DID YOU READ

Nostalgia and the Academy Awards

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The Academy Awards are one week away and, at this point, it looks like the big winners will be the French silent movie tribute “The Artist,” the American tribute to French silent movies “Hugo,” and other films, like “The Help” and “Midnight in Paris,” set in or obsessed with the past. Clearly, this year’s Oscars are all about nostalgia. But why? In The Los Angeles Times, Neal Gabler locates the origin of this trend in the neurotic minds of Hollywood executives who, he writes, are “full of self-loathing”:

“We tend to think that the denizens of the film industry luxuriate in the popcorn movies they deliver to us, that they love the bombast that is now the primary reason people go to the movies. Indeed, the stereotype of the movie mogul is still a man or woman who cares more about money than prestige, and who boasts, as a writer once remarked of Columbia Pictures head Harry Cohn when Cohn said a movie wasn’t any good because he kept wiggling in his seat, that the whole world is ‘wired to his ass.’ They are us — only richer.”

Gabler believes that as the movie industry’s offerings have gotten dumber, its need for respectability has intensified. That led to the situation we have now: where, Gabler explains, the studios pump out only two kinds of movies: blockbusters and “anti-blockbusters.” These films, like “The Artist” or “Hugo” or “War Horse” don’t just steep in the world of the past, they celebrate the past in order to denigrate the present. “The Artist,” for example, is a story about the tragedy of innovation. Its hero is a silent film actor at the top of his game. When Hollywood introduces sound, and the actor — the artist! — refuses to make the transition, he is nearly destroyed. But even more importantly, the beauty of silent film was destroyed, and it’s that beauty that “The Artist” seeks to resurrect and honor.

Gabler has certainly identified a legitimate trend amongst this year’s Academy Award nominees. He’s a smart guy too; Gabler wrote “Walt Disney: The Triumph of the American Imagination,” one of the finest biographies in recent memory. But I’m not sure he’s reading this trend correctly. Is the nostalgia amongst a wide swath of 2012 Oscar nominees a reaction against mainstream Hollywood or an expansion of it?

After all, cinematic nostalgia was not simply limited to awards pictures last year: it was the predominant theme in all kinds of films. Just about everything Hollywood makes these days is indebted to something that has come before. It might be something based on an old television series or or a landmark series of books or a toy popular with children in the 1980s. Don’t forget all the prequels to sci-fi classics or comic book movies. Then there’s the big-screen adaptation of the old cartoon and the big-screen adaptation of the old cartoon and, of course, the big-screen adaptation of the old cartoon. Even so-called “original” films look like prior works, from Steven Spielberg movies to James Bond adventures. The trick is the same every time — take an existing property with a built-in fanbase and gussy it up with new effects to capture the imagination of a new audience and recapture the imagination of the old audience who loved it even before it looked good.

Gabler says that the Oscars’ “sudden burst of nostalgia” may be “a demonstration of the self-contempt of an industry that is finally tired of itself.” But the same impulse fueling a film like “War Horse” — which Gabler cites as an example of an old-fashioned anti-blockbuster — is basically the same impulse fueling a film like “Cowboys & Aliens” — a new-fangled action spectacular. Like “War Horse,” “Cowboys & Aliens” is indebted to the works of John Ford (as well as the works of other nostalgia icons like George Pal and Ray Harryhausen) — and like “War Horse” it’s also about “primal communions” between boy and father, man and horse. “War Horse” might be soppy melodrama and “Cowboys & Aliens” might be a noisy bore, but the cloth they’re cut from is not all that different. And both came from the same man: director and executive producer (respectively) Steven Spielberg.

Maybe Hollywood is full of self-loathing; in my experience, most people and most industries are. But I’m not sure the presumed popularity amongst Oscar voters of “The Artist,” “Hugo,” and others is indicative of that self-loathing. It seems equally likely that nostalgia’s Oscar dominance this year simply reflects nostalgia’s dominance across all kinds of filmmaking disciplines. Most of the nostalgic movies mentioned above were huge hits; I selected them from this list of the highest grossing films of 2011. If we looked back over the past couple years, we’d find similar results. Old is the new new. And money is still money.

What do you make of all the nostalgic films at this year’s Academy Awards? Tell us in the comments below or write to us on Facebook and Twitter.

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Holiday Extra Special

Make The Holidays ’80s Again

Enjoy the holiday cheer Wednesday December 21 at 10P on IFC.

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Photo Credit: Everett Collection

Whatever happened to the kind of crazy-yet-cozy holiday specials that blanketed the early winter airwaves of the 1980s? Unceremoniously killed by infectious ’90s jadedness? Slow fade out at the hands of early-onset millennial ennui? Whatever the reason, nixing the tradition was a huge mistake.

A huge mistake that we’re about to fix.

Announcing IFC’s Joe’s Pub Presents: A Holiday Special, starring Tony Hale. It’s a celeb-studded extravaganza in the glorious tradition of yesteryear featuring Bridget Everett, Jo Firestone, Nick Thune, Jen Kirkman, house band The Dap-Kings, and many more. And it’s at Joe’s Pub, everyone’s favorite home away from home in the Big Apple.

The yuletide cheer explodes Wednesday December 21 at 10P. But if you were born after 1989 and have no idea what void this spectacular special is going to fill, sample from this vintage selection of holiday hits:

Andy Williams and The NBC Kids Search For Santa

The quintessential holiday special. Get snuggly and turn off your brain. You won’t need it.

A Muppet Family Christmas

The Fraggles. The Muppets. The Sesame Street gang. Fate. The Jim Henson multiverse merges in this warm and fuzzy Holiday gathering.

Julie Andrews: The Sound Of Christmas

To this day a foolproof antidote to holiday cynicism. It’s cheesy, but a good cheese. In this case an Alpine Gruyère.

Star Wars Holiday Special

Okay, busted. This one was released in 1978. Still totally ’80s though. And yes that’s Bea Arthur.

Pee Wee’s Playhouse Christmas Special

Pass the eggnog, and make sure it’s loaded. This special is everything you’d expect it to be and much, much more.

Joe’s Pub Presents: A Holiday Special premieres Wednesday December 21 at 10P on IFC.

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It Ain't Over Yet

A Guide to Coping with the End of Comedy Bang! Bang!

Watch the final episodes tonight at 11 and 11:30P on IFC.

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After five seasons and 110 halved-hour episodes, Scott Aukerman’s hipster comedy opus, Comedy Bang! Bang!, has come to an end. Fridays at 11 and 11:30P will never be the same. We know it can be hard for fans to adjust after the series finale of their favorite TV show. That’s why we’ve prepared this step-by-step guide to managing your grief.

Step One: Cry it out

It’s just natural. We’re sad too.
Scott crying GIF

Step Two: Read the CB!B! IMDB Trivia Page

The show is over and it feels like you’ve lost a friend. But how well did you really know this friend? Head over to Comedy Bang! Bang!’s IMDB page to find out some things you may not have known…like that it’s “based on a Civil War battle of the same name” or that “Reggie Watts was actually born with the name Theodore Leopold The Third.”

Step Three: Listen to the podcast

One fascinating piece of CB!B! trivia that you might not learn from IMDB is that there’s a podcast that shares the same name as the TV show. It’s even hosted by Scott Aukerman! It’s not exactly like watching the TV show on a Friday night, but that’s only because each episode is released Monday morning. If you close your eyes, the podcast is just like watching the show with your eyes closed!

Step Four: Watch brand new CB!B! clips?!

The best way to cope with the end of Comedy Bang! Bang! is to completely ignore that it’s over — because it’s not. In an unprecedented move, IFC is opening up the bonus CB!B! content vault. There are four brand new, never-before-seen sketches featuring Scott Aukerman, Kid Cudi, and “Weird Al” Yankovic ready for you to view on the IFC App. There’s also one right here, below this paragraph! Watch all four b-b-bonus clips and feel better.

Binge the entire final season, plus exclusive sketches, right now on the IFC app.

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Everybody Sweats Now

The Four-Day Sweatsgiving Weekend On IFC

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This long holiday weekend is your time to gobble gobble gobble and give heartfelt thanks—thanks for the comfort and forgiveness of sweatpants. Because when it comes right down to it, there’s nothing more wholesome and American than stuffing yourself stupid and spending endless hours in front of the TV in your softest of softests.

So get the sweats, grab the remote and join IFC for four perfect days of entertainment.

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It all starts with a 24-hour T-day marathon of Rocky Horror Picture Show, then continues Friday with an all-day binge of Stan Against Evil.

By Saturday, the couch will have molded to your shape. Which is good, because you’ll be nestled in for back-to-back Die Hard and Lethal Weapon.

Finally, come Sunday it’s time to put the sweat back in your sweatpants with The Shining, The Exorcist, The Chronicles of Riddick, Terminator 2, and Blade: Trinity. They totally count as cardio.

As if you need more convincing, here’s Martha Wash and the IFC&C Music Factory to hammer the point home.

The Sweatsgiving Weekend starts Thursday on IFC

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