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DID YOU READ

George Lucas to retire from blockbuster filmmaking

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George Lucas has had enough of your sass. The director is calling his upcoming pet project “Red Tails” his last blockbuster film, and had said in a recent interview with The New York Times, that, after this, he’s headed back to his roots in art house filmmaking.

“I’m retiring,” Lucas said. “I’m moving away from the business, from the company, from all this kind of stuff.”

Yes, we know, you are desperately longing for more “Star Wars” prequels to the prequels and sequels to the sequels. Well, too bad for you. Lucas has heard all of the fanboys’ complaining and is sick of it. While he feels that there are “a lot more important things in the world” than bickering with angry fans, he also has no plans to return to it.

“Why would I make any more when everybody yells at you all the time and says what a terrible person you are?” he asked.

That being said, he was “careful to leave himself out a clause [to make] a fifth ‘Indiana Jones’ film.”

Speaking of “Jones,” Lucas is still defending the fridge-nuking scene in “Kingdom of the Crystal Skull.” Sure, the term “nuke the fridge” has become the film version of “jump the shark,” but Lucas attributes the sequence to his own naïve style of filmmaking. Plus, according to him and “a lot of scientists,” the odds of surviving a nuclear explosion in a lead-lined refrigerator are “about 50-50.” Who are we to argue with science.

Honestly, we’re glad Lucas is returning to his roots. It was during his film school days that he had the most creative period of his filmmaking career, if we can judge creativity by new and unique projects. Between the years 1965 and 1977, Lucas created 10 original projects. Nine were short films, one of which he created a feature-length adaption for (“THX 1138”) and one was an original feature (“American Graffiti”). But then “Star Wars” was released and, soon after, “Indiana Jones,” and Lucas’ life has seemingly been devoted to them for the past 45 years. We’re glad that, following “Red Tails,” the blockbuster days are over.

“Once this is finished, he’s done everything he’s ever wanted to do,” Rick McCallum, who has been producing Lucas’s films for more than 20 years, tells the NYT. “He will have completed his task as a man and a filmmaker.”

For the first time in a very long time, we’re genuinely excited to see what Lucas will come up with next. But, just for the fun of it, we give you this:

Are you glad George Lucas is returning to his arthouse roots? Tell us in the comments section below or on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.