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DID YOU READ

Why is Denzel Washington playing it “Safe”?

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Everybody likes Denzel Washington. A steady film presence for 25 years, he’s won two Oscars, been nominated for three others, and been a consistently reliable box office performer. Perhaps even more importantly, he’s never jumped up and down on Oprah’s couch, never been indicted for tax evasion, and never been caught by TMZ making drunken, racist comments. Sure, he’s not always the warmest of interview subjects and Bronson Pinchot definitely doesn’t like the guy, but stacked up against most other Hollywood mega-stars, those sorts of quibbles are rather small potatoes. But at this stage of his career, Denzel’s likeability is, weirdly enough, starting to become his greatest liability. There used to be a time when we loved him. But it’s hard to love a career that seems to be stuck on autopilot.

That sense of dull inertia is very apparent in his latest film, “Safe House,” and like too many of his recent offerings it’s a solidly-crafted action-thriller that’s kinda forgettable but mostly works because of how effortlessly cool Denzel Washington is in it. While it’s true that most stars eventually just start playing themselves, the Washington who shows up as the rogue C.I.A. agent in “Safe House” isn’t all that different than the one who played the veteran train engineer in “Unstoppable” or the ruthless crime boss in “American Gangster.” Whether he’s the good guy or the bad guy, Washington is always the coolest guy on the screen — the man with the lethal charm, the man with the quickest wit.

This is hardly the worst thing in the world. Unlike a lot of action stars, Washington can actually act — as if to prove that point, he snagged a Tony in 2010 for his performance in the Broadway revival of August Wilson’s “Fences” — and his ability to lock into a dependable onscreen persona guarantees that anything he’s in will be elevated simply because of his presence.

But that’s part of Washington’s problem of late. The decent-enough “Safe House” is symptomatic of a lot of his recent work. Sure, he’s not slumming in dreck like “Ghost Rider: Spirit of Vengeance,” but when’s the last time Washington’s career choices really surprised anyone? 2007’s “American Gangster” was his last serious drama, although it wasn’t particularly inspired, and his last really great hit was 2006’s “Inside Man.” Instead, what you usually get from him these days are so-so Tony Scott vehicles or blandly inspirational dramas that he directs. It’s gotten to the point that he’s almost become a charismatic self-parody, which explains why Jay Pharoah’s dead-on spoofs of him on “Saturday Night Live” have been so funny. They’re not particularly mean — Washington is too likeable to really rip — but the send-ups nicely tear apart the actor’s overly familiar acting tics: the casually menacing glare, the off-kilter cadences, the hair-trigger laugh.

I don’t want to be too harsh. In “Safe House,” Washington’s as magnetic as always, and unlike a lot of A-listers, his movies don’t seem as if they’re designed simply as vanity projects. (In both “Safe House” and “Unstoppable,” he’s actually quite generous to his younger co-stars — Ryan Reynolds and Chris Pine, respectively — allowing them to shine in their own right.) And give Washington credit: because he’s never been obsessed with being the world’s biggest action star, he’s focused on sturdy, stylish, respectable thrillers that don’t seem ludicrous for someone his age to be in. (He turned 57 at the end of last year.) He’s only had two $100-million-plus films in the last 12 years, but he turns out consistent doubles commercially, which have allowed him to age gracefully — a rare feat.

But, ultimately, what have all those sensible career decisions brought him? The grittiness of “Devil in a Blue Dress” is now 17 years ago. The stunning embodiment of Malcolm X in Spike Lee’s brilliant biopic is now two decades old. The genuinely daring turns — such as in “He Got Game” and “Training Day” — are starting to feel more like aberrations in his catalogue. Instead of pushing himself, Denzel Washington seems to have settled into a comfortable groove that does well enough with audiences and impresses enough critics that nobody really minds.

Still, watching “Safe House,” I felt like I had already seen this Washington enough. It’s an intense performance, but there’s oddly no sense of stakes to it. Washington has never been beset by scandal — he’s been married to the same woman for almost 29 years — and he’s also never really suffered from a downturn in his commercial clout. If you wanted to show a young actor how to conduct his career (and life), you’d point him in the direction of Washington. But, oddly enough, while an erratic star like Tom Cruise has had his shares of up and downs, at least he has a certain urgency that gives his movies a jolt. (Part of the fun of the most recent “Mission: Impossible” was Cruise’s all-in commitment to the terrific action sequences.) Washington is steady as a rock professionally, but I do worry that it’s neutered his sense of adventure in choosing roles. One of his generation’s best screen actors, he has too long being content to simply coast. Even worse, too many of us have gotten so used to this fact that we don’t even seem to care.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.