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Five ways “The Amazing Spider-Man” will differ from the previous movie franchise

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Yesterday’s preview of “The Amazing Spider-Man” yielded lots of new details about Peter Parker’s upcoming return to the big screen, but one of the most significant takeaways from the sneak peek event was confirmation of some of the ways this version of the webslinger will differ from his big-screen predecessor.

British actor Andrew Garfield puts on the webbed mask and replaces previous franchise headliner Tobey Maguire this time around, but that’s not the only big change audiences should expect from what’s being billed as the “untold story” of Spider-Man.

After seeing all of the new footage presented during yesterday’s “The Amazing Spider-Man” event, here are five more changes you can look forward to when your friendly neighborhood wall-crawler swings into theaters in July.


Mechanical Web-Shooters

Same Raimi’s “Spider-Man” franchise became the target of much criticism early on when it was revealed that Peter Parker’s webs would be an organic product of his mutation rather than the wrist-mounted mechanical devices he uses in the comics. That diversion from the source material is corrected in Marc Webb’s upcoming reboot of the franchise, as the new footage clearly shows Peter Parker developing, testing, and making ample use of artificial webs and a web-shooter with a red glow. In one particular scene, Peter is seen fiddling with the web-shooter and accidentally setting it off, resulting in his face being webbed to the device. In another scene, Spider-Man toys with a car thief before sticking him to a wall with a series of web shots — with the red glow of the web-shooter pulsing each time he slings a web at his target. There’s also a nice, up-close shot of the web-shooter itself in the new trailer for “The Amazing Spider-Man.”


Quipping while Thwipping

Rather than the progressively more angsty, emo Peter Parker we saw in the last “Spider-Man” franchise, the webslinger is clearly returning to his joke-a-minute roots in “The Amazing Spider-Man.” In the footage shown yesterday, there were very few scenes of Spidey in costume that didn’t also involve a steady stream of jokes coming from the wall-crawler. During the aforementioned run-in with the car thief, Spider-Man toys with the criminal for a while as only a high-school kid can, dropping to his knees when the guy pulls a knife and exclaiming, “Oh no, is that a real knife? Aargh! That’s my only weakness!” — only to stick him to the wall with a barrage of webs a second later. If nothing else, this film’s take on Spidey brings him back to being that playful brat fans love, but criminals hate.


Spider-Man is Public Enemy #1

With the exception of eternal Spidey-hater J. Jonah Jameson, the previous “Spider-Man” films were largely a webslinger love-fest, with Peter Parker enjoying life as a celebrated hero loved by the public. This time around, Spider-Man clearly won’t be winning any popularity polls, as the new footage included quite a few scenes in which Spider-Man is being chased, attacked by, or attacking police officers around New York. To make matters worse, much of that anti-Spidey sentiment seems to come from Gwen Stacy’s father, George Stacy (played by Denis Leary), a high-ranking NYPD officer. One especially tense scene shown during the preview event featured Peter and Mr. Stacy arguing about Spider-Man’s intentions over dinner and making things extremely uncomfortable for Gwen.


He Does Whatever a Spider Can

While past installments of “Spider-Man” on the big screen did a great job of presenting the range of Peter Parker’s spider-given abilities, “The Amazing Spider-Man” appears to be taking things one step further when it comes to Spidey’s enhanced agility and “spider sense.” In the footage shown during yesterday’s event, there was one particularly great scene in which Spider-Man is seen dodging bullets by first twisting from side to side and then flipping over the gunman in one fluid motion from a standing position. Rather than presenting his enhanced reaction time via a sudden switch to slow-motion (a la the previous films), “The Amazing Spider-Man” appears to take the opposite approach, with the world moving at normal speed while Spider-Man reacts instantaneously to everything that occurs. In the aforementioned scene, Spider-Man dodges left, then right, at the same time each shot is fired, and then jumps behind the gunman the moment the third shot is fired — mimicking the sort of blink-and-you-miss-it movement of real-world spiders when threatened.


Loving the Man, Not the Mask

During the preview event for “The Amazing Spider-Man,” actress Emma Stone explained that one key difference between her character, Gwen Stacy, and Peter Parker’s love interest from the previous films, Mary Jane Watson, is that Gwen falls in love with Peter, not Spider-Man. That difference might seem small when mentioned in passing, but it’s a key component of Peter Parker’s history in both the comics and, apparently, in the upcoming film. During one scene shown during the event, Gwen is seen telling Peter — who happens to be wearing his Spider-Man costume at the time — that she already worries about whether her policeman father will come home every night, and stresses that she doesn’t want to have the same concerns about Peter. Along the same lines, Gwen and Peter’s relationship appears to develop well before he dons a costume and starts fighting bad guys. When measured against the infamous upside-down Spidey kiss between Mary Jane and Peter in the first “Spider-Man” film and the struggles he had convincing Mary Jane to love him when he wasn’t wearing the mask, this dynamic should make for a major tonal shift in the reboot that sets “The Amazing Spider-Man” apart from the previous franchise.


What other changes do you expect to see in “The Amazing Spider-Man”? Chime in below or on Facebook or Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.