DID YOU READ

Michael Fassbender ponders Magneto’s loyalties in “X-Men: First Class” sequel

Michael Fassbender says he is “open” to starring in “Robocop” (photo)

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It’s been a while since our last update on a potential sequel for “X-Men: First Class,” last year’s critically praised film that took Marvel’s famous mutants back to their early days and cast Michael Fassbender as their former ally and eventual arch enemy, Magneto.

With Fassbender turning up in films almost everywhere you look lately (the latest “Haywire” opening tomorrow), IFC managed to get a few moments with him to find out what’s in store for the mutant master of magnetism, and what he knows about the next film’s status.

Asked how he’d characterize his role in the first film — which seemed to be both hero and villain at times — Fassbender said that ambiguity was entirely intentional, and something they’d like to carry through in future installments.

“I get where [Magneto] is coming from, that’s for sure — having read the source material, the comic books,” he explained. “From what we know with human beings, history has told us that we’re a pretty destructive race, so you can see where he’s coming from. It’s always interesting for me to have the villains doing positive things as well as negative or destructive things. I just think it’s more realistic.”

“It’s like the actions will define the character . . . but it’s more about making sure that it’s intelligently written and there’s a real driving force, there’s real drama there, relationships are interesting, and that it’s not lazy in anyway,” he continued. “A lot of the times I think with action films, the plot can be pretty weak because it’s taking a back seat to the action sequences and the special effects. What we wanted to do with ‘X-Men’ was definitely the reverse of that. We wanted to really focus on the characters and the plot and then have the action sequence there to sort of enhance the story.”

And the balance established in “First Class” between action, character development, and plot is expected to measure out similarly in any sequels — at least as far as Fassbender and co-star James McAvoy understand it.

“Hopefully we’ll get to do another one; that’s what we want to carry that vein through for sure,” he told IFC. “Personally, I do and I know James feels the same.”

Referencing the on-again, off-again friendship between McAvoy’s character, Charles Xavier, and Fassbender’s magnetic mutant in the Marvel Comics universe, Fassbender hinted that there’s always the possibility that they’ll be on the same side again. Although if their comic-book history is any indication, it could take another threat bigger than both of them to bring the former friends together.

“You know what’s interesting about Magneto and Professor X from the comic books as well, is there’s such a complexity to their relationship,” he explained. “It’s not just like clear-cut enemies; they’re best friends as well. In the comic books, even after they’ve had this sort of rift, Professor X asks Magneto to come back and look after the students at certain points.”

“I think there’s always that complexity in their relationship,” he said. “And we want to keep that alive as possible, because that’s I think a really interesting thing — the conflict there.”

What would you like to see in the “X-Men: First Class” sequel? Chime in below or on Facebook or Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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