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Mark Wahlberg: Great actor or greatest actor?

Contraband

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The week before he opens “Contraband” — a film that, based on empirical marketing evidence, is about a man who straps money to his torso so he can fight a goofy voiced crime boss — might not be the best time to extoll the acting chops of one Mark Wahlberg, but that’s exactly what The New York Times‘ Adam Sternbergh has done in a provocative blog post entitled “Is Mark Wahlberg the Greatest Actor of His Generation?” Sternbergh’s evidence:

“I took to Twitter to see if anyone could guess what exactly his Oscar nominations were for, and several of the subsequent guesses — an acting nod for ‘Boogie Nights,’ perhaps? Or for ‘Three Kings?’ Or ‘The Fighter?’ — were incorrect yet totally plausible. Then a pair of astute film critics, Dana Stevens of Slate and Wesley Morris of The Boston Globe, weighed in and suggested Wahlberg’s best work may have been in David O. Russell’s ‘I Heart Huckabees,’ a movie that’s now perhaps best remembered for an incident on set. And the DealBook reporter Peter Lattman, among others, cast an additional vote for Wahlberg’s overlooked work in the 2000 film ‘The Yards.’ This means that, by my count, Mark Wahlberg could legitimately have received up to six Oscar nominations for acting, to go along with that one he did get for producing, for a grand total of seven actual and theoretical nominations.”

Sternbergh then goes on to compare Wahlberg’s resume to four other more respected actors of his generation: Matt Damon, Leonardo DiCaprio, Paul Giamatti, and Phillip Seymour Hoffman. In Sternbergh’s estimation, their actual and theoretical nomination totals (3, 3, 4, and 7) are all less than or equal to Wahlberg’s. Sternbergh could have also observed that Wahlberg has also worked with all four of of these men — in “The Departed,” “The Basketball Diaries,” “Planet of the Apes,” and “Boogie Nights” — another sign of his stature as a performer and as a mark of his good taste level, “Planet of the Apes” reboot notwithstanding.

Wahlberg has, in recent years, become a bit of a pop culture punchline — on a related topic, say hi to your mother for me — but I’ve always liked him as an actor. I was a bit too young, or at least a bit too out of touch with pop music in the early 1990s, to know him as Marky Mark. So my true introduction to Wahlberg came in “Boogie Nights” which bowed right when I was 17, the age when one’s passion for movies is at its most irrationally heated. After that, I needed little additional evidence of Wahlberg’s acting prowess. I don’t debate Sternbergh’s assessment of Wahlberg’s skills or of the nominations he deserves, and even though I’m not the biggest fan of “I Heart Huckabee’s” as a whole, it really might be Wahlberg’s best and funniest performance. At a notch below nominatable, Wahlberg is also very good in “The Other Guys” with Will Ferrell, and he’s even pretty sharp in “Date Night” too. Yes, I’ve seen “Date Night.” I’m married — what was I supposed to do?

It doesn’t seem fair to count Wahlberg’s producing nomination for “The Fighter,” but I probably wouldn’t include Hoffman’s performance in “The Savages” either, which brings the theoretical score back to 6-6. Even as a tie, it’s a striking comparison and an impressive showing for Wahlberg.

My question, though, is are those four guys the only other contenders for the title of Greatest Actor of Their Generation? I wasn’t so sure. I spent a little time on IMDb, looking for actors born within a ten year span of Wahlberg, five years before and five years after. That drummed up a few more names, but believe it or not, they all fell short of Wahlberg, too. Jamie Foxx won an Oscar for “Ray” and he was nominated for “Collateral” but after that and maybe — maybe — “Ali,” there’s a serious quality drop-off (although I think a case can be made for his hilarious supporting turn in last summer’s “Horrible Bosses”). Mark Ruffalo received a nomination two years ago for “The Kids Are All Right” but even with “Zodiac,” “You Can Count on Me,” and “Margaret,” he’s still not close. Ditto Guy Pearce; who’s inexplicably never been nominated for an Academy Award but deserves at least three noms in my book: “L.A. Confidential,” “Memento” and “The Proposition.” Wahlberg’s “The Fighter” co-star Christian Bale gets us closer — he won for “The Fighter” and he was great in “American Psycho,” “The Machinist,” “Rescue Dawn” and especially “The Prestige.” But that’s still five to Wahlberg’s six. Meaning Marky Mark and P-See-Hoff still stand unchallenged at the top of this arbitrary and admittedly meaningless pack.

Ah, but there is one actor who, in my opinion, gets to the six hypothetical nomination threshold. A man who is certainly less of a leading man than Wahlberg, but definitely a better villain. A man who’s such a crazy good — or maybe just plain crazy — actor he turned his own life into a performance.

That man, of course, is Joaquin Phoenix.

Phoenix has received two Oscar nominations, for “Walk the Line” and “Gladiator.” He was also great in a trio of films by director James Gray: “The Yards,” “We Own the Night” (both with Wahlberg, interestingly) and “Two Lovers.” And Phoenix was remarkable — and borderline certifiable — in “I’m Still Here,” the “documentary” about the lost year of his life when he got fat, drunk, and high, all for the sake of a tiny movie directed by his brother-in-law that almost no one saw. It was reckless, it was dumb, it unquestionably sabotaged the release of “Two Lovers” (which was a much better movie), but it was also about as good a performance as any actor has ever given. After all, it’s one thing to sell a role in a film. Phoenix sold a role in real life. That takes some serious skill.

The Gray films, “I’m Still Here” and his two actual Oscar nominations give Phoenix a theoretical total of six and put him in a tie with Wahlberg. Wahlberg has the additional nomination for producing “The Fighter,” and as the producer of “Entourage” and “Boardwalk Empire,” he’s obviously a much savvier (not to mention saner) Hollywood player and mogul than Phoenix. But as an actor? It might be too close to call.

What do YOU think? Is Mark Wahlberg the best actor of his generation? And if he isn’t, who is? Tell us in comments below or on Facebook and Twitter.

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Rocky IV Paulie Robot

Mr. Roboto

5 Reasons Rocky IV Is Too Rotten to Miss

Catch Rocky IV Friday at 8P during IFC's Rotten Fridays.

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Photo Credit: MGM/UA/YouTube

When Rocky IV was released in 1985, the critics were not kind. (While it wasn’t around back then, the film’s 39% ranking on Rotten Tomatoes speaks for itself.) Less of a movie than a jingoistic music video starring a robot and a steroid-addled, monosyllabic Russian baddie, Rocky IV is a far cry from the Italian Stallion’s humble origins.

Still, more than any movie ever made, it exemplifies the whole “so bad its good” genre. This movie was made for us, the great-unwashed masses of the 1980s, who loved the band Survivor and hated those Commie bastards. Before you catch Rocky IV on IFC’s Rotten Fridays, let’s take a look at some moments that make this flick a “too rotten to miss” classic.

5. That Opening Shot

Rocky IV
United Artists

It takes all of 30 seconds for the audience to know they’re in for one ridiculous rollercoaster ride through a Cold War conniption fit of good vs. evil. Gone is the subtle tone and grounded reality of the first Rocky. In its place we see two gloves, one emblazoned with the American flag, the other with the Soviets’, hurtling toward each other. When they collide, sparks fly, and we witness an explosion decades in the making.

In case the symbolism is too subtle for you, director/writer/star Sylvester Stallone is trying to hint that this movie will be the clash of civilizations we’d all been waiting for, but instead of nuclear bombs, a humble palooka from the streets would be duking it out in the ring with the ultimate representation of coldhearted Communism. If it were up to us, this opening shot would’ve won Best Picture all by itself.


4. So Many Montages

Rocky IV has a running time of 91 minutes and 20 seconds. Its eight montages (yes, EIGHT) run a total of 29 minutes and 10 seconds. That is one third of the movie solely dedicated to montages. (Considering Stallone’s contempt for all things Soviet, we have to wonder if he knows it was a dirty Ruskie who invented the montage.)

During one of the many, many montages, director Stallone actually flashes back to a scene that had happened a minute and half prior, creating the impression that he might actually flashback to the montage we were just watching in the same montage. Stallone clearly loves a good montage set to an inspirational ’80s song, and so do we. Which brings us to…


3. A Soundtrack Full of Pumped Up ’80s Jams

Speaking of montages, they are set to the score of some of the cheesiest hits from the mid-’80s. For once, we’re spared tracks from Frank Stallone, with Stallone replacing his rocker brother with synth-y singles from Survivor, John Cafferty and Kenny Loggins. And of course, Robert Tepper, possessor of an ’80s mullet that could topple empires, crooning “No Easy Way Out.” The music in this movie is one step away from being a parody of the music in this movie. If you ever want to know what cocaine can do to the human mind, just listen to this soundtrack.


2. Rocky Ends the Cold War

Rocky IV speech
United Artists

In one of the most misguided, self-congratulatory, and immediately dated moments in cinema history, good ol’ galoot Rocky Balboa single-handedly ended the Cold War four years before the Berlin Wall came down.

To quote the Italian Stallion himself: “In here…there were two guys… killing each other. But I guess that’s better than millions. What I’m trying to say is… if I can change… and you can change…everybody can change!” And just like that the Soviet public, generals and even the Premier himself rose to their feet in applause, realizing what fools they’d been. This guy beat Mr. T for Heaven’s sake. He knows what he’s talking about!


1. Paulie’s Robot

Okay, let’s all take a deep breath and really consider this for a moment. Rocky IV has a robot butler in it. A movie franchise that began back in 1976 exploring the gritty reality of a bum fighter trying to prove himself somehow limped along long enough to turn into a weak Short Circuit rip-off in which an alcoholic mooch with a history of domestic abuse now gets his coffee served to him by a robot. A robot that he has programmed with a “sultry” lady voice!

Stallone was inspired to include the real life robot Sico in Rocky IV because of the work it did to help autistic children like his son Seargeoh. That’s all very moving, but doesn’t explain why he decided to write a scene where Paulie dubs poor Sico “the love of my life.” It’s a testament to Rocky IV‘s “too rotten to miss” status that Paulie’s robot girlfriend/personal servant isn’t even the craziest thing that happens to Rock and the gang.

Catch the “Too Rotten to Miss” movie Rocky IV this Friday at 8P on IFC. 

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Swimming To Cambodia Spalding Gray

Gray's Anatomy

Everything You Need to Know About the Movie That Inspired “Parker Gail’s Location is Everything”

Brand new Documentary Now! airs Wednesday at 10P on IFC.

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Photo Credit: Cinecom Pictures

This week Documentary Now! spotlights a master monologist with “Parker Gail’s Location is Everything.” Before you tune in at 10P this Wednesday on IFC, check out our guide to Swimming to Cambodia, the 1987 film that captured writer/performer Spalding Gray’s acclaimed one-person show.

Spalding Gray 101

Swimming to Cambodia
Cinecom Pictures

Actor and renowned monologist Spalding Gray spent two years on stage perfecting his Obie Award-winning “Swimming to Cambodia” monologue. In it, Gray tells the story of his eight weeks in Southeast Asia while shooting the 1984 Academy Award-winning movie The Killing Fields. He had a small role, but the experience gave him several anecdotes about hanging out with the film crew and experiencing the local culture, all while searching for “the perfect moment.”

Directed by the Silence of the Lambs Guy

Hannibal Lecter
Orion Pictures/Everett Collection

Acclaimed filmmaker Jonathan Demme took Gray’s two-night, four hour performance and crafted it down to 85 minutes. His use of dramatic lighting, stylish camerawork and a score by performance artist Laurie Anderson was praised by critics and earned the film a cult following. No stranger to groundbreaking docs, Demme also directed the 1984 Talking Heads concert film Stop Making Sense, which Documentary Now! pays tribute to in this season’s episode “Final Transmission.”

All about the Voices

While it may have been a one-man show, Gray created a repertoire of characters all with distinctive accents. (He portrayed conversations between himself and others just by turning his head.) Our favorite impressions are of his demanding girlfriend Renee and Ivan Strasberg, the South African director of photography on The Killing Fields who, as depicted by Gray, sounds a bit like a Jamaican surfer.

The Original Cranky New Yorker

In one memorable scene, Gray rants about how his noisy upstairs artist neighbors are driving him and Renee crazy. Even in the mid-’80s, there were New Yorkers complaining that the city wasn’t what it used to be.

Show and Tell

Swimming to Cambodia
Cinecom Pictures/YouTube

A big fan of visual aids, Gray used pull-down maps to illustrate his travels. This helped to bring Swimming to Cambodia to life, since he’s basically sitting at a desk the entire time.

Inspired One-Person Shows

Gray’s groundbreaking performances in Swimming and other documentaries like Monster in a Box and the Steven Soderbergh-directed Gray’s Anatomy (about Gray’s struggle with a rare eye condition) paved the way for future one-person shows. (We wouldn’t have everything from Carrie Fisher’s “Wishful Drinking” to Mike Birbiglia’s “Sleepwalk With Me” without him.) Even Doc Now! star Fred Armisen got into the one-person show act for his recent SNL monologue.

Catch Documentary Now!’s tribute to Spalding Gray when “Parker Gail: Location Is Everything” premieres Wednesday, September 28th at 10P on IFC. 

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Rocky IV Stallone Lundgren

Burning Heart

10 Reasons Why Rocky IV Is the Ultimate Rocky Movie

Catch an all-day Rocky movie marathon this Friday, September 30th on IFC.

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Photo Credit: United Artists/Everett Collection

Sure, most people love the first Rocky for its heart, gripping boxing scenes and the classic training montage. Or, you might love Creed for being both a return-to-form and a new exploration of the Rocky mythology. Maybe the thrill of seeing Mr. T and Hulk Hogan in the same movie makes Rocky III your top pick. Well, sorry, you’re wrong: Rocky IV is the greatest of all the “Italian Stallion”‘s movies.

Before you watch the all-day Rocky movie marathon this Friday, September 30th on IFC (with Rocky IV airing at 8P as part of Rotten Fridays), check out a few reasons to appreciate the fourth installment as the king of the series.

1. The Greatest Opening Ever

How many openings are able to sum up the entire conflict of the film in less than a minute and without a single line of dialogue? And how many of those movies have exploding boxing gloves? Just try to watch the opening sequence above and not be completely psyched for the pumped-up flick to come.


2. Montages!

We all know that the best part of any sports movie is the montage, and Rocky IV doesn’t give you one measly montage. There’s a recap of the previous films montage, a getting to Russia Montage, two training montages and an ending fight montage. That’s five montages! There’s probably a montage of montages snuck in there, too.


3. There’s a Full James Brown Musical Number

This movie is so packed with memorable moments, it’s easy to forget one of the first things that happens in the film: Apollo comes out to fight Drago dressed as a shirtless Uncle Sam, while James Brown and a full band play “Living in America.” To drive home the number’s patriotism, there are dancers in tuxedos and top hats, weird unitards and bowler caps, and bedazzled showgirls with headpieces for miles. Oh, and don’t forget the giant tentacled dragon statue on the stage. This is how every boxing match should start. Heck, this is how we always want to enter a room.


4. The Soundtrack

The Rocky IV soundtrack doesn’t just feature James Brown — it has rock anthems galore, all of which make you immediately want to hit the gym. From “Heart’s on Fire” by John Cafferty and the Beaver Brown Band to “Sweetest Victory” by Touch to multiple Survivor jams, you’ll get pumped and stay pumped. Even the instrumental score rocks! Sure, sometimes it sounds like it was made on a kids Casio, but this soundtrack never quits and — to quote Robert Tepper — never takes the easy way out.


5. Abs!

Rocky IV weights

Every Rocky movie shows off Stallone’s incredible physique, but Rocky IV really ups the game. Not only do we get Dolph Lundgren mostly shirtless looking like a man machine, but we get a wide variety of scenes of Stallone doing impossible tasks. Stallone’s crazy dragon fly crunches, aka a thing no human should be able to do, automatically take this movie to the top.


6. Two words: Ivan Drago

Ivan Drago
United Artists

Not only does Rocky IV explore the global conflict between the US and the Soviet Union, but it encapsulates all of our fears of the Cold War in one perfect villain. Ivan Drago only trains with machines and science and looks like he stepped out of an Aryan Nations recruitment poster. He also only responds in short, cold phrases like “If he dies, he dies,” or “I must break you.” There’s never been a villain who we so clearly want to get the crap beat out of than Ivan Drago.


7. Rocky Makes Chores Look Badass

Rocky saw
United Artists

Rocky doesn’t need to be hooked up to machines to become the perfect fighter. All he needs are huge tires and some outdoor chores to do. No one’s ever looked cooler chopping wood and using tractor parts. Half of his training is lifting an old wagon, probably to fix a broken axle. If anything, this film inspires us to take care of that gardening work we’ve been neglecting.


8. Rocky’s Beard

Rocky IV Beard

Stallone’s beard game is truly on point in Rocky IV. And this isn’t some “I forgot to shave, here’s a little stubble” look. No, we get full out, lumberjack-style beard action. Does any other Rocky movie have our hero looking like an old Russian aristocrat? Another point for Rocky IV.


9. There’s a robot!

Again, there’s so much to Rocky IV, you probably forgot about the robot. Well, Rocky has some money now and he’s not going to spend it on frivolous things for himself. He’s going to buy Paulie a robot! The best part of this scene is how truly disturbed Paulie is by this new technology until he gives it a sexy lady voice.


10. Rocky Ends the Cold War

If you’re still not convinced that Rocky IV is the greatest, answer this question: Does any other Rocky movie bring peace between the US and Russia?

By the end of the film, Rocky rises up to beat the seemingly undefeatable Drago. He fights so well, that even the Russians begin to appreciate his skills. Then, instead of using his victory to prove America’s superiority, he gives a rousing speech of “If I can change and you can change, everybody can change!” The whole crowd goes wild, including all of the Russian government, who we assume give up Communism immediately based solely on Rocky’s words. Stallone’s call for international reconciliation through brutal fighting and a variety of montages makes this if not one of the greatest films of all time, certainly the greatest Rocky of them all.

Catch the “Too Rotten to Miss” movie Rocky IV this Friday at 8P on IFC. 

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