DID YOU READ

Mark Wahlberg: Great actor or greatest actor?

Contraband

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The week before he opens “Contraband” — a film that, based on empirical marketing evidence, is about a man who straps money to his torso so he can fight a goofy voiced crime boss — might not be the best time to extoll the acting chops of one Mark Wahlberg, but that’s exactly what The New York Times‘ Adam Sternbergh has done in a provocative blog post entitled “Is Mark Wahlberg the Greatest Actor of His Generation?” Sternbergh’s evidence:

“I took to Twitter to see if anyone could guess what exactly his Oscar nominations were for, and several of the subsequent guesses — an acting nod for ‘Boogie Nights,’ perhaps? Or for ‘Three Kings?’ Or ‘The Fighter?’ — were incorrect yet totally plausible. Then a pair of astute film critics, Dana Stevens of Slate and Wesley Morris of The Boston Globe, weighed in and suggested Wahlberg’s best work may have been in David O. Russell’s ‘I Heart Huckabees,’ a movie that’s now perhaps best remembered for an incident on set. And the DealBook reporter Peter Lattman, among others, cast an additional vote for Wahlberg’s overlooked work in the 2000 film ‘The Yards.’ This means that, by my count, Mark Wahlberg could legitimately have received up to six Oscar nominations for acting, to go along with that one he did get for producing, for a grand total of seven actual and theoretical nominations.”

Sternbergh then goes on to compare Wahlberg’s resume to four other more respected actors of his generation: Matt Damon, Leonardo DiCaprio, Paul Giamatti, and Phillip Seymour Hoffman. In Sternbergh’s estimation, their actual and theoretical nomination totals (3, 3, 4, and 7) are all less than or equal to Wahlberg’s. Sternbergh could have also observed that Wahlberg has also worked with all four of of these men — in “The Departed,” “The Basketball Diaries,” “Planet of the Apes,” and “Boogie Nights” — another sign of his stature as a performer and as a mark of his good taste level, “Planet of the Apes” reboot notwithstanding.

Wahlberg has, in recent years, become a bit of a pop culture punchline — on a related topic, say hi to your mother for me — but I’ve always liked him as an actor. I was a bit too young, or at least a bit too out of touch with pop music in the early 1990s, to know him as Marky Mark. So my true introduction to Wahlberg came in “Boogie Nights” which bowed right when I was 17, the age when one’s passion for movies is at its most irrationally heated. After that, I needed little additional evidence of Wahlberg’s acting prowess. I don’t debate Sternbergh’s assessment of Wahlberg’s skills or of the nominations he deserves, and even though I’m not the biggest fan of “I Heart Huckabee’s” as a whole, it really might be Wahlberg’s best and funniest performance. At a notch below nominatable, Wahlberg is also very good in “The Other Guys” with Will Ferrell, and he’s even pretty sharp in “Date Night” too. Yes, I’ve seen “Date Night.” I’m married — what was I supposed to do?

It doesn’t seem fair to count Wahlberg’s producing nomination for “The Fighter,” but I probably wouldn’t include Hoffman’s performance in “The Savages” either, which brings the theoretical score back to 6-6. Even as a tie, it’s a striking comparison and an impressive showing for Wahlberg.

My question, though, is are those four guys the only other contenders for the title of Greatest Actor of Their Generation? I wasn’t so sure. I spent a little time on IMDb, looking for actors born within a ten year span of Wahlberg, five years before and five years after. That drummed up a few more names, but believe it or not, they all fell short of Wahlberg, too. Jamie Foxx won an Oscar for “Ray” and he was nominated for “Collateral” but after that and maybe — maybe — “Ali,” there’s a serious quality drop-off (although I think a case can be made for his hilarious supporting turn in last summer’s “Horrible Bosses”). Mark Ruffalo received a nomination two years ago for “The Kids Are All Right” but even with “Zodiac,” “You Can Count on Me,” and “Margaret,” he’s still not close. Ditto Guy Pearce; who’s inexplicably never been nominated for an Academy Award but deserves at least three noms in my book: “L.A. Confidential,” “Memento” and “The Proposition.” Wahlberg’s “The Fighter” co-star Christian Bale gets us closer — he won for “The Fighter” and he was great in “American Psycho,” “The Machinist,” “Rescue Dawn” and especially “The Prestige.” But that’s still five to Wahlberg’s six. Meaning Marky Mark and P-See-Hoff still stand unchallenged at the top of this arbitrary and admittedly meaningless pack.

Ah, but there is one actor who, in my opinion, gets to the six hypothetical nomination threshold. A man who is certainly less of a leading man than Wahlberg, but definitely a better villain. A man who’s such a crazy good — or maybe just plain crazy — actor he turned his own life into a performance.

That man, of course, is Joaquin Phoenix.

Phoenix has received two Oscar nominations, for “Walk the Line” and “Gladiator.” He was also great in a trio of films by director James Gray: “The Yards,” “We Own the Night” (both with Wahlberg, interestingly) and “Two Lovers.” And Phoenix was remarkable — and borderline certifiable — in “I’m Still Here,” the “documentary” about the lost year of his life when he got fat, drunk, and high, all for the sake of a tiny movie directed by his brother-in-law that almost no one saw. It was reckless, it was dumb, it unquestionably sabotaged the release of “Two Lovers” (which was a much better movie), but it was also about as good a performance as any actor has ever given. After all, it’s one thing to sell a role in a film. Phoenix sold a role in real life. That takes some serious skill.

The Gray films, “I’m Still Here” and his two actual Oscar nominations give Phoenix a theoretical total of six and put him in a tie with Wahlberg. Wahlberg has the additional nomination for producing “The Fighter,” and as the producer of “Entourage” and “Boardwalk Empire,” he’s obviously a much savvier (not to mention saner) Hollywood player and mogul than Phoenix. But as an actor? It might be too close to call.

What do YOU think? Is Mark Wahlberg the best actor of his generation? And if he isn’t, who is? Tell us in comments below or on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.