DID YOU READ

Adapt This: “Olympus” by Nathan Edmondson and Christian Ward

olympus

Posted by on

With Hollywood turning more of its attention to the world of graphic novels for inspiration, I’ll cast the spotlight on a new comic book each week that has the potential to pack a theater or keep you glued to your television screens. At the end of some “Adapt This” columns, you’ll also find thoughts from various comic creators about the books they’d like to see make the jump from page to screen.


This Week’s Book: Olympus by Nathan Edmondson (w) & Christian Ward (a)

The Premise: Brothers Castor and Pollux are bounty hunters for the gods, tasked by their father Zeus to track down fugitives from Olympus and keep the balance between the mortal realm and that of the divine. When someone manages to escape from Hades during one of the brothers’ missions, the pair must use all of their skills — and the favors they’re owed — to prevent an apocalyptic meeting of human and god.

The Pitch: Olympus combines all of the best elements of a buddy cop show (or in this case, buddy bounty hunters) with a hefty dose of supernatural adventure. Rather than having its characters deal with vampires or werewolves, however, the Gemini brothers operate in the world of the Greek gods and their mythology, chasing down rebellious deities and immortals who violate the laws that govern immortals’ interactions with Earth.

At a basic level, Olympus shares a lot of elements with the television series “Supernatural,” which has developed a loyal following over the course of its long run for finding the right mix of similar elements. Both series follow a pair of brothers with very different personalities as they “solve” something that threatens the balance between our world and everything that lies outside it. Their relationship is the centerpiece of the series, and much of the drama and narrative glue comes from the brothers’ interaction with each other and the strange world in which they operate.

Still, an “Olympus” television series would offer quite a different take on the conventions of the “buddies saving the world from supernatural stuff” theme, as Castor and Pollux receive their assignments directly from Zeus himself, and are relatively immortal in their own right. The difficulty in their tasks often stems from being overmatched by the subjects they pursue, who can still give them a good beating when necessary. (They are gods, after all.) In order to accomplish their missions, the brothers rely heavily on cooperative tactics to bring down their targets, and often make use of their own arsenal of supernatural weapons — including a magical hook and chain used to send their subject back to Hades.

Given the story’s emphasis on the brothers gathering the right information and equipment for each job, an adaptation of Olympus would actually be a mix of elements from shows like “Supernatural” and “Burn Notice,” building on a foundation of familial drama and supernatural elements with intelligent procedural aspects and fast-paced, explosive action. The brothers would receive an assignment, figure out a way to handle it, then procure everything they need to make it happen in the first half of an episode. Once all of that happens, they’d set the plan in motion, deal with the inevitable unforeseen events, and then conclude by celebrating with some drinks, some furthering of an over-arching plot thread, and an occasional bar brawl.

Of course, with so much emphasis on the Gemini brothers, the choice of actors playing Castor and Pollux is possibly the most important factor in an adaptation’s success. The pair need to be brothers who will sacrifice everything for each other — and have clearly done so on more than one occasion. Without that level of chemistry, the entire series will suffer, and probably won’t develop the momentum for a long run.

There’s also a need for some creative effects in an “Olympus” series, as there’s no shortage of magical artifacts wielded by both the brothers and their subjects popping up throughout the series. Shows like “Supernatural” have done a great job with this type of thing lately, though, so the necessary effects are less of a concern now than they would’ve been a few years ago.

The Closing Argument: Cast a pair of talented young actors with great chemistry and have them exchange witty dialogue, punches, and the occasional kiss with a variety of gods, mortals, and pretty young ladies, and you’ve got the makings of a great monster-of-the-week series with Olympus. Castor and Pollux could easily be as likable for a female audience as they are for male viewers, with the series dishing out equal parts action, supernatural elements, and brotherly drama. Keep the whole thing feeling fresh with good dialogue and plot twists, and you have the makings of a fan-favorite program with many seasons in its future.


Would “Olympus” make a good television series? Chime in below or on Facebook or Twitter.

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet