DID YOU READ

Five ways “The Amazing Spider-Man” will differ from the previous movie franchise

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Yesterday’s preview of “The Amazing Spider-Man” yielded lots of new details about Peter Parker’s upcoming return to the big screen, but one of the most significant takeaways from the sneak peek event was confirmation of some of the ways this version of the webslinger will differ from his big-screen predecessor.

British actor Andrew Garfield puts on the webbed mask and replaces previous franchise headliner Tobey Maguire this time around, but that’s not the only big change audiences should expect from what’s being billed as the “untold story” of Spider-Man.

After seeing all of the new footage presented during yesterday’s “The Amazing Spider-Man” event, here are five more changes you can look forward to when your friendly neighborhood wall-crawler swings into theaters in July.


Mechanical Web-Shooters

Same Raimi’s “Spider-Man” franchise became the target of much criticism early on when it was revealed that Peter Parker’s webs would be an organic product of his mutation rather than the wrist-mounted mechanical devices he uses in the comics. That diversion from the source material is corrected in Marc Webb’s upcoming reboot of the franchise, as the new footage clearly shows Peter Parker developing, testing, and making ample use of artificial webs and a web-shooter with a red glow. In one particular scene, Peter is seen fiddling with the web-shooter and accidentally setting it off, resulting in his face being webbed to the device. In another scene, Spider-Man toys with a car thief before sticking him to a wall with a series of web shots — with the red glow of the web-shooter pulsing each time he slings a web at his target. There’s also a nice, up-close shot of the web-shooter itself in the new trailer for “The Amazing Spider-Man.”


Quipping while Thwipping

Rather than the progressively more angsty, emo Peter Parker we saw in the last “Spider-Man” franchise, the webslinger is clearly returning to his joke-a-minute roots in “The Amazing Spider-Man.” In the footage shown yesterday, there were very few scenes of Spidey in costume that didn’t also involve a steady stream of jokes coming from the wall-crawler. During the aforementioned run-in with the car thief, Spider-Man toys with the criminal for a while as only a high-school kid can, dropping to his knees when the guy pulls a knife and exclaiming, “Oh no, is that a real knife? Aargh! That’s my only weakness!” — only to stick him to the wall with a barrage of webs a second later. If nothing else, this film’s take on Spidey brings him back to being that playful brat fans love, but criminals hate.


Spider-Man is Public Enemy #1

With the exception of eternal Spidey-hater J. Jonah Jameson, the previous “Spider-Man” films were largely a webslinger love-fest, with Peter Parker enjoying life as a celebrated hero loved by the public. This time around, Spider-Man clearly won’t be winning any popularity polls, as the new footage included quite a few scenes in which Spider-Man is being chased, attacked by, or attacking police officers around New York. To make matters worse, much of that anti-Spidey sentiment seems to come from Gwen Stacy’s father, George Stacy (played by Denis Leary), a high-ranking NYPD officer. One especially tense scene shown during the preview event featured Peter and Mr. Stacy arguing about Spider-Man’s intentions over dinner and making things extremely uncomfortable for Gwen.


He Does Whatever a Spider Can

While past installments of “Spider-Man” on the big screen did a great job of presenting the range of Peter Parker’s spider-given abilities, “The Amazing Spider-Man” appears to be taking things one step further when it comes to Spidey’s enhanced agility and “spider sense.” In the footage shown during yesterday’s event, there was one particularly great scene in which Spider-Man is seen dodging bullets by first twisting from side to side and then flipping over the gunman in one fluid motion from a standing position. Rather than presenting his enhanced reaction time via a sudden switch to slow-motion (a la the previous films), “The Amazing Spider-Man” appears to take the opposite approach, with the world moving at normal speed while Spider-Man reacts instantaneously to everything that occurs. In the aforementioned scene, Spider-Man dodges left, then right, at the same time each shot is fired, and then jumps behind the gunman the moment the third shot is fired — mimicking the sort of blink-and-you-miss-it movement of real-world spiders when threatened.


Loving the Man, Not the Mask

During the preview event for “The Amazing Spider-Man,” actress Emma Stone explained that one key difference between her character, Gwen Stacy, and Peter Parker’s love interest from the previous films, Mary Jane Watson, is that Gwen falls in love with Peter, not Spider-Man. That difference might seem small when mentioned in passing, but it’s a key component of Peter Parker’s history in both the comics and, apparently, in the upcoming film. During one scene shown during the event, Gwen is seen telling Peter — who happens to be wearing his Spider-Man costume at the time — that she already worries about whether her policeman father will come home every night, and stresses that she doesn’t want to have the same concerns about Peter. Along the same lines, Gwen and Peter’s relationship appears to develop well before he dons a costume and starts fighting bad guys. When measured against the infamous upside-down Spidey kiss between Mary Jane and Peter in the first “Spider-Man” film and the struggles he had convincing Mary Jane to love him when he wasn’t wearing the mask, this dynamic should make for a major tonal shift in the reboot that sets “The Amazing Spider-Man” apart from the previous franchise.


What other changes do you expect to see in “The Amazing Spider-Man”? Chime in below or on Facebook or Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.