DID YOU READ

The “Ghost Rider” directors talk Easter Eggs, inner demons, and the superhero brawl they’d love to film

121511_ghostrider

Posted by on

Ghost Rider: Spirit of Vengeance” roars into theaters this weekend, bringing audiences a reinvention of the skull-faced, motorcycle-riding Marvel character as seen through the lens of “Crank” directors Mark Neveldine and Brian Taylor. Although Nicolas Cage returns to the role of Johnny Blaze that he first played in 2007’s critically panned “Ghost Rider,” the new film has been described as anything but a straight-up sequel by the studio, and looks to offer a more kinetically-charged, darker take on the character that blends intense action and horror elements.

In the film, Johnny Blaze is tasked with rescuing a boy named Danny from the demonic forces pursuing him across Eastern Europe. Along with a host of bad guys armed to the teeth with all manner of heavy weaponry, Ghost Rider must contend with a vicious supernatural villain who can decay anything he touches and a demon who may or may not be the devil himself. This is all in addition to Johnny’s own internal struggle with the demon that lurks inside him and yearns to exact fiery punishment on the wicked.

IFC spoke to Neveldine and Taylor about the new film, and got their take on bringing Ghost Rider back to the big screen, some of the movie’s comics-friendly plot points, and the two superheroes they’d like to bring together in a perfect world.

IFC: I’ve noticed over the last few years that the filmmakers and actors who take on certain comic book movie projects tend to have a pre-existing connection to the character — whether it’s one of their favorite characters from back in the day, or just a character they discovered recently and pursued. What was your connection to Ghost Rider? Why did this particular film appeal to you?

BRIAN TAYLOR: Well, it’s kind of the same connection Nic has to the character. We all have demons, and that’s what the Ghost Rider is. Johnny Blaze has a demon — but it’s a real one. Anybody who has a dark side and struggles with it can relate to what the Ghost Rider is, so of all the heroes it seemed like the perfect one for us to take on. Also, we like to wear leather.

MARK NEVELDINE: And motorcycles… [laughs]

IFC: After the poor performance of the first film, a lot of people were surprised when Sony announced that it was making another Ghost Rider movie. When you two came on to the project, what elements did you focus on changing this time around? Were there any particular parts of the first “Ghost Rider” that you identified as problem areas?

NEVELDINE: We didn’t look at it that way, actually. I didn’t see the first movie, but it wasn’t about changing things with this one, it was about starting from scratch again with a script David Goyer wrote years before the first movie came out. So it really was its own thing. When we got on board, we said, “Hey this is what we’d like to do with it,” and Sony said they loved the aesthestics of what we wanted to do with the skull, the rider, and the motorcycle, and this dark demon that he’s battling with — like he’s battling an addiction. They dug all of that, and we just put our stamp on it and made it.

We’re super happy the first movie was made, though. I think a lot of kids loved it and it was kind of the Disney version of the Ghost Rider. I’m actually going to watch it the night before our movie opens to finally see it. I’m excited about it. [“Spirit of Vengeance”] is really a reinvention of Ghost Rider.

IFC: One of the big questions surrounding the film right now is whether the boy named Danny is actually supposed to be Danny Ketch, the character from the comics who eventually becomes Ghost Rider after Johnny Blaze. Danny’s last name is never mentioned in “Spirit of Vengeance,” so what’s the deal? Is he Danny Ketch?

TAYLOR: We threw that in there to drive people crazy talking about it. Is he Danny Ketch? We don’t even know yet. Did J.J. Abrams really know how “Lost” was going to end when they started it?

NEVELDINE: He probably did.

TAYLOR: [Laughs] Well, we don’t know the answer to that one yet.

IFC: Outside of the Danny might-be-Ketch, are there any other elements from the Ghost Rider comics that managed to fit into the film? I know the villain was based on the character Blackout, right?

TAYLOR: Yeah, we never actually call the villain Blackout, but fans of the comic will recognize him as an altered, evolved version of Blackout. For the most part, Ghost Rider is a character who’s so cool, but he’s never been done the way you really want to see him — even in the comics. The stories written by Garth Ennis were really cool, but with the exception of those, you always wanted something different from the Ghost Rider. You always wanted him to be darker, scarier, or weirder, so we really didn’t use the first movie or the comics as a jump-off point. We just tried to do the coolest version of the character that we could with what we were handed.

IFC: There were a lot of familiar horror-movie elements in the film, like the way Ghost Rider lurches around at varying speeds and just suddenly appears in front of his victims. It’s something we see a lot in modern horror films. Was there a conscious effort on your part to make this more of a horror movie than a superhero movie?

NEVELDINE: Yeah, we wanted him to be frightening. We love those horror elements, because they feel like a natural part of the character. When you think about this character, he should frighten the person he’s standing in front of.

TAYLOR: He is more of a horror character than a superhero. A lot of that stuff we came up with while talking with Nic, too. There’s a particularly inexplicable and insane moment when Ghost Rider kills all of the guys at the quarry, and when the smoke clears you find Ghost Rider levitating in the air, slowly spinning around like a clock or a compass. That was something that came out of us batting around an idea with Nic that the Ghost Rider inflicts psychological warfare on his victims as much as he does physical, and a lot of what he does is similar to the demonic presences in “Evil Dead” and “The Ring” and movies like that. They’re fucking with people’s minds and want to destroy your brain before they destroy your body. [Ghost Rider] does a lot of stuff like that because he’s a demon from another dimension, and you will never understand why he does it. Humans will never understand why he does what he does, and you’re sort of in awe and horror of it at the same time.

IFC: So, if all goes well with your reinvention of the character, would you be interested in returning to the character for a sequel? Do you feel like you have more Ghost Rider stories to tell?

TAYLOR: As always, it’s up to the fans. If people embrace this movie, I’m sure they’ll want another one. The challenge for that would be: Can we make as big of a leap from the second movie to the third as we did from the first movie to the second?

NEVELDINE: There’s a lot of territory still to cover, though.

IFC: There’s been more than a few people who have suggested that you guys should do more comic book movies. If you could have your pick of any characters in the comic book world, who would you want to make a film about?

TAYLOR: We would love to answer the age-old question of who’s stronger, Hulk or Superman.

“Ghost Rider: Spirit of Vengeance” hits theaters Friday, February 17. The film stars Nicolas Cage, Ciaran Hinds, Idris Elba, Violante Placido, Johnny Whitworth, and Fergus Riordan.

What do you think of the “Ghost Rider: Spirit of Vengeance” directors’ answers? Chime in below or on Facebook or Twitter.

Watch More
Rocky IV Paulie Robot

Mr. Roboto

5 Reasons Rocky IV Is Too Rotten to Miss

Catch Rocky IV Friday at 8P during IFC's Rotten Fridays.

Posted by on
Photo Credit: MGM/UA/YouTube

When Rocky IV was released in 1985, the critics were not kind. (While it wasn’t around back then, the film’s 39% ranking on Rotten Tomatoes speaks for itself.) Less of a movie than a jingoistic music video starring a robot and a steroid-addled, monosyllabic Russian baddie, Rocky IV is a far cry from the Italian Stallion’s humble origins.

Still, more than any movie ever made, it exemplifies the whole “so bad its good” genre. This movie was made for us, the great-unwashed masses of the 1980s, who loved the band Survivor and hated those Commie bastards. Before you catch Rocky IV on IFC’s Rotten Fridays, let’s take a look at some moments that make this flick a “too rotten to miss” classic.

5. That Opening Shot

Rocky IV
United Artists

It takes all of 30 seconds for the audience to know they’re in for one ridiculous rollercoaster ride through a Cold War conniption fit of good vs. evil. Gone is the subtle tone and grounded reality of the first Rocky. In its place we see two gloves, one emblazoned with the American flag, the other with the Soviets’, hurtling toward each other. When they collide, sparks fly, and we witness an explosion decades in the making.

In case the symbolism is too subtle for you, director/writer/star Sylvester Stallone is trying to hint that this movie will be the clash of civilizations we’d all been waiting for, but instead of nuclear bombs, a humble palooka from the streets would be duking it out in the ring with the ultimate representation of coldhearted Communism. If it were up to us, this opening shot would’ve won Best Picture all by itself.


4. So Many Montages

Rocky IV has a running time of 91 minutes and 20 seconds. Its eight montages (yes, EIGHT) run a total of 29 minutes and 10 seconds. That is one third of the movie solely dedicated to montages. (Considering Stallone’s contempt for all things Soviet, we have to wonder if he knows it was a dirty Ruskie who invented the montage.)

During one of the many, many montages, director Stallone actually flashes back to a scene that had happened a minute and half prior, creating the impression that he might actually flashback to the montage we were just watching in the same montage. Stallone clearly loves a good montage set to an inspirational ’80s song, and so do we. Which brings us to…


3. A Soundtrack Full of Pumped Up ’80s Jams

Speaking of montages, they are set to the score of some of the cheesiest hits from the mid-’80s. For once, we’re spared tracks from Frank Stallone, with Stallone replacing his rocker brother with synth-y singles from Survivor, John Cafferty and Kenny Loggins. And of course, Robert Tepper, possessor of an ’80s mullet that could topple empires, crooning “No Easy Way Out.” The music in this movie is one step away from being a parody of the music in this movie. If you ever want to know what cocaine can do to the human mind, just listen to this soundtrack.


2. Rocky Ends the Cold War

Rocky IV speech
United Artists

In one of the most misguided, self-congratulatory, and immediately dated moments in cinema history, good ol’ galoot Rocky Balboa single-handedly ended the Cold War four years before the Berlin Wall came down.

To quote the Italian Stallion himself: “In here…there were two guys… killing each other. But I guess that’s better than millions. What I’m trying to say is… if I can change… and you can change…everybody can change!” And just like that the Soviet public, generals and even the Premier himself rose to their feet in applause, realizing what fools they’d been. This guy beat Mr. T for Heaven’s sake. He knows what he’s talking about!


1. Paulie’s Robot

Okay, let’s all take a deep breath and really consider this for a moment. Rocky IV has a robot butler in it. A movie franchise that began back in 1976 exploring the gritty reality of a bum fighter trying to prove himself somehow limped along long enough to turn into a weak Short Circuit rip-off in which an alcoholic mooch with a history of domestic abuse now gets his coffee served to him by a robot. A robot that he has programmed with a “sultry” lady voice!

Stallone was inspired to include the real life robot Sico in Rocky IV because of the work it did to help autistic children like his son Seargeoh. That’s all very moving, but doesn’t explain why he decided to write a scene where Paulie dubs poor Sico “the love of my life.” It’s a testament to Rocky IV‘s “too rotten to miss” status that Paulie’s robot girlfriend/personal servant isn’t even the craziest thing that happens to Rock and the gang.

Catch the “Too Rotten to Miss” movie Rocky IV this Friday at 8P on IFC. 

Watch More
Swimming To Cambodia Spalding Gray

Gray's Anatomy

Everything You Need to Know About the Movie That Inspired “Parker Gail’s Location is Everything”

Brand new Documentary Now! airs Wednesday at 10P on IFC.

Posted by on
Photo Credit: Cinecom Pictures

This week Documentary Now! spotlights a master monologist with “Parker Gail’s Location is Everything.” Before you tune in at 10P this Wednesday on IFC, check out our guide to Swimming to Cambodia, the 1987 film that captured writer/performer Spalding Gray’s acclaimed one-person show.

Spalding Gray 101

Swimming to Cambodia
Cinecom Pictures

Actor and renowned monologist Spalding Gray spent two years on stage perfecting his Obie Award-winning “Swimming to Cambodia” monologue. In it, Gray tells the story of his eight weeks in Southeast Asia while shooting the 1984 Academy Award-winning movie The Killing Fields. He had a small role, but the experience gave him several anecdotes about hanging out with the film crew and experiencing the local culture, all while searching for “the perfect moment.”

Directed by the Silence of the Lambs Guy

Hannibal Lecter
Orion Pictures/Everett Collection

Acclaimed filmmaker Jonathan Demme took Gray’s two-night, four hour performance and crafted it down to 85 minutes. His use of dramatic lighting, stylish camerawork and a score by performance artist Laurie Anderson was praised by critics and earned the film a cult following. No stranger to groundbreaking docs, Demme also directed the 1984 Talking Heads concert film Stop Making Sense, which Documentary Now! pays tribute to in this season’s episode “Final Transmission.”

All about the Voices

While it may have been a one-man show, Gray created a repertoire of characters all with distinctive accents. (He portrayed conversations between himself and others just by turning his head.) Our favorite impressions are of his demanding girlfriend Renee and Ivan Strasberg, the South African director of photography on The Killing Fields who, as depicted by Gray, sounds a bit like a Jamaican surfer.

The Original Cranky New Yorker

In one memorable scene, Gray rants about how his noisy upstairs artist neighbors are driving him and Renee crazy. Even in the mid-’80s, there were New Yorkers complaining that the city wasn’t what it used to be.

Show and Tell

Swimming to Cambodia
Cinecom Pictures/YouTube

A big fan of visual aids, Gray used pull-down maps to illustrate his travels. This helped to bring Swimming to Cambodia to life, since he’s basically sitting at a desk the entire time.

Inspired One-Person Shows

Gray’s groundbreaking performances in Swimming and other documentaries like Monster in a Box and the Steven Soderbergh-directed Gray’s Anatomy (about Gray’s struggle with a rare eye condition) paved the way for future one-person shows. (We wouldn’t have everything from Carrie Fisher’s “Wishful Drinking” to Mike Birbiglia’s “Sleepwalk With Me” without him.) Even Doc Now! star Fred Armisen got into the one-person show act for his recent SNL monologue.

Catch Documentary Now!’s tribute to Spalding Gray when “Parker Gail: Location Is Everything” premieres Wednesday, September 28th at 10P on IFC. 

Watch More
Rocky IV Stallone Lundgren

Burning Heart

10 Reasons Why Rocky IV Is the Ultimate Rocky Movie

Catch an all-day Rocky movie marathon this Friday, September 30th on IFC.

Posted by on
Photo Credit: United Artists/Everett Collection

Sure, most people love the first Rocky for its heart, gripping boxing scenes and the classic training montage. Or, you might love Creed for being both a return-to-form and a new exploration of the Rocky mythology. Maybe the thrill of seeing Mr. T and Hulk Hogan in the same movie makes Rocky III your top pick. Well, sorry, you’re wrong: Rocky IV is the greatest of all the “Italian Stallion”‘s movies.

Before you watch the all-day Rocky movie marathon this Friday, September 30th on IFC (with Rocky IV airing at 8P as part of Rotten Fridays), check out a few reasons to appreciate the fourth installment as the king of the series.

1. The Greatest Opening Ever

How many openings are able to sum up the entire conflict of the film in less than a minute and without a single line of dialogue? And how many of those movies have exploding boxing gloves? Just try to watch the opening sequence above and not be completely psyched for the pumped-up flick to come.


2. Montages!

We all know that the best part of any sports movie is the montage, and Rocky IV doesn’t give you one measly montage. There’s a recap of the previous films montage, a getting to Russia Montage, two training montages and an ending fight montage. That’s five montages! There’s probably a montage of montages snuck in there, too.


3. There’s a Full James Brown Musical Number

This movie is so packed with memorable moments, it’s easy to forget one of the first things that happens in the film: Apollo comes out to fight Drago dressed as a shirtless Uncle Sam, while James Brown and a full band play “Living in America.” To drive home the number’s patriotism, there are dancers in tuxedos and top hats, weird unitards and bowler caps, and bedazzled showgirls with headpieces for miles. Oh, and don’t forget the giant tentacled dragon statue on the stage. This is how every boxing match should start. Heck, this is how we always want to enter a room.


4. The Soundtrack

The Rocky IV soundtrack doesn’t just feature James Brown — it has rock anthems galore, all of which make you immediately want to hit the gym. From “Heart’s on Fire” by John Cafferty and the Beaver Brown Band to “Sweetest Victory” by Touch to multiple Survivor jams, you’ll get pumped and stay pumped. Even the instrumental score rocks! Sure, sometimes it sounds like it was made on a kids Casio, but this soundtrack never quits and — to quote Robert Tepper — never takes the easy way out.


5. Abs!

Rocky IV weights

Every Rocky movie shows off Stallone’s incredible physique, but Rocky IV really ups the game. Not only do we get Dolph Lundgren mostly shirtless looking like a man machine, but we get a wide variety of scenes of Stallone doing impossible tasks. Stallone’s crazy dragon fly crunches, aka a thing no human should be able to do, automatically take this movie to the top.


6. Two words: Ivan Drago

Ivan Drago
United Artists

Not only does Rocky IV explore the global conflict between the US and the Soviet Union, but it encapsulates all of our fears of the Cold War in one perfect villain. Ivan Drago only trains with machines and science and looks like he stepped out of an Aryan Nations recruitment poster. He also only responds in short, cold phrases like “If he dies, he dies,” or “I must break you.” There’s never been a villain who we so clearly want to get the crap beat out of than Ivan Drago.


7. Rocky Makes Chores Look Badass

Rocky saw
United Artists

Rocky doesn’t need to be hooked up to machines to become the perfect fighter. All he needs are huge tires and some outdoor chores to do. No one’s ever looked cooler chopping wood and using tractor parts. Half of his training is lifting an old wagon, probably to fix a broken axle. If anything, this film inspires us to take care of that gardening work we’ve been neglecting.


8. Rocky’s Beard

Rocky IV Beard

Stallone’s beard game is truly on point in Rocky IV. And this isn’t some “I forgot to shave, here’s a little stubble” look. No, we get full out, lumberjack-style beard action. Does any other Rocky movie have our hero looking like an old Russian aristocrat? Another point for Rocky IV.


9. There’s a robot!

Again, there’s so much to Rocky IV, you probably forgot about the robot. Well, Rocky has some money now and he’s not going to spend it on frivolous things for himself. He’s going to buy Paulie a robot! The best part of this scene is how truly disturbed Paulie is by this new technology until he gives it a sexy lady voice.


10. Rocky Ends the Cold War

If you’re still not convinced that Rocky IV is the greatest, answer this question: Does any other Rocky movie bring peace between the US and Russia?

By the end of the film, Rocky rises up to beat the seemingly undefeatable Drago. He fights so well, that even the Russians begin to appreciate his skills. Then, instead of using his victory to prove America’s superiority, he gives a rousing speech of “If I can change and you can change, everybody can change!” The whole crowd goes wild, including all of the Russian government, who we assume give up Communism immediately based solely on Rocky’s words. Stallone’s call for international reconciliation through brutal fighting and a variety of montages makes this if not one of the greatest films of all time, certainly the greatest Rocky of them all.

Catch the “Too Rotten to Miss” movie Rocky IV this Friday at 8P on IFC. 

Watch More
Powered by ZergNet