DID YOU READ

Five easy ways to turn January into a great month for movies

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January doesn’t have the best reputation among cinephiles, possibly because January is, hands down, 99 and 44/100% pure crap when it comes to movies. Studios are still focused on their award contenders from November and December, audiences are getting back to their lives after a long vacation, and most of the movies released between January 1 and 31 get dumped there for a reason; namely, they’re terrible. In January 1996, Hollywood released Pauly Shore’s “Bio-Dome,” the orangutan “comedy” “Dunston Checks In,” and the immortal “Lawnmower Man 2: Beyond Cyberspace” all on the same, terrible day. It was January 12th, if you’re curious. We should probably light a candle every year to remember all the movielovers who died that day of acute bad movie poisoning.

But just because Hollywood’s mostly turned their back on January doesn’t mean you have to as well. There are plenty of ways to turn January’s Cinema Dead Zone into a Videodrome of delights. Follow these five simple steps, and you’ll be a much happier moviegoer this month.

1. Don’t Assume That It’s Bad Just Because It Was Released in January.
Granted, in the majority of cases, that assumption would be correct. But almost every year good movies open in January. You just have to dig a little deeper to find them — they’re not so much diamonds in the rough as truffles buried in pig shit. In January 2011, we got critical favorites like “Nostalgia for the Light” and “Kaboom;” in January 2010, I fell in love with “Sweetgrass,” a tiny documentary about sheep herders that wound up on my top ten list that year. Other good-to-great January releases over the past twenty-five years: “4 Months, 3 Weeks, 2 Days,” “Cloverfield,” “Tristram Shandy: A Cock and Bull Story,” “City of God,” “Half Baked,” “Fallen Angels,” “Zero Effect,” “Waiting For Guffman,” “Before Sunrise,” and “Broadway Danny Rose.” The odds are long, but not impossible. This year, you can try your luck with “Once Upon a Time in Anatolia,” “Miss Bala,” and “Haywire.”

2. Check out Video on Demand.
The multiplexes may be filled with platforming awards contenders and garbage from the studios’ discard piles this month, but you can find a ton of interesting new stuff right in your own home. Straight-to-video or VOD used to come with a stigma of cheapness and failure — movies premiered there only as a last resort. Not anymore; now filmmakers use VOD and digital downloads as a more cost effective way to reach a wide audience. In the waning days of 2011, that’s where “House of the Devil” director Ti West premiered his new film “The Innkeepers” and Edward Burns released his latest microindie, “Newlyweds,” which he shot for just $9,000. Tomorrow, one of the most acclaimed festival thrillers in recent years, “Kill List” from British director Ben Wheatley, bows on VOD. You want to talk about a joyful noise — that’s the sound I make when I get to watch “Kill List,” which I’ve been dying to see since last year’s South by Southwest, without having to put pants on. (Too much information? Sorry.)

3. Visit Your Local Repertory Theater.
Because January tends to be a slow month for new releases, repertory distributors often exploit the weakness in the market with some of the most interesting offerings of the year. In recent Januaries, you could have caught revival screenings of “Last Year at Marienbad,” “The Battle of Algiers,” “Le Cercle Rouge,” or a pair of forgotten documentaries by Martin Scorsese. This year, you can watch a Robert Bresson retrospective in New York City, a collection of “Super 80s” kids movies in Los Angeles, or a haunted house series in Boston. Ignore what your therapist tells you and do what I like to do at this time of year: live in the past.

4. Catch Up on Cinematic Blindspots Online.
If you’re not fortunate enough to live near a good revival house, there are plenty of classic films available right at your fingertips on Netflix Watch Instantly, Hulu Plus, Amazon Prime, and assorted other streaming services. Rainer Werner Fassbender’s sci-fi epic “World on a Wire” doesn’t hit Criterion Blu-ray until Februray, but you can already watch it on Hulu Plus. If you’re more of a Howard Hawks fan, Netflix has “Scarface,” “Gentlemen Prefer Blondes,” “Redline 7000,” and more. Internet streaming turns any month of the year into the Golden Age of Cinema.

5. Embrace the badness.
Every year there are at least a couple of terrible January releases so bad that they’re actually worth seeing as sociological experiments in the field of human endurance or just as an opportunity to get your buddies together — and by buddies, I mean like Jack Daniels and Johnny Walker kind of buddies — and enjoy the hell out of some schlock cinema. Pick a time when you’ll be the only ones in the theater — either really early or really late at night — and get good and rowdy on Mark Wahlberg strapping money to his chest. Remember: if you can’t beat ’em, join ’em. Or at least make fun of them.

What January releases are you looking forward to? No, it’s not a trick question. Tell us in the comments below or write to us on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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