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DID YOU READ

Ferris Bueller could use another day off

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Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it. And then when you do finally stop and look around, your childhood idols are doing commercials for compact SUVs. And they’re doing them as the rebellious character that made them your childhood idol. Life moves pretty fast all right, and it is freaking weird.

A week before it’s scheduled to play during the Super Bowl, Honda premiered an extended cut of its “Matthew’s Day Off” ad on YouTube. The 2:30 short, directed by “The Hangover”‘s Todd Phillips, features actor Matthew Broderick riffing on his iconic character from 1986’s “Ferris Bueller’s Day Off.”

http://www.youtube.com/watch?v=VhkDdayA4iA

Whether you like the ad or not, it’s got the entire Internet talking about Honda and it’s already been viewed over 1.8 million times on YouTube — a hefty number of eyeballs delivered at a fraction of the cost of a Super Bowl ad. It’s also been posted and dissected on film sites all over the Internet (including this one, obviously). That’s more free advertising. That’s why, in my opinion, debating the quality of the ad is irrelevant. Whether you like it or not, it worked. That much is done with.

So it’s a good ad. But is it a good sequel? Well, no. Broderick’s on hand, along with that insidiously catchy theme song, but where’s the rest of the cast? Without Alan Ruck moping around as Cameron, or Jeffrey Jones skulking through the Buellers’ backyard as the scheming Principal Rooney, or Charlie Sheen proving his range as a doped-up delinquent, it’s just not the same. You’ve got Ferris Bueller, but you don’t have “Ferris Bueller” (you also don’t have the man who wrote and directed “Ferris Bueller,” since John Hughes tragically passed away in 2009). Not to mention that the CR-V, handsome vehicle though it might be, is no vintage Ferrari. Plus it doesn’t even get dropped out of an austere, modern, and totally non-functional garage or anything.

In a way, though, I’m glad this commercial exists. When Honda leaked a ten second tease of “Matthew’s Day Off,” the Internet almost literally exploded (the tease has already been viewed more than 4.5 million times on YouTube). Sites posted breathless hypotheses (like this one) speculating as to the nature of Ferris’ return. It turned out to be this ad (in which, let’s note, the words “Ferris” or “Bueller” are not uttered a single time). But it could have been a sequel; a sequel that, apparently, many people would have been excited to see.


Hopefully this commercial, effective and clever though it might be, kills any notion that such a sequel would be a good idea. Ferris Bueller not only doesn’t need a sequel, he couldn’t bear one. I love the film so much myself I can understand the desire to find out where Ferris, Cameron, and Sloane wound up — or even to want to just hang out with them for one more day. But look at Matthew Broderick now. Slightly plump, slightly balding, talking with that slightly affected delivery he’s used in every performance he’s given since 1995. This guy isn’t Ferris Bueller anymore. Ferris Bueller is a teenager; maybe the teenager, as far as the movies are concerned. To force him to age would sully the perfection of his magical (and, thanks to the movies, eternal) adolescence.

A sequel now would destroy the brilliant achievement of the first film. That’s what invariably happens with any sequel set well after the original movie. The classic example is “Blues Brothers 2000.” Eighteen years after the original movie, sixteen years after John Belushi’s death, they dusted off Dan Aykroyd and the rest of the Blues Brothers band, threw a cutesy kid into the mix, and danced all over the memory of the first masterpiece. “Blues Brothers 2000” didn’t “rape my childhood” or anything nonsensically hyperbolic like that. But it did take a little of the luster off the first movie. When you think about “Blues Brothers” you have to avoid thinking about “Blues Brothers 2000.” I don’t want to have to do that with “Ferris Bueller’s Day Off.”

Still not convinced? Take a look at the other “Ferris Bueller” project that was made without Hughes’ involvement, the short-lived “Ferris Bueller” TV show. The ad is fine. But we should all let Ferris Bueller enjoy many days off — every day off until the end of time.

Do you still want to see a “Ferris Bueller” sequel? Even though we think you’re crazy, we still want to hear why — tell us in the comments below or on Facebook and Twitter.

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WTF Films

Artfully Off

Celebrity All-Star by Sisters Weekend is available now on IFC's Comedy Crib.

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Sisters Weekend isn’t like other comedy groups. It’s filmmaking collaboration between besties Angelo Balassone, Michael Fails and Kat Tadesco, self-described lace-front addicts with great legs who write, direct, design and produce video sketches and cinematic shorts that are so surreally hilarious that they defy categorization. One such short film, Celebrity All-Star, is the newest addition to IFC’s Comedy Crib. Here’s what they had to say about it in a very personal email interview…

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IFC: How would you describe Celebrity All-Star to a fancy network executive you just met in an elevator?

Celebrity All-Star is a short film about an overworked reality TV coordinator struggling to save her one night off after the cast of C-List celebrities she wrangles gets locked out of their hotel rooms.

IFC: How would you describe Celebrity All-Star to a drunk friend of a friend you met in a bar?

Sisters Weekend: It’s this short we made for IFC where a talent coordinator named Karen babysits a bunch of weird c-list celebs who are stuck in a hotel bar. It’s everyone you hate from reality TV under one roof – and that roof leaks because it’s a 2-star hotel. There’s a magician, sexy cowboys, and a guy wearing a belt that sucks up his farts.

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IFC: What was the genesis of Celebrity All-Star?

Celebrity All-Star was born from our love of embarrassing celebrities. We love a good c-lister in need of a paycheck! We were really interested in the canned politeness people give off when forced to mingle with strangers. The backstory we created is that the cast of this reality show called “Celebrity All-Star” is in the middle of a mandatory round of “get to know each other” drinks in the hotel bar when the room keys stop working. Shows like Celebrity Ghost Hunters and of course The Surreal Life were of inspo, but we thought it
was funny to keep it really vague what kind of show they’re on, and just focus on everyone’s diva antics after the cameras stop rolling.

IFC: Every celebrity in Celebrity All-Star seems familiar. What real-life pop personalities did you look to for inspiration?

Sisters Weekend: Anyone who is trying to plug their branded merch that no one asked for. We love low-rent celebrity. We did, however, directly reference Kylie Jenner’s turd-raison lip color for our fictional teen celebutante Gibby Kyle (played by Mary Houlihan).

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IFC: Celebrity seems disgusting yet desirable. What’s your POV? Do you crave it, hate it, or both?

Sisters Weekend: A lot of people chase fame. If you’re practical, you’ll likely switch to chasing success and if you’re smart, you’ll hopefully switch to chasing happiness. But also, “We need money. We need hits. Hits bring money, money bring power, power bring fame, fame change the game,” Young Thug.

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IFC: Who are your comedy idols?

Sisters Weekend: Mike grew up renting “Monty Python” tapes from the library and staying up late to watch 2000’s SNL, Kat was super into Andy Kaufman and “Kids In The Hall” in high school, and Angelo was heavily influenced by “Strangers With Candy” and Anna Faris in the Scary Movie franchise, so, our comedy heroes mesh from all over. But, also we idolize a lot of the people we work with in NY-  Lorelei Ramirez, Erin Markey, Mary Houlihan, who are all in the film, Amy Zimmer, Ana Fabrega, Patti Harrison, Sam Taggart. Geniuses! All of Em!

IFC: What’s your favorite moment from the film?

Sisters Weekend: I mean…seeing Mary Houlihan scream at an insane Pomeranian on an iPad is pretty great.

See Sisters Weekend right now on IFC’s Comedy Crib

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Reality? Check.

Baroness For Life

Baroness von Sketch Show is available for immediate consumption.

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Baroness von Sketch Show is snowballing as people have taken note of its subtle and not-so-subtle skewering of everyday life. The New York Times, W Magazine, and Vogue have heaped on the praise, but IFC had a few more probing questions…

IFC: To varying degrees, your sketches are simply scripted examples of things that actually happen. What makes real life so messed up?

Aurora: Hubris, Ego and Selfish Desires and lack of empathy.

Carolyn: That we’re trapped together in the 3rd Dimension.

Jenn: 1. Other people 2. Other people’s problems 3. Probably something I did.

IFC: A lot of people I know have watched this show and realized, “Dear god, that’s me.” or “Dear god, that’s true.” Why do people have their blinders on?

Aurora: Because most people when you’re in the middle of a situation, you don’t have the perspective to step back and see yourself because you’re caught up in the moment. That’s the job of comedians is to step back and have a self-awareness about these things, not only saying “You’re doing this,” but also, “You’re not the only one doing this.” It’s a delicate balance of making people feel uncomfortable and comforting them at the same time.

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IFC: Unlike a lot of popular sketch comedy, your sketches often focus more on group dynamics vs iconic individual characters. Why do you think that is and why is it important?

Meredith: We consider the show to be more based around human dynamics, not so much characters. If anything we’re more attracted to the energy created by people interacting.

Jenn: So much of life is spent trying to work it out with other people, whether it’s at work, at home, trying to commute to work, or even on Facebook it’s pretty hard to escape the group.

IFC: Are there any comedians out there that you feel are just nailing it?

Aurora: I love Key and Peele. I know that their show is done and I’m in denial about it, but they are amazing because there were many times that I would imagine that Keegan Michael Key was in the scene while writing. If I could picture him saying it, I knew it would work. I also kind of have a crush on Jordan Peele and his performance in Big Mouth. Maya Rudolph also just makes everything amazing. Her puberty demon on Big Mouth is flawless. She did an ad for 7th generation tampons that my son, my husband and myself were singing around the house for weeks. If I could even get anything close to her career, I would be happy. I’m also back in love with Rick and Morty. I don’t know if I have a crush on Justin Roiland, I just really love Rick (maybe even more than Morty). I don’t have a crush on Jerry, the dad, but I have a crush on Chris Parnell because he’s so good at being Jerry.

Jenn: I LOVE ISSA RAE!

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IFC: If you could go back in time and cast yourselves in any sitcom, which would it be and how would it change?

Carolyn: I’d go back in time and cast us in The Partridge Family.  We’d make an excellent family band. We’d have a laugh, break into song and wear ruffled blouses with velvet jackets.  And of course travel to all our gigs on a Mondrian bus. I feel really confident about this choice.

Meredith: Electric Mayhem from The Muppet Show. It wouldn’t change, they were simply perfect, except… maybe a few more vaginas in the band.

Binge the entire first and second seasons of Baroness von Sketch Show now on IFC.com and the IFC app.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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