DID YOU READ

Ferris Bueller could use another day off

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Life moves pretty fast. If you don’t stop and look around once in a while, you could miss it. And then when you do finally stop and look around, your childhood idols are doing commercials for compact SUVs. And they’re doing them as the rebellious character that made them your childhood idol. Life moves pretty fast all right, and it is freaking weird.

A week before it’s scheduled to play during the Super Bowl, Honda premiered an extended cut of its “Matthew’s Day Off” ad on YouTube. The 2:30 short, directed by “The Hangover”‘s Todd Phillips, features actor Matthew Broderick riffing on his iconic character from 1986’s “Ferris Bueller’s Day Off.”

http://www.youtube.com/watch?v=VhkDdayA4iA

Whether you like the ad or not, it’s got the entire Internet talking about Honda and it’s already been viewed over 1.8 million times on YouTube — a hefty number of eyeballs delivered at a fraction of the cost of a Super Bowl ad. It’s also been posted and dissected on film sites all over the Internet (including this one, obviously). That’s more free advertising. That’s why, in my opinion, debating the quality of the ad is irrelevant. Whether you like it or not, it worked. That much is done with.

So it’s a good ad. But is it a good sequel? Well, no. Broderick’s on hand, along with that insidiously catchy theme song, but where’s the rest of the cast? Without Alan Ruck moping around as Cameron, or Jeffrey Jones skulking through the Buellers’ backyard as the scheming Principal Rooney, or Charlie Sheen proving his range as a doped-up delinquent, it’s just not the same. You’ve got Ferris Bueller, but you don’t have “Ferris Bueller” (you also don’t have the man who wrote and directed “Ferris Bueller,” since John Hughes tragically passed away in 2009). Not to mention that the CR-V, handsome vehicle though it might be, is no vintage Ferrari. Plus it doesn’t even get dropped out of an austere, modern, and totally non-functional garage or anything.

In a way, though, I’m glad this commercial exists. When Honda leaked a ten second tease of “Matthew’s Day Off,” the Internet almost literally exploded (the tease has already been viewed more than 4.5 million times on YouTube). Sites posted breathless hypotheses (like this one) speculating as to the nature of Ferris’ return. It turned out to be this ad (in which, let’s note, the words “Ferris” or “Bueller” are not uttered a single time). But it could have been a sequel; a sequel that, apparently, many people would have been excited to see.


Hopefully this commercial, effective and clever though it might be, kills any notion that such a sequel would be a good idea. Ferris Bueller not only doesn’t need a sequel, he couldn’t bear one. I love the film so much myself I can understand the desire to find out where Ferris, Cameron, and Sloane wound up — or even to want to just hang out with them for one more day. But look at Matthew Broderick now. Slightly plump, slightly balding, talking with that slightly affected delivery he’s used in every performance he’s given since 1995. This guy isn’t Ferris Bueller anymore. Ferris Bueller is a teenager; maybe the teenager, as far as the movies are concerned. To force him to age would sully the perfection of his magical (and, thanks to the movies, eternal) adolescence.

A sequel now would destroy the brilliant achievement of the first film. That’s what invariably happens with any sequel set well after the original movie. The classic example is “Blues Brothers 2000.” Eighteen years after the original movie, sixteen years after John Belushi’s death, they dusted off Dan Aykroyd and the rest of the Blues Brothers band, threw a cutesy kid into the mix, and danced all over the memory of the first masterpiece. “Blues Brothers 2000” didn’t “rape my childhood” or anything nonsensically hyperbolic like that. But it did take a little of the luster off the first movie. When you think about “Blues Brothers” you have to avoid thinking about “Blues Brothers 2000.” I don’t want to have to do that with “Ferris Bueller’s Day Off.”

Still not convinced? Take a look at the other “Ferris Bueller” project that was made without Hughes’ involvement, the short-lived “Ferris Bueller” TV show. The ad is fine. But we should all let Ferris Bueller enjoy many days off — every day off until the end of time.

Do you still want to see a “Ferris Bueller” sequel? Even though we think you’re crazy, we still want to hear why — tell us in the comments below or on Facebook and Twitter.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.

via GIPHY

It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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