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Countdown to Top Ten 2K11: “The Descendants”

Countdown to Top Ten 2K11: “The Descendants” (photo)

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Countdown to Top Ten 2K11 is a column with one simple goal: to help you decide what films you need to see before making your end of the year top ten list. Each installment features my thoughts on a critically acclaimed 2011 movie, a sampling of other critics’ reactions, the odds of the film making my own list, and the reasons why it might make yours.

This time we’re covering “The Descendants,” in which George Clooney plays a family man besieged by personal and professional crises. The film’s already racked up a Best Picture award from the Los Angeles Film Critics Association and a Best Actor and Supporting Actress from the National Board of Review. But is it worth selling your first born child to see it? Let’s find out.

Movie: “The Descendants”
Director: Alexander Payne
Rotten Tomatoes Score: 89%
Plot Synopsis: A distant father and husband (Clooney) is forced to reassess his priorities after his wife is severely injured in a boating accident while he’s trying to decide what to do with his family’s inheritance: the last piece of unspoiled land left in Hawaii.
What the Critics Said: “A serious movie that happens to have a sense of humor,” Leonard Maltin, indieWIRE
“The noblest kind of satire: cruel and yet, in the end, lacking the killing blow,” David Edelstein, New York
“Clooney anchors the film with his customary rock-solid charm,” Eric D. Snider, Film.com
Were They Right? I would agree with all of these critics. “The Descendants” is less of a comedy than an occasionally funny drama; it’s a warm and not especially cruel satire; and Clooney certainly anchors the film with dependable charm. But I think I also liked the movie less than these fine gentlemen. Yes, it’s a serious movie with some laughs — but it would be a serious movie with more laughs if the jokes and observations in it were a little bit funnier. The satire could use a little edge; maybe not a “killing blow,” but at least one hard punch to the gut. And Clooney… all right so Clooney is pretty fantastic. His performance as Matt King, Honolulu lawyer and accidental land baron, is as beautiful as his family’s parcel of priceless beachfront property and as casual as his wardrobe of Hawaiian shirts and khakis. He’s the reason to see this movie.

The film is ultimately about something I recently heard Jerry Seinfeld describe on his current stand-up tour: the fact that everyone’s life sucks but that the divide between “sucks” and “great” isn’t as wide as you might think. Matt lives in Hawaii, but as his opening voiceover insists, the place isn’t the utopian paradise we imagine. The people who live there have problems as real and as painful as ours. They just deal with them while wearing sandals and watching the sun set over the Pacific.

The set of circumstances Matt finds himself in are curious ones, and it’s incredible to watch Clooney develop the character as those circumstances continually evolve over the course of the film. As “The Descendants” begins, Matt’s wife gets into a terrible accident during a boat race. A few weeks earlier, Matt was probably an uncomplicated, easygoing guy who thought he had everything figured out. But now the shock causes him to rethink his life. Maybe he should spend more time with his wife and two daughters. And maybe the land deal he and his extended family are considering, which would make them all rich but turn the last virgin piece of land on the Hawaiian islands into a condo and box store ridden nightmare, isn’t such a good idea.

“The Descendants” has a few more twists in store for Matt and his family, and while they’re good for a few chuckles, a lot of them also distract from these more interesting moral dilemmas. Payne seems to be trying to infuse his wandering narrative with the laid-back tropical vibe adopted by so many island residents. He may have nailed it a little too perfectly. He may have also tried to cram too many plot threads into such leisurely paced film; for a movie about life and death and million-dollars decisions, there are too many digressions and not enough urgency. In the end, the gravity of Matt’s choices feels totally diminished. His daughters, played by Shailene Woodley and Alexandra King, are both good young actors, but some of the other supporting cast members around them seem unsure whether they’re in a comedy or drama. Again, that might have been Payne’s intent, to portray life as a mixture of laughter and tears, but some of these people feel like they’re from two totally different movies. The tone, material, and the acting, are all less assured than Payne’s last film, the wonderful “Sideways,” which was another (but far more effective) movie about a morally confused middle-aged man learning to let go.

“The Descendants”‘ problems aren’t reason enough not to see it; it’s still a fine film. It’s not that far from being a great film. But as we’ve already established, the line between sucks and great is perilously close.

Worthy of an Oscar Nomination For: Best Actor (George Clooney).
Chances of Making My Top Ten: About as good as me inheriting virgin land in Hawaii.
It Might Make Your Top Ten List If: that whole “distance between sucks and great” thing strikes a really profound chord; you love when movie stars remind us they can also act; Beau is your preferred Bridges brother.

“The Descendants” is now playing in limited release. If you see it, tell us what you think in the comments below or write to us on Facebook and Twitter.

Previously in Countdown to Top Ten 2K11
“We Need to Talk About Kevin,” directed by Lynne Ramsay
“Point Blank,” directed by Fred Cavayé
“The Arbor,” directed by Clio Barnard
“Cold Weather,” directed by Aaron Katz
“Meek’s Cutoff,” directed by Kelly Reichardt
“Margin Call,” directed by J.C. Chandor
“Bill Cunningham New York,” directed by Richard Press
“Hanna,” directed by Joe Wright

Have a movie you wanted covered in a future installment of Countdown to Top Ten 2K11? Let me know on Twitter.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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Draught Pick

Sam Adams “Keeps It Brockmire”

All New Brockmire airs Wednesdays at 10P on IFC.

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From baseball to beer, Jim Brockmire calls ’em like he sees ’em.

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It’s no wonder at all, then, that Sam Adams would reach out to Brockmire to be their shockingly-honest (and inevitably short-term) new spokesperson. Unscripted and unrestrained, he’ll talk straight about Sam—and we’ll take his word. Check out this new testimonial for proof:

See more Brockmire Wednesdays at 10P on IFC, presented by Samuel Adams. Good f***** beer.

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