DID YOU READ

The 20 best job-quitting scenes of all time (with video)

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Quitting one’s job can make for some great drama (and comedy) in the movies. Here are some of the best moments of deciding to embrace a life of unemployment — or rather, in most cases, a life of freedom from The Man.


1. “Fight Club” (1999)

This is, for many, the best scene in David Fincher’s ode to masculinity in a hopelessly emasculated society, as the Narrator (Edward Norton) goes to physical extremes — on himself — in blackmailing his boss (Zach Grenier). “Fight Club” is usually at its best whenever Brad Pitt’s id-driven Tyler Durden is around, but Norton really shines in this tour-de-force moment of self-mutilation — it’s both funny and scary watching him punch himself in the face and crash through glass as the boss is too awestruck to realize just how screwed he is now. Jack’s Smirking Revenge, indeed.


2. “American Beauty” (1999)

When Kevin Spacey takes on that smarmy, self-righteous tone he’s so good at, there’s no actor more intimidating — or scathingly funny. Spacey’s Lester Burnham is a put-upon suburban father and husband who suddenly has an epiphany of almost supernatural proportions that leads to a series of radical life changes, one of which is quitting his job at an advertising agency in the most satisfying way possible. Thank goodness we have the movies to fuel our fantasies of telling off our bosses so we don’t go around pulling this kind of crap ourselves.


3. “Reality Bites” (1994)

John Mahoney makes for one of the worst movie bosses of all time as the host of an intolerably cheesy talk show, with Winona Ryder playing his emotionally abused assistant. When it comes time for Winona to instigate her own firing, director Ben Stiller can’t help but go a little too far with the wacky shenanigans (this is the guy behind the sketch comedy show, “The Ben Stiller Show,” after all) as Mahoney makes a fool (or, rather, a prick) of himself on television thanks to some tampered-with notecards (that cutaway shot to the aghast audience is especially wretched), but how can you not help but cheer when Winona Ryder gets her revenge against a big jerk? Hopelessly dated now, “Reality Bites” now serves as a historical piece documenting the trials and tribulations of employment-phobic Generation X.


4. “The Apartment” (1960)

“You dig?” Fred MacMurray dares condescend to Jack Lemmon in Billy Wilder’s mischievous comedy. Lemmon plays an executive who tries to rise in the ranks of his company (all the way up to the 27th Floor, in fact) by letting the higher-ups use his apartment for trysts; things get complicated when he embarks on a romance of his own and starts to realize that the whole arrangement is rather, well, gross. If you want to be cynical about it, Lemmon’s C.C. Baxter could be seen as a younger version of Shelly ‘The Machine’ Levene, the washed-up salesman he played 32 years later in “Glengarry Glen Ross,” though we’d like to think Baxter went on to a lucrative career and never needed to rob his own office.


5. “Breaking Away” (1979)

Watch as a young Rorschach from “Watchman” literally punches the clock! People seem to have forgotten that Jackie Earle Haley was quite the renowned child actor, stealing bases (and scenes) as Kelly Leak in “The Bad News Bears” and coming of age as Moocher in “Breaking Away.” Mooch needs a job, but he doesn’t need a job where the boss calls him “Shorty” — quitting within 30 seconds of your first day has to be some sort of record, and Dennis Christopher, Dennis Quaid (looking considerably older than his co-stars) and Daniel Stern heartily approve.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.