directing their upcoming films. Jackson is close to wrapping part one of his two “The Hobbit” films, while Spielberg his Abraham Lincoln biopic “Lincoln.” So it wouldn’t necessarily be easy to fit directing “The Adventures of Tintin 2″ into either of their schedules, especially since they both have projects lined up to start on immediately after they finish these films.
Fortunately for fans of “Secret of the Unicorn” (i.e. not the Academy), Spielberg and Jackson made a deal beforehand determining how they would split the load on their “Tintin” series. Spielberg directed and Jackson produced the first time around, but now Spielberg has said that it will be Jackson directing the second film.
“Peter’s doing it. I wanted to do it, but Peter has to because we made a deal. I said, ‘I’ll direct the first one, you direct the second one,” Spielberg told Total Film. “And Peter, of course, is going to do it right after he finishes photography on ‘The Hobbit.’ He’ll go right into the 31, 21 days of performance capture.”
Even though Spielberg was forthcoming about who will be helming the project, he wasn’t willing to give away what it will be about. There were rumors that it would involve “The Calculus Story,” but Spielberg wouldn’t confirm that.
“We’re not telling the world what books we’re basing the second movie on yet,” he said. “We have completed a story outline now. We have a writer on it. I’m just not declaring what it is. It will be more than one book, but no more than two.”
What stories would you like to see “The Adventures of Tintin 2″ be about? Are you glad Jackson is directing? Tell us in the comments section below or on Facebook and Twitter.
Spend Valentine's Day weekend with IFC's Underworld movie marathon.
Posted by Emmy Potter on Photo Credit: Screen Gems/courtesy Everett Collection
Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes. It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all. Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.
1. Cyclops/Jean Grey/Wolverine, X-Men series
The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes! Maybe they should change the name to Ex-Men instead?
2. Willow/Tara, Buffy the Vampire Slayer
Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.
Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.
3. Selene/Michael, Underworld series
The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.
4. Spider-man/Mary Jane Watson, Spider-man
After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.
5. Molly/Sam, Ghost
When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.
When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.
6. Cosima/Delphine, Orphan Black
It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.
Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.
7. Aragorn/Arwen, Lord of the Rings
On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.
Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?
8. Lafayette/Jesus, True Blood
True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).
In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.
9. Nymphadora Tonks/Remus Lupin, Harry Potter series
There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.
Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!
10. The Doctor/Rose Tyler, Doctor Who
Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.
But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.
Bilbo is assembling for an unexpected journey in a new still from “The Hobbit.” He is joined by an array of his dwarven companions and some tasty-looking chicken as they hang out in Bag End before they depart the Shire.
Clearly these dwarves are putting Bilbo ill at ease. His missing suspender, his untucked shirt and his general look of shock all lead us to believe he is a bit shocked to be surrounded by creatures he had only previously heard of. And he’s probably surprised to discover that dwarves are apparently taller than hobbits. Maybe he just needs to drink some water in Fanghorn to gain those extra inches.
One character that’s noticeably absent from this shot is Gandalf. In fact, we haven’t seen too much of him in the promotional material. Gandalf accompanies the dwarves when they first meet Bilbo, though the wizard goes his separate way soon after.
This latest image comes courtesy of Yahoo! Movies and joins the company of the other two stills as being Bilbo-centric. A recently-released photo shows Bilbo looking stressed in Mirkwood Forest, while another one featured him wandering through the Shire. The film is still less than 11 months off, but we’re ready to start getting a better look at the rest of the movie now that we’ve seen so much of Bilbo and the Dwarves. The spiders, anyone?
“The Hobbit: An Unexpected Journey” hits theaters on December 14. It stars Martin Freeman, Ian McKellan, Richard Armitage and Aidan Turner, among many, many others.
What do you think of this latest image from “The Hobbit”? Tell us in the comments section below or on Facebook and Twitter.
If you were looking for an upset at this year’s Academy Awards, you aren’t going to find it in the nominee pool announced today. The nominations went out to the expected recipients — hey there, “The Artist,”“The Descendants” and “Hugo” — while the Academy of Motion Picture Arts and Sciences opted to have only nine Best Picture nominees instead of adding a tenth dark horse.
Unfortunately, that meant a lot of well-deserving movies didn’t make the cut. Indies didn’t do too well this time around (sorry, “Martha Marcy May Marlene”), and neither did the movies that were both critical and box office successes (here’s a tissue, “Harry Potter” and “The Muppets”). It seems that the films that could be fairly labeled awards season bait caught their prey, though they’re well-deserving of the awards they received. But we wish that some of these other flicks could have received the recognition they deserved as well.
Ryan Gosling gave the best performance of his career in Nicholas Winding Refn’s violent thriller, but didn’t receive any recognition from the Academy for his efforts. We would have at least expected Albert Brooks to get a nod for Best Supporting Actor (I mean come on, that scene with Bryan Cranston towards the end!), but no cigar. “Drive’s” only nomination was for Best Achievement in Sound Editing, which doesn’t do too much to ease this snub.
“The Ides of March”
Speaking of Ryan Gosling snubs, where was the love for “The Ides of March”? The movie picked up Golden Globes noms for Picture, Director, Actor and Screenplay, but only got a Best Adapted Screenplay nod from the Academy. Sorry if you were looking for a second Best Director nod, George Clooney, but at least you were recognize for your work in “The Descendants.” Between this, “Drive” and last year’s “Blue Valentine,” it seems safe to say that the Academy isn’t the biggest Ryan Gosling fan. In fact, maybe they were the ones who voted for Bradley Cooper to be People‘s Sexiest Man this year, too.
It seems as though that NC-17 rating really was the mark of death for “Shame’s” Oscar chances. Despite Michael Fassbender‘s well-regarded performance, he didn’t pick up a nomination for Best Actor, and the movie was jilted with no nominations across the board. And, to us, that’s a real shame. Yes, we went there.
“50/50″ was the little indie that could this year. The feel-good cancer dramedy had earned Joseph Gordon-Levitt some Oscar buzz when it came out in September, as well as writer Will Reiser. But no luck, come nomination time. The film walked away from the Academy announcement empty-handed.
“The Adventures of Tintin”
The fact that “The Adventures of Tintin” didn’t pick up a Best Animated film nomination after winning the Globe for it is probably the biggest shocker in today’s nominations announcement. All we can think of is that the movie was submitted to be a Best Picture contender and didn’t make the cut, but still it seems shocking that “Puss in Boots” was picked over this Steven Spielberg and Peter Jackson collaboration. At least Spielberg can take comfort in the fact “War Horse” got some serious love.
“Rise of the Planet of the Apes”
This movie was never going to be an easy sell. “Rise of the Planet of the Apes” got a nod for Best Visual Effects, but I personally was pulling for Andy Serkis to get some sort of acting recognition for his role as Caesar, even if it was as Best Supporting Actor. Matt Singer disagreed, but it seems unfair that Serkis repeatedly walk away unrecognized.
“Martha Marcy May Marlene”
Where was the love for this Sundance darling? Elizabeth Olsen broke out onto the scene early this year in an amazing performance, but the Academy opted instead to honor frontrunners like Michelle Williams and Viola Davis. We get it, and those actresses duly deserve their recognition, but it doesn’t make us any happier about Olsen — and the movie’s — snub.
First, let us preface this by saying that we are over the moon that “Man or Muppet” is nominated for Best Song. Thank goodness, there is some justice in the world. But that’s all that “The Muppets” walked away with, and that seems unfair. The movie was almost universally critically beloved, and all that without any cynicism or guile. If this loses to “Rio” for Best Song, there really is no justice in the world.
Honestly, we’re sort of glad “J. Edgar” didn’t make the cut. The movie is Oscar-bait through and through, down to Clint Eastwood directing, Dustin Lance Black writing and Leonardo DiCaprio starring in it. But DiCaprio gave a genuinely great performance, and was probably a more popular choice than Demian Bichir, Gary Oldman (who we’re very pleased made the cut) and Jean Dujardin. Give DiCaprio his Oscar, already.
This list seems overloaded with men who were snubbed the Best Actor nomination this Academy Awards, but this was a year that had plenty of great male performances. Michael Shannon‘s turn in “Take Shelter” was phenomenal and another Sundance darling, but the movie has walked away from the major awards show season completely empty handed.
“Warrior” is probably the year’s most underappreciated film, so we’re thrilled that the Academy awarded Nick Nolte a Best Supporting Actor nomination. But the movie really should have landed a Best Original Screenplay nod as well, arguably over the surprise pick “Margin Call.”
“Harry Potter and the Deathly Hallows: Part 2″
This was your last chance, Academy, and you blew it. “Harry Potter” is the top-grossing film franchise ever, and for good reason. While many of the “Potter” films are good not great, “Deathly Hallows: Part 2” was a surprisingly wonderful finale to the decade-long series. It also was the highest grossing movie and one of the most well-received movies of the year. It at least deserved a Best Picture nomination, if not a win. And the fact that Alan Rickman wasn’t rewarded with a nomination for Best Supporting Actor is a real shame. If “Deathly Hallows: Part 2″ walks away without winning any of its three technical nominations, the franchise will have never won a single Oscar.
Which movie do you think should have been nominated, but wasn’t? Tell us in the comments section below or on Facebook and Twitter.