DID YOU READ

“The Comedy” – First impressions of Tim Heidecker’s controversial Sundance film

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By Jordan Hoffman

There are some characters you love to hate. Like, you know, Severus Snape or Bill O’Reilly. But what about characters that you loathe – how can you spend an entire movie with them? That’s the question behind “The Comedy”, the new experiment in darkness starring Tim Heidecker that debuted at the Sundance Film Festival. The answer is: it ain’t easy.

Receiving more walkouts than anything else I’ve seen at the fest, those of us who stuck it out collected in the lobby to, first, pat ourselves on the back and, second, collectively agree that while “The Comedy” is one hell of a challenging film that may ultimately be bullshit, it deserves tremendous respect for its clarity of vision.

“The Comedy” opens with slow motion shots of half-naked, none-too-in-shape thirty somethings drunk off their ass and wrestling/dancing/”tucking in” to a a slow R&B tune. These few minutes alone would work as installation art in some of the more rarified galleries.

We’re then introduced to our lead (Heidecker) drinking whiskey and watching a male nurse comfort his ailing, wealthy father. He unleashes a tidal wave of bile, ruthlessly cutting into this young caretaker, going way beyond funny barbs into horrible cruelty. It is one of a number of viscous rants we’ll get from Heidecker as he makes his way being a dick around the hipster areas of Brooklyn.

He’s a man in pain. We get it. And if you have a heart, you want to sympathize with him. But how far can you be pushed? This is the central question behind “The Comedy”, but there’s also something very interesting and now going on right here. Tim Heidecker and his cronies are the titans of underground, experimental comedy right now. They’re “always on” and they’re always pushing boundaries. Is it a barrel of laughs to be with them? No it is horrible.

They drink, slack, put one another down, one-up one another with gross-out jokes and, when feeling really energetic, get out of the house to harass taxi drivers or act disruptively in a church. I don’t even know if this is even anti-humor, it’s just sociopathic behavior. It’s not “Animal House,” it’s Lars von Trier’s “The Idiots,” or Dylan’s crew from “Don’t Look Back” on some dark, dark drugs.

It’s an obvious conclusion of the navel-gazing mumblecore movement, but I can’t tell if The Comedy hates mumblecore or not. Frankly, I can’t tell if The Comedy hates life or not. There’s a brief, brief moment where it looks like love may soften the story (Kate Lyn Sheil, who also appears in this Sundance’s “V/H/S,” is spectacular as Heidecker’s female counterpart) but this is quickly dismissed in one of the film’s most awkward scenes.

There’s a lot of competition for that title, frankly. The scene where Heidecker goes to a bar in an African-American community just to “get out of his comfort zone” elicited many walkouts. I was a little tempted myself.

So. . .is this movie good? It certainly has a commitment to what it wants to say. I interpret it as an examination of the destructive powers of white privilege on itself. No one of our crew works, except
for when Heidecker gets a job washing dishes, just because he probably thinks that it’s an absurdist thing to do. (Or maybe this is a desperate attempt to make some sort of connection somewhere, anywhere.)

Ultimately, the film isn’t pleasant. And it isn’t funny. Some of the set pieces are like a Tim and Eric sketch (Wareheim shows up for a few scenes) drained of all of its humor – leaving only the awkwardness. If you are a hardcore fan of this comedy movement, you should check it out. It’s like a guy from your favorite band putting out a side project album. It won’t be something you play over and over, but it is a unique opportunity to hear a variation on a tune.

Does “The Comedy” sound like something you’d like to check us? Let us know in the comments below.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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