DID YOU READ

Ferris Bueller could use another day off

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Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it. And then when you do finally stop and look around, your childhood idols are doing commercials for compact SUVs. And they’re doing them as the rebellious character that made them your childhood idol. Life moves pretty fast all right, and it is freaking weird.

A week before it’s scheduled to play during the Super Bowl, Honda premiered an extended cut of its “Matthew’s Day Off” ad on YouTube. The 2:30 short, directed by “The Hangover”‘s Todd Phillips, features actor Matthew Broderick riffing on his iconic character from 1986’s “Ferris Bueller’s Day Off.”

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Whether you like the ad or not, it’s got the entire Internet talking about Honda and it’s already been viewed over 1.8 million times on YouTube — a hefty number of eyeballs delivered at a fraction of the cost of a Super Bowl ad. It’s also been posted and dissected on film sites all over the Internet (including this one, obviously). That’s more free advertising. That’s why, in my opinion, debating the quality of the ad is irrelevant. Whether you like it or not, it worked. That much is done with.

So it’s a good ad. But is it a good sequel? Well, no. Broderick’s on hand, along with that insidiously catchy theme song, but where’s the rest of the cast? Without Alan Ruck moping around as Cameron, or Jeffrey Jones skulking through the Buellers’ backyard as the scheming Principal Rooney, or Charlie Sheen proving his range as a doped-up delinquent, it’s just not the same. You’ve got Ferris Bueller, but you don’t have “Ferris Bueller” (you also don’t have the man who wrote and directed “Ferris Bueller,” since John Hughes tragically passed away in 2009). Not to mention that the CR-V, handsome vehicle though it might be, is no vintage Ferrari. Plus it doesn’t even get dropped out of an austere, modern, and totally non-functional garage or anything.

In a way, though, I’m glad this commercial exists. When Honda leaked a ten second tease of “Matthew’s Day Off,” the Internet almost literally exploded (the tease has already been viewed more than 4.5 million times on YouTube). Sites posted breathless hypotheses (like this one) speculating as to the nature of Ferris’ return. It turned out to be this ad (in which, let’s note, the words “Ferris” or “Bueller” are not uttered a single time). But it could have been a sequel; a sequel that, apparently, many people would have been excited to see.


Hopefully this commercial, effective and clever though it might be, kills any notion that such a sequel would be a good idea. Ferris Bueller not only doesn’t need a sequel, he couldn’t bear one. I love the film so much myself I can understand the desire to find out where Ferris, Cameron, and Sloane wound up — or even to want to just hang out with them for one more day. But look at Matthew Broderick now. Slightly plump, slightly balding, talking with that slightly affected delivery he’s used in every performance he’s given since 1995. This guy isn’t Ferris Bueller anymore. Ferris Bueller is a teenager; maybe the teenager, as far as the movies are concerned. To force him to age would sully the perfection of his magical (and, thanks to the movies, eternal) adolescence.

A sequel now would destroy the brilliant achievement of the first film. That’s what invariably happens with any sequel set well after the original movie. The classic example is “Blues Brothers 2000.” Eighteen years after the original movie, sixteen years after John Belushi’s death, they dusted off Dan Aykroyd and the rest of the Blues Brothers band, threw a cutesy kid into the mix, and danced all over the memory of the first masterpiece. “Blues Brothers 2000” didn’t “rape my childhood” or anything nonsensically hyperbolic like that. But it did take a little of the luster off the first movie. When you think about “Blues Brothers” you have to avoid thinking about “Blues Brothers 2000.” I don’t want to have to do that with “Ferris Bueller’s Day Off.”

Still not convinced? Take a look at the other “Ferris Bueller” project that was made without Hughes’ involvement, the short-lived “Ferris Bueller” TV show. The ad is fine. But we should all let Ferris Bueller enjoy many days off — every day off until the end of time.

Do you still want to see a “Ferris Bueller” sequel? Even though we think you’re crazy, we still want to hear why — tell us in the comments below or on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.