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The 10 coolest vehicles from comic book movies

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Ghost Rider: Spirit of Vengeance” roars into theaters this weekend, leaving a trail of fire and burnt rubber in its wake.

Sporting a new set of directors and a reinvented take on the motorcycle-riding anti-hero, “Spirit of Vengeance” also features a new look at the way Ghost Rider interacts with his fire-spitting ride and anything else he gets behind the wheel of. Whether it’s on two wheels or a set of treads, every vehicle becomes an instrument of fiery retribution for Johnny Blaze’s demonic alter ego.

Still, Ghost Rider isn’t the first comic book character to bring a memorable ride along when making the jump from page to screen. In no particular order, here are our 10 favorite vehicles from the modern era of comic book movies.


The Owl Ship (“Watchmen“)

No matter what you think of Zack Snyder’s live-action adaptation of Watchmen, it’s difficult not to be impressed by the film’s version of the Owlship, Nite Owl’s high-tech flying headquarters. Not only is it intimidating, but it gets bonus points for staying true to the comic and actually looking like an owl’s head. Sadly, it loses some of those bonus points for playing host to one of the worst sex scenes ever filmed, but I digress…


The Blackbird (“X-Men” 1-3, “X-Men: First Class“)

While there’s nothing too fancy about the sleek jet used by the X-Men to get around the world, there’s something to be said for the fact that almost everyone associates the silhouette of the Blackbird with Marvel’s mutants even though it was based on a real-world plane developed way back in 1964. Heck, there are more than a few people who might not believe you when you tell them the SR-71 Blackbird was a real plane — it’s become associated with the X-Men that closely.


The Batmobile (“Batman” & “Batman Returns“)

Fans of Christopher Nolan’s big-screen Bat-verse might scoff at the choice of this version of the Batmobile (from Tim Burton’s “Batman” and “Batman Returns”) as my favorite of the bunch, but in my mind, this version of Batman’s ride offered the best balance of form and function for The Dark Knight. Designed by Anton Furst, who won an Oscar for conceiving of both the Batmobile and the noir-influenced take on Gotham City seen in the film, this Batmobile exists equidistant from Nolan’s military-style “Tumbler” and the glowing, missile-like Batmobile from Joel Schumacher’s “Batman & Robin.”


Ghost Rider’s motorcycle (“Ghost Rider: Spirit of Vengeance“)

I mentioned this one earlier, but once you see “Spirit of Vengeance” you’ll understand why it’s on the list. The bike Johnny Blaze rides is already pretty sweet in its normal form (read: not engulfed in flames), but once he becomes Ghost Rider things move to a whole new level of bad-assery. Like a good horse, Ghost Rider’s bike comes when he calls it, and always makes a great first (and second, and third) impression with flames that seem to pour from every crevice and a roar that sounds more bestial than mechanical. It’s truly a ride fit for a demon.


A Horse with Gatling Guns (“Jonah Hex“)

One of the funniest images from 2010’s live-action “Jonah Hex” movie wasn’t intended to be humorous — but it quickly became a popular symbol of everything that was wrong with the studio’s attempt to bring DC’s famous bounty hunter to the big screen. While the memorable image of Jon Hex unveiling his completely implausible combination of horse and heavy weaponry is burned into fans’ brains, it’s worth noting that the original version was even more ridiculous. According to “Jonah Hex” star Josh Brolin, an early design for the horse-mounted gun had the barrel placed underneath the horse’s belly on a rotating mount — which seems fine until you consider what would happen when the barrel swings from side and shoots off the horse’s legs. Owch.

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Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

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Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

Call-In Commentary: Watch the “Ghost Rider: Spirit of Vengeance” trailer with directors Neveldine & Taylor

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After years of rumors about a new “Ghost Rider” film, that day is finally upon us as “Ghost Rider: Spirit of Vengeance” roars into theaters this Friday. For this outing we find Nicolas Cage shuffling off to Eastern Europe in order to stop the devil’s plans for world domination. As suspected there’s a lot of flaming whips and exploding things.

That’s partly because of the subject matter, and partly because of “Crank” directors Mark Neveldine and Brian Taylor, who brought their high-octane filmmaking style to Marvel’s cursed superhero. To get the inside tract, we asked the pair to participate in our Call-In Commentary series, where directors provide commentary to their movie trailers. In the video below, hear about ruined Romanian castles, the advantage of hiring the girl from “The American,” and much, much more.

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MORE CALL-IN COMMENTARIES:

Watch the “Rampart” trailer with writer-director Oren Moverman
Watch “The Woman in Black” trailer with star Daniel Radcliffe
Watch “The Innkeepers” trailer with writer-director Ti West
Watch “The Divide” trailer with its star, cult fave Michael Biehn
Watch the “Loosies” trailer with writer/star Peter Facinelli
Watch the “Shame” trailer with writer-director Steve McQueen

View more Call-In Commentaries…

Will you be checking out “Ghost Rider: Spirit of Venegance”? Let us know in the comments below, or on Facebook or Twitter.

Five movies that should never be watched on a Valentine’s Day date

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If there’s anything that’s universally understood in the world of dating, it’s that Valentine’s Day is the perfect day to show your date some truly disturbing movies. Oh, wait a second. It’s not? Hmm. What is true about Valentine’s Day, though, is that it is a great day to take your date out to a nice meal followed up by a fun, romantic movie. They actually do love that. Some guys, however, wouldn’t know a romantic movie if it proposed to them from the top of the Empire State Building. That’s where we come in with a little assistance. And while we’re not going to give you a list of romantic movies you should pop in the Blu-ray player on February 14th, we are going to give you a list of five movies that should never find their way into your Valentine’s Day plans. Heed our warnings, fellas.


“I Spit on Your Grave” (1978)

Don’t let the original title of Meir Zarchi’s 1978 controversial shocker fool you. “I Spit on Your Grave” may have first been released under the title “Day of the Woman,” but this is one of the last movies you’ll ever want to show your lady on any day, let alone Valentine’s Day. The exploitation flick is an unabashedly tough look at what could arguably be called the worst day a female has ever had in a film. Writer Jennifer Hills (Camille Keaton) decides to rent an isolated house by a lake, deep in the countryside but her plan of getting some work done goes awry when she crosses paths with a group of local men hell bent on doing whatever they want to the poor girl. She’s tortured and raped by the men in some of the most disturbing ways possible before escaping back to the rental to endure yet another round of torture and rape. All this before Jennifer finally gets herself together and decides to lure the men in one by one and take them out in extremely brutal and degrading ways. It’s a feel good movie, you see!

Zarchi has been defending the film for over thirty years now – he claims the film is a feminist critique of sexualized male violence – but he can talk until he’s blue in the face; it doesn’t make “I Spit on Your Grave” any easier to watch. Remade in 2010 by Steven R. Monroe the film follows nearly the same exact trajectory as the original and it’s well made but mostly forgettable aside from a standout performance by Sarah Butler in the Jennifer Hills role. Nevertheless, you’re going to want to stay as far away as humanly possible from these films if you plan on getting lucky on Valentine’s Day (or ever again).


“Irréversible” (2002)

If your idea of a good time on Valentine’s Day is actually making your date physically sick, then go ahead and pop in Gaspar Noé’s 2002 told-in-reverse French film “Irréversible.” The sadistic (and talented) directed didn’t want to just assault viewers’ eyes with the contents of the film, but he actually recorded portions of the film using extremely low-frequency sound (you know, the kind the SWAT team uses to quell riots), which causes the audience to experience disorientation and nausea. Physical symptoms aside, the film itself is enough to make many people ill. There’s a hyper-realistic scene right near the beginning that includes a fire extinguisher and a head that would send most people running from the theater. In fact, it’s the only scene in my cinema-loving life that actually gave me a panic attack while watching.

Oh, yeah, and then there’s that whole eight-minute-long subway rape sequence in which Noé decides to place the camera on the floor and just leave it there for the viewer to watch. The perspective and the fact that it takes place in one continuous shot make the scene one of the most difficult to watch in the history of film. Throw in the fact that you’ll probably have to subject your date to the film more than once if she actually wants to understand it (thanks to that pesky reverse narrative) and you’ve got quite a romantic evening planned.


“Cannibal Holocaust” (1980)

Found footage films like “The Blair Witch Project,” “Cloverfield,” and most recently “The Devil Insid”e might be the current cinematic craze, but Ruggero Deodato precedes them by over twenty years. Released in 1980, “Cannibal Holocaust” used the found footage technique to introduce the world to one of the most horrifyingly realistic, controversial, and disturbing films of all time. Filmed in the Amazon Rainforest, “Cannibal Holocaust” tells the tale of a documentary film crew who had traveled to the Amazon to film indigenous tribes and come home with some truly sensational footage. The only problem… they never came home.

So why wouldn’t you and your lady want to sit down with a roaring fire, a nice glass of wine, and “Cannibal Holocaust” in the DVD player? Well, here’s a short list of some of the degradation that takes place in the film: mutilation, rape, murder, beheading, and animal cruelty. The most disturbing thing on that list, however, might just be the animal cruelty as the filmmakers infamously killed several animals on screen including a large turtle. The film has been banned, at one time or another, in nearly every country and not only garnered Deodato death threats, but it also landed him in an Italian prison when authorities thought he’d actually murdered his cast. What better way to say, “I love you” on this special day than to show your girl a woman getting skewered on a pike.


“The Woman” (2011)

It’s frightening that Lucky McKee’s “The Woma”n is probably the least disturbing of all the films on this list. Don’t get me wrong here; the film is highly disturbing but, unlike the other films listed, it’s not an endless assault on the senses. Starring Pollyanna McIntosh, Angela Bettis (a McKee favorite), and Sean Bridgers, “The Woman” tells the story of a successful lawyer living in the country who stumbles across a feral woman (McIntosh) while in the woods. He decides to capture the woman in an attempt to “civilize” her, but his actions ultimately put his clean-cut family in harm’s way. Now, that description might not sound all that disturbing to you, but once you realize just how he plans to “civilize” this woman – namely through rape, control, and degradation – you get a clearer picture of why the film has been so controversial.

Controversial, you say? Surely you’ve seen the video of guy who walked out during the film’s Sundance premiere and proceeded to go on a six-minute rant about how McKee’s film is degrading and terrible. While the guy’s reaction is clearly exaggerated and overblown (I actually think “The Woman” is not only an excellent film, but it’s also one of the best horror films of 2011), it’s a testament to just how the film raises some extremely strong emotions in viewers. And if there’s anything you want on Valentine’s Day, it’s to watch a film that can spark a nice, long fight with your date! Well, you’re in luck: The Woman is now out on Blu-ray and DVD. Happy fighting!


“The Last House on the Left” (1972)

“The Last House on the Left” is a film that may be a lot of things to a lot of people, but it’s most important contribution to cinema will clearly be that it’s the film that launched the career of horror legend Wes Craven. Without Krug (played to creepy perfection by David Hess) we would probably never have had Nancy Thompson (of “A Nightmare on Elm Street” fame), and for that we forgive “The Last House on the Left” for all its inadequacies, controversy, and disturbing imagery. Not to mention, the film basically kick started a subgenre (Slasher Films) that’s still thriving over thirty years later. “The Last House on the Left” might be a truly depraved film, but it’s also an important one.

Inspired by Ingmar Bergman’s 1960 Swedish film “The Virgin Spring,” the story told is a familiar one with a few clever twists: Innocent girls run across really bad guys. Really bad guys do really bad things to innocent girls. Everyone is shocked. There’s some revenge. The end. Okay, okay. The film is obviously more nuanced than that, but you get the idea. It’s all about shock value, realism, and depravity here. There’s plenty of violence, torture, and rape involved (are you seeing a pattern with this list yet?), and there’s also a good deal of gore. Craven leaves it all in front of the camera for the viewer to gawk at, which only works to make the film that much more difficult to watch. Remade fairly successfully in 2009 with Monica Potter and Sara Paxton in the role of those innocent girls, you wouldn’t really want to show either version of “The Last House on the Left” to your Valentine. Trust me on this… The last image you want her having in her head is that of the truly creepy David Hess. Yikes.


Which film do you think should never be shown on Valentine’s Day? Let us know in the comments below.

The “Ghost Rider” directors talk Easter Eggs, inner demons, and the superhero brawl they’d love to film

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Ghost Rider: Spirit of Vengeance” roars into theaters this weekend, bringing audiences a reinvention of the skull-faced, motorcycle-riding Marvel character as seen through the lens of “Crank” directors Mark Neveldine and Brian Taylor. Although Nicolas Cage returns to the role of Johnny Blaze that he first played in 2007’s critically panned “Ghost Rider,” the new film has been described as anything but a straight-up sequel by the studio, and looks to offer a more kinetically-charged, darker take on the character that blends intense action and horror elements.

In the film, Johnny Blaze is tasked with rescuing a boy named Danny from the demonic forces pursuing him across Eastern Europe. Along with a host of bad guys armed to the teeth with all manner of heavy weaponry, Ghost Rider must contend with a vicious supernatural villain who can decay anything he touches and a demon who may or may not be the devil himself. This is all in addition to Johnny’s own internal struggle with the demon that lurks inside him and yearns to exact fiery punishment on the wicked.

IFC spoke to Neveldine and Taylor about the new film, and got their take on bringing Ghost Rider back to the big screen, some of the movie’s comics-friendly plot points, and the two superheroes they’d like to bring together in a perfect world.

IFC: I’ve noticed over the last few years that the filmmakers and actors who take on certain comic book movie projects tend to have a pre-existing connection to the character — whether it’s one of their favorite characters from back in the day, or just a character they discovered recently and pursued. What was your connection to Ghost Rider? Why did this particular film appeal to you?

BRIAN TAYLOR: Well, it’s kind of the same connection Nic has to the character. We all have demons, and that’s what the Ghost Rider is. Johnny Blaze has a demon — but it’s a real one. Anybody who has a dark side and struggles with it can relate to what the Ghost Rider is, so of all the heroes it seemed like the perfect one for us to take on. Also, we like to wear leather.

MARK NEVELDINE: And motorcycles… [laughs]

IFC: After the poor performance of the first film, a lot of people were surprised when Sony announced that it was making another Ghost Rider movie. When you two came on to the project, what elements did you focus on changing this time around? Were there any particular parts of the first “Ghost Rider” that you identified as problem areas?

NEVELDINE: We didn’t look at it that way, actually. I didn’t see the first movie, but it wasn’t about changing things with this one, it was about starting from scratch again with a script David Goyer wrote years before the first movie came out. So it really was its own thing. When we got on board, we said, “Hey this is what we’d like to do with it,” and Sony said they loved the aesthestics of what we wanted to do with the skull, the rider, and the motorcycle, and this dark demon that he’s battling with — like he’s battling an addiction. They dug all of that, and we just put our stamp on it and made it.

We’re super happy the first movie was made, though. I think a lot of kids loved it and it was kind of the Disney version of the Ghost Rider. I’m actually going to watch it the night before our movie opens to finally see it. I’m excited about it. [“Spirit of Vengeance”] is really a reinvention of Ghost Rider.

IFC: One of the big questions surrounding the film right now is whether the boy named Danny is actually supposed to be Danny Ketch, the character from the comics who eventually becomes Ghost Rider after Johnny Blaze. Danny’s last name is never mentioned in “Spirit of Vengeance,” so what’s the deal? Is he Danny Ketch?

TAYLOR: We threw that in there to drive people crazy talking about it. Is he Danny Ketch? We don’t even know yet. Did J.J. Abrams really know how “Lost” was going to end when they started it?

NEVELDINE: He probably did.

TAYLOR: [Laughs] Well, we don’t know the answer to that one yet.

IFC: Outside of the Danny might-be-Ketch, are there any other elements from the Ghost Rider comics that managed to fit into the film? I know the villain was based on the character Blackout, right?

TAYLOR: Yeah, we never actually call the villain Blackout, but fans of the comic will recognize him as an altered, evolved version of Blackout. For the most part, Ghost Rider is a character who’s so cool, but he’s never been done the way you really want to see him — even in the comics. The stories written by Garth Ennis were really cool, but with the exception of those, you always wanted something different from the Ghost Rider. You always wanted him to be darker, scarier, or weirder, so we really didn’t use the first movie or the comics as a jump-off point. We just tried to do the coolest version of the character that we could with what we were handed.

IFC: There were a lot of familiar horror-movie elements in the film, like the way Ghost Rider lurches around at varying speeds and just suddenly appears in front of his victims. It’s something we see a lot in modern horror films. Was there a conscious effort on your part to make this more of a horror movie than a superhero movie?

NEVELDINE: Yeah, we wanted him to be frightening. We love those horror elements, because they feel like a natural part of the character. When you think about this character, he should frighten the person he’s standing in front of.

TAYLOR: He is more of a horror character than a superhero. A lot of that stuff we came up with while talking with Nic, too. There’s a particularly inexplicable and insane moment when Ghost Rider kills all of the guys at the quarry, and when the smoke clears you find Ghost Rider levitating in the air, slowly spinning around like a clock or a compass. That was something that came out of us batting around an idea with Nic that the Ghost Rider inflicts psychological warfare on his victims as much as he does physical, and a lot of what he does is similar to the demonic presences in “Evil Dead” and “The Ring” and movies like that. They’re fucking with people’s minds and want to destroy your brain before they destroy your body. [Ghost Rider] does a lot of stuff like that because he’s a demon from another dimension, and you will never understand why he does it. Humans will never understand why he does what he does, and you’re sort of in awe and horror of it at the same time.

IFC: So, if all goes well with your reinvention of the character, would you be interested in returning to the character for a sequel? Do you feel like you have more Ghost Rider stories to tell?

TAYLOR: As always, it’s up to the fans. If people embrace this movie, I’m sure they’ll want another one. The challenge for that would be: Can we make as big of a leap from the second movie to the third as we did from the first movie to the second?

NEVELDINE: There’s a lot of territory still to cover, though.

IFC: There’s been more than a few people who have suggested that you guys should do more comic book movies. If you could have your pick of any characters in the comic book world, who would you want to make a film about?

TAYLOR: We would love to answer the age-old question of who’s stronger, Hulk or Superman.

“Ghost Rider: Spirit of Vengeance” hits theaters Friday, February 17. The film stars Nicolas Cage, Ciaran Hinds, Idris Elba, Violante Placido, Johnny Whitworth, and Fergus Riordan.

What do you think of the “Ghost Rider: Spirit of Vengeance” directors’ answers? Chime in below or on Facebook or Twitter.

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