DID YOU READ

“The Comedy” – First impressions of Tim Heidecker’s controversial Sundance film

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By Jordan Hoffman

There are some characters you love to hate. Like, you know, Severus Snape or Bill O’Reilly. But what about characters that you loathe – how can you spend an entire movie with them? That’s the question behind “The Comedy”, the new experiment in darkness starring Tim Heidecker that debuted at the Sundance Film Festival. The answer is: it ain’t easy.

Receiving more walkouts than anything else I’ve seen at the fest, those of us who stuck it out collected in the lobby to, first, pat ourselves on the back and, second, collectively agree that while “The Comedy” is one hell of a challenging film that may ultimately be bullshit, it deserves tremendous respect for its clarity of vision.

“The Comedy” opens with slow motion shots of half-naked, none-too-in-shape thirty somethings drunk off their ass and wrestling/dancing/”tucking in” to a a slow R&B tune. These few minutes alone would work as installation art in some of the more rarified galleries.

We’re then introduced to our lead (Heidecker) drinking whiskey and watching a male nurse comfort his ailing, wealthy father. He unleashes a tidal wave of bile, ruthlessly cutting into this young caretaker, going way beyond funny barbs into horrible cruelty. It is one of a number of viscous rants we’ll get from Heidecker as he makes his way being a dick around the hipster areas of Brooklyn.

He’s a man in pain. We get it. And if you have a heart, you want to sympathize with him. But how far can you be pushed? This is the central question behind “The Comedy”, but there’s also something very interesting and now going on right here. Tim Heidecker and his cronies are the titans of underground, experimental comedy right now. They’re “always on” and they’re always pushing boundaries. Is it a barrel of laughs to be with them? No it is horrible.

They drink, slack, put one another down, one-up one another with gross-out jokes and, when feeling really energetic, get out of the house to harass taxi drivers or act disruptively in a church. I don’t even know if this is even anti-humor, it’s just sociopathic behavior. It’s not “Animal House,” it’s Lars von Trier’s “The Idiots,” or Dylan’s crew from “Don’t Look Back” on some dark, dark drugs.

It’s an obvious conclusion of the navel-gazing mumblecore movement, but I can’t tell if The Comedy hates mumblecore or not. Frankly, I can’t tell if The Comedy hates life or not. There’s a brief, brief moment where it looks like love may soften the story (Kate Lyn Sheil, who also appears in this Sundance’s “V/H/S,” is spectacular as Heidecker’s female counterpart) but this is quickly dismissed in one of the film’s most awkward scenes.

There’s a lot of competition for that title, frankly. The scene where Heidecker goes to a bar in an African-American community just to “get out of his comfort zone” elicited many walkouts. I was a little tempted myself.

So. . .is this movie good? It certainly has a commitment to what it wants to say. I interpret it as an examination of the destructive powers of white privilege on itself. No one of our crew works, except
for when Heidecker gets a job washing dishes, just because he probably thinks that it’s an absurdist thing to do. (Or maybe this is a desperate attempt to make some sort of connection somewhere, anywhere.)

Ultimately, the film isn’t pleasant. And it isn’t funny. Some of the set pieces are like a Tim and Eric sketch (Wareheim shows up for a few scenes) drained of all of its humor – leaving only the awkwardness. If you are a hardcore fan of this comedy movement, you should check it out. It’s like a guy from your favorite band putting out a side project album. It won’t be something you play over and over, but it is a unique opportunity to hear a variation on a tune.

Does “The Comedy” sound like something you’d like to check us? Let us know in the comments below.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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