This browser is supported only in Windows 10 and above.

DID YOU READ

Sneaky Previews: Beware the trailer for “The Grey”

K3F_9474.NEF

Posted by on

“The Grey” with Liam Neeson opens this weekend. It’s a good movie. I’m just not sure it’s this movie:

When that trailer hit the Internet a few months ago “The Grey” quickly garnered a jokey reputation online as “The Movie Where Liam Neeson Punches Wolves.” I don’t really want to spoil the film for you, but I almost have if you’re going to enjoy this thing. If you’re planning to go to “The Grey” because you want to watch Liam Neeson beat the shit out of a pack of of wolves, you are going to be sorely disappointed. Last year, a woman sued the makers of the film “Drive” because she found its trailer “misleading.” If that woman sees “The Grey” based on its trailer she might try to sue the entire film industry.

The trailer’s not really misleading per se; (just about) everything you see in it, along with Neeson’s stoic voiceover, does appear in the final film. It’s not so much the details that the trailer gets wrong, it’s the tone. The aggro music, the shots of Neeson running and screaming with broken liquor bottles taped to his knuckles like a drunk trying to imitate Wolverine, it all suggests an intense and slightly cartoonish action spectacular. Which is pretty much what you expect from Neeson and director Joe Carnahan. The last project these two made together was the big-screen adaptation of “The A-Team.” After you’ve had a tank fight a plane in mid-air, what’s a little wolf punching between friends?

In reality, though, “The Grey” is one of the darkest movies to come out of Hollywood in a very long time. A plane carrying Neeson and the employees of an Alaskan oil refinery goes down in the middle of nowhere, and the few survivors need to band together to find their way back to civilization and, yes, fight off some very angry wolves. But the film is less about action than philosophy — about what it means to be alive and why we struggle so mightily against death. It’s structured like a survival horror film — a large cast is whittled down one by one — but Carnahan doesn’t fetishize death the way a survival horror movie would. Instead, he brings us into the lives of the characters, who are fully formed and painfully real. And when they die, brutally and mercilessly, it hurts.

This is a sad, powerful film. It sticks to your ribs like a good meal. You’ll be carrying it around with you for days. But it ain’t what the studio’s selling, namely The Movie Where Liam Neeson Punches Wolves. Is that a problem?

I say it is and it isn’t. On the one hand, if you saw “The Grey” because of that trailer and felt ripped off afterwards, I’d be hard-pressed to argue with you. On some level, that trailer is a bait-and-switch. It’s not particularly cool to promise folks one movie and give them another, even if the movie you actually give them is deeply moving and totally satisfying, albeit in a completely different way.

On the other hand, if there’s anything worse than a trailer like the one for “The Grey” it’s a trailer that’s the exact opposite of the one for “The Grey;” in other words, a trailer that spoils everything. This is a subject we’ve discussed a couple of times on IFC.com, most prominently in this list of trailers that totally give away the ending of the movie. Though spoiling your own movie seems like a terrible idea, the strategy has occasionally worked, most famously with Tom Hanks’ “Cast Away.” The trailer revealed the fact that — SPOILER ALERT, WHICH IS MORE THAN THE TRAILER GAVE YOU — Hanks manages to escape the island on which he gets stranded (just like “The Grey,” the film takes place in the wake of a harrowing plane crash). The trailer couldn’t have been more clear that Hanks survived his ordeal and returned to to civilization. The film still made over $400 million worldwide.

But why? Why pay for a movie whose outcome you already know? It was a question that vexed me when I wrote that list. Here’s the answer I finally came up with: many audiences aren’t going to movies for entertainment, they’re going for reassurance. They don’t even want the happy ending — they need the happy ending. They need to be coddled and comforted and told that even if you get stuck on an island with a volleyball as your only friend you needn’t worry because somehow you’ll make it home okay. And more than needing it — they need to know that’s waiting for them in the theater before they pay for the ticket. If there’s a chance Tom Hanks dies, they don’t want to go. Life’s tough enough already. They don’t need that heartache.

So maybe that’s what “The Grey”‘s trailer is — not really misleading as much as it is reassuring. If we’re going to watch people get threatened by wolves, we need to be sure Liam Neeson will be there, bottle claws and all, to protect them. The problem here is that “The Grey” itself doesn’t really believe in reassurances. In Carnahan’s view, you can be a good person, you can have a beautiful family, you can cry to God all you want, but when those wolves come, no amount of single serving liquor will protect you. It’s a profound statement. But profound statements don’t put asses in the seats like guarantees do.

I can’t guarantee you’ll like “The Grey,” but I think you will. I can guarantee you ain’t gonna see much wolf punching. Proceed accordingly.

Did the trailer of “The Grey” make you want to see the movie? Tell us what you think in the comments below or on Facebook and Twitter.

IFC_ComedyCrib_ThePlaceWeLive_SeriesImage_web

SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

Posted by on
GIFs via Giphy

Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

via GIPHY

IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

via GIPHY

IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

Neurotica_105_MPX-1920×1080

New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

Posted by on

Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

IFC_CC_Neurotica_Series_Image4

IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

Neurotica_series_image_1

IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

Posted by on
Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

via GIPHY

Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

via GIPHY

via GIPHY

Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

via GIPHY

And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.