DID YOU READ

“I’d like to thank the Academy…” – Tim Grierson on The Art of Oscar Speeches

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It’s easy to be cynical about the Oscars. “Just another awards show.” “They always honor the wrong movies.” “It’s too stuffy and dull.” And while I agree with all those complaints, I’ve never been someone who rolls his eyes at the Academy Awards. OK, fine, I’m not jazzed about Billy Crystal as the host, and I’m not thrilled that “The Artist” is probably going to win Best Picture. But this Sunday, I’ll probably be as excited as I always am about the show. It’s not necessarily who wins that matters — it’s how they win. For me, you see, it’s all about the acceptance speeches. In front of the world, a celebrated actor or director becomes something different — a brand-new Oscar winner — and the unpredictability of that transformation is something I never get tired of watching.

Because the buildup to Oscar night is filled with so many other nights of awards — critics’ prizes, the Golden Globes, the SAG Awards — it can sometimes feel anticlimactic when they finally hand out the Academy Awards. (By this point last year, did anyone think Colin Firth or Christian Bale wasn’t going to win?) And so it’s inevitable that some of the speeches come across as smoothly delivered but a little rote. There’s less surprise in the winner’s voice because, well, he or she sorta knew this moment might be coming.

But nonetheless there are still occasionally those out-of-left-field shockers in which the pomp of Oscar night gives way to something more lively and human. For all the carefully manicured glitz of the program, a great, heartfelt speech can cut through that — and thank goodness.

I’m thinking of a moment like Adrien Brody’s 2003 reaction to his Best Actor win for “The Pianist.” He was up against four previous Oscar-winners, and he was easily the least-known of the contenders. And, yet, there he was, hearing his name called. We tend to remember Brody’s victory mostly for his memorable big smooch with presenter Halle Berry, which gets replayed over and over again. But his acceptance was much more than just that — it was the chance to watch the youngest man ever to win Best Actor wrap his head around what was happening. And so out came this wonderfully touching and ramshackle speech that a more seasoned Hollywood veteran would never give in a million years. And that was the point: Whether wishing a military buddy a safe return or admitting that the experience had been great except for the “insomnia and sudden panic attacks,” there was something terrifically unguarded and honest in Brody’s words that made him seem like the realest person in the room. It wasn’t smooth, but it was beautiful and emotional.

I think that’s what we all want from acceptance speeches — that sense of connection with a winner in which we get a hint of what’s going on in his or her head during a career-defining moment. Even if we’ve never had dreams of winning an Oscar (or a Grammy or a Tony or an Emmy), we’ve all probably imagined what it would be like to be in front of all our peers (and a huge TV audience) and say thanks. And even if you look down your nose at the Oscars, there’s no question it’s the pinnacle of the film business. For the rest of your life, you’ll always be identified as “Oscar-winner” so-and-so. (Although, as George Clooney noted when he won the Best Supporting Actor prize, there is a downside to that.) And we all get to share in that moment of someone’s ascension to Oscar immortality, which only a select group of actors and filmmakers have ever gotten to enjoy. That’s incredibly thrilling — but it also must be a little daunting. The performance took weeks of preparation, a few months of shooting, and then a few months more to be shaped in an editing room. But the speech? That happens live, and there’s no way to know what will come out of your mouth — but audiences will remember it for just as long.

I’m not the only one thinking about Oscar speeches lately. Film critic Glenn Kenny recently put together a list of the best male and female acceptances, and while it’s a great rundown, I think it tends toward the more iconic speeches that we all remember. Personally, it’s the smaller, less infamous moments that have stayed with me. Like when 2008 host Jon Stewart brought back Best Original Song co-winner Markéta Irglová (for “Falling Slowly” from “Once”) to say her thanks after she’d been played off earlier. Or Kate Winslet, receiving her 2009 Best Actress Oscar, asking her dad to “whistle or something ‘cuz then I’ll know where you are” — which her dad did immediately, getting her attention in the packed Kodak Theatre. Or Paul Sorvino sobbing uncontrollably as his daughter Mira won Best Supporting Actress for “Mighty Aphrodite.” Or Tommy Lee Jones, whose head was shaved for his upcoming role in “Cobb,” insisting “I am not bald” while winning Best Supporting Actor in 1994.

But the reason why I love the Oscars specifically is that every once in a while you’ll get a crazy confluence of events that allows the crunk rap group Three 6 Mafia to walk home with an Academy Award for Best Original Song for “Hustle & Flow.” Their minds clearly blown, the members rushed the stage and just started shouting out thanks to whomever they could remember, which included group member Paul Beauregard (a.k.a. DJ Paul) thanking, “George Clooney, my favorite man, he showed me love when I first met him.” It was such a terrific, spontaneous moment — almost as terrific as host Jon Stewart’s comment to the staid Kodak audience: “How come they’re the most excited people here tonight? Why is that? … That’s how you accept an Oscar.”

It’s not the only way. But it sure made for great television. I hope we get a speech that heartfelt and natural and joyous Sunday night.

You can follow Tim Grierson on Twitter.

Do you have your own favorite Oscar speeches? Let us know in the comments below!

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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