DID YOU READ

Ten lessons for film critics from J. Hoberman

MBDWHSA EC003

Posted by on

After more than twenty years as the paper’s senior film critic, J. Hoberman was laid off by The Village Voice yesterday. Hoberman told New York‘s Daily Intel that he was “shocked, but not surprised” by the news and that it would be “disingenuous to say [he] hadn’t considered the possibility that this would happen eventually.”

The news may not have been surprising, but that doesn’t make it any less disappointing. Hoberman had been a fixture at The Voice for decades, but he never coasted on his reputation; in this fan’s opinion, his recent work is as good or better than anything he’s ever written. There are lots of good film writers associated with the paper. But the place will never be the same. For film lovers, J. Hoberman was the voice of The Voice.

Of course, I’m not exactly an impartial observer of these events; as a former student of Hoberman’s at New York University, I owe the man a lot. After his class — a seminar in film criticism — Hoberman helped me get an internship at The Voice, which led to writing for The Voice, which led to, y’know, my whole professional career. So many established writers look down on younger film critics, insulting their knowledge and their taste. Not Jim Hoberman, whose former students include The New York Times‘ Manohla Dargis and L.A. Weekly‘s Karina Longworth.

Even before Hoberman helped jump-start my post-graduate life, his class was one of the best and most important I ever took at any level of my education. His insights into the craft of film criticism and his pointed but encouraging assessments of our work were invaluable. As Hoberman fans might expect, his homework assignments were often unusual. One week he ordered us to see a movie that looked terrible and find one thing we liked about it. Another time we had to write the lede of a review after watching just the first ten minutes of a film.

I still have my notebook from Hoberman’s seminar. I refer back to it often. After hearing last night’s bad news, I took it out again and flipped through it. There was good advice on every page. I’ve decided to share ten of his lessons here (I’m keeping the rest for myself).

Hopefully, I’ve followed most of them. God knows I’ve tried. But not all of us are J. Hoberman. There’s a reason he’s the best at what he does.

On the fundamentals:
“Ask yourself the question, ‘What do people want to know about a movie that they’ve never seen?'”

On plot:
“Plot synopses automatically ruin a review.”

On brevity:
“Watch for excess words. If there’s a shorter word, use it.”

On editors:
“Work with them for the good of the piece. Don’t have ego. Don’t compete.”

On interviewing filmmakers:
“If you’re thinking about it, ask them about it.”

On digressions:
“The longer the em dash, the weaker its impact.”

On taste:
“Always ask yourself why you like what you like.”

On bad movies:
“Vent your spleen. In criticism, it’s better to be angry than depressed.”

On the competition:
“Never read other critics’ reviews. They cloud your judgment.”

On deadlines:
Never miss a deadline.”

Who’s your favorite film critic? Tell us in the comments below or write to us on Facebook and Twitter.

Watch More
carnotes3_thumbnail

Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

Posted by on

It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

car notes note

This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

Watch More
MAT_101_blog

Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

Posted by on

This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

Watch More
Quirks_106_MPX-1920×1080

Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

Posted by on

The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

Watch More
Powered by ZergNet