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Sneaky Previews: Beware the trailer for “The Grey”

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“The Grey” with Liam Neeson opens this weekend. It’s a good movie. I’m just not sure it’s this movie:

When that trailer hit the Internet a few months ago “The Grey” quickly garnered a jokey reputation online as “The Movie Where Liam Neeson Punches Wolves.” I don’t really want to spoil the film for you, but I almost have if you’re going to enjoy this thing. If you’re planning to go to “The Grey” because you want to watch Liam Neeson beat the shit out of a pack of of wolves, you are going to be sorely disappointed. Last year, a woman sued the makers of the film “Drive” because she found its trailer “misleading.” If that woman sees “The Grey” based on its trailer she might try to sue the entire film industry.

The trailer’s not really misleading per se; (just about) everything you see in it, along with Neeson’s stoic voiceover, does appear in the final film. It’s not so much the details that the trailer gets wrong, it’s the tone. The aggro music, the shots of Neeson running and screaming with broken liquor bottles taped to his knuckles like a drunk trying to imitate Wolverine, it all suggests an intense and slightly cartoonish action spectacular. Which is pretty much what you expect from Neeson and director Joe Carnahan. The last project these two made together was the big-screen adaptation of “The A-Team.” After you’ve had a tank fight a plane in mid-air, what’s a little wolf punching between friends?

In reality, though, “The Grey” is one of the darkest movies to come out of Hollywood in a very long time. A plane carrying Neeson and the employees of an Alaskan oil refinery goes down in the middle of nowhere, and the few survivors need to band together to find their way back to civilization and, yes, fight off some very angry wolves. But the film is less about action than philosophy — about what it means to be alive and why we struggle so mightily against death. It’s structured like a survival horror film — a large cast is whittled down one by one — but Carnahan doesn’t fetishize death the way a survival horror movie would. Instead, he brings us into the lives of the characters, who are fully formed and painfully real. And when they die, brutally and mercilessly, it hurts.

This is a sad, powerful film. It sticks to your ribs like a good meal. You’ll be carrying it around with you for days. But it ain’t what the studio’s selling, namely The Movie Where Liam Neeson Punches Wolves. Is that a problem?

I say it is and it isn’t. On the one hand, if you saw “The Grey” because of that trailer and felt ripped off afterwards, I’d be hard-pressed to argue with you. On some level, that trailer is a bait-and-switch. It’s not particularly cool to promise folks one movie and give them another, even if the movie you actually give them is deeply moving and totally satisfying, albeit in a completely different way.

On the other hand, if there’s anything worse than a trailer like the one for “The Grey” it’s a trailer that’s the exact opposite of the one for “The Grey;” in other words, a trailer that spoils everything. This is a subject we’ve discussed a couple of times on IFC.com, most prominently in this list of trailers that totally give away the ending of the movie. Though spoiling your own movie seems like a terrible idea, the strategy has occasionally worked, most famously with Tom Hanks’ “Cast Away.” The trailer revealed the fact that — SPOILER ALERT, WHICH IS MORE THAN THE TRAILER GAVE YOU — Hanks manages to escape the island on which he gets stranded (just like “The Grey,” the film takes place in the wake of a harrowing plane crash). The trailer couldn’t have been more clear that Hanks survived his ordeal and returned to to civilization. The film still made over $400 million worldwide.

But why? Why pay for a movie whose outcome you already know? It was a question that vexed me when I wrote that list. Here’s the answer I finally came up with: many audiences aren’t going to movies for entertainment, they’re going for reassurance. They don’t even want the happy ending — they need the happy ending. They need to be coddled and comforted and told that even if you get stuck on an island with a volleyball as your only friend you needn’t worry because somehow you’ll make it home okay. And more than needing it — they need to know that’s waiting for them in the theater before they pay for the ticket. If there’s a chance Tom Hanks dies, they don’t want to go. Life’s tough enough already. They don’t need that heartache.

So maybe that’s what “The Grey”‘s trailer is — not really misleading as much as it is reassuring. If we’re going to watch people get threatened by wolves, we need to be sure Liam Neeson will be there, bottle claws and all, to protect them. The problem here is that “The Grey” itself doesn’t really believe in reassurances. In Carnahan’s view, you can be a good person, you can have a beautiful family, you can cry to God all you want, but when those wolves come, no amount of single serving liquor will protect you. It’s a profound statement. But profound statements don’t put asses in the seats like guarantees do.

I can’t guarantee you’ll like “The Grey,” but I think you will. I can guarantee you ain’t gonna see much wolf punching. Proceed accordingly.

Did the trailer of “The Grey” make you want to see the movie? Tell us what you think in the comments below or on Facebook and Twitter.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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