DID YOU READ

Comparing the year end film polls

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We’ve got one week left in 2011, so we’re running out of time to make lists, tear apart other people’s lists, make lists of lists, and list the lists we are going to list later. Better make the most of it.

Last night, for example, I spent a couple of hours pouring over the two big annual film critic polls: one from The Village Voice, the other from Indiewire. In both cases, the publications invite dozens of critics to list their favorite films, performances, directors, and assorted other topics. They compile the responses and use them to generate rankings. There’s a pretty large overlap between the two polls — out of the 193 total participants, 63 critics submitted a ballot to both — and some interesting disparities between the two sets of results.

Both polls agree about the best movie of the year: Terrence Malick‘s “The Tree of Life,” which appeared on more than half the Voice ballots and over a third of the Indiewire ballots. But after that, the lists get jumbled — while the two polls share nine out of the ten same films, no other movies occupies the same position on both top ten lists. The #2 and #3 films, “A Separation” and “Melancholia,” are flipped depending on which poll you look at — thorny matters of Iranian divorce were more popular in the Voice while greeting the end of all existing with Danish indifference was more popular with the Indiewire voters. The single biggest difference in placements for one film in the two top ten lists was “Drive,” which ranked as the fifth most popular film of the year on Indiewire but just the ninth most popular in the Voice. The outliers that only appeared on one poll each were “Hugo” (eighth on Indiewire, eleventh in the Voice) and “Take Shelter” (tenth in the Voice poll, fourteenth on Indiewire).

There are similar discrepancies in the acting categories, with a lot of repeated selections in vastly different orders of preference. Picking the best lead performance of the year, Indiewire voters wound up with a tie between Michael Shannon in “Take Shelter” and Michael Fassbender in “Shame.” But in the Voice, Shannon was the runaway favorite, receiving almost twenty more points than anyone else in either gender, while Fassbender came in fifth place behind Anna Paquin from “Margaret,” Juliette Binoche from “Certified Copy,” and Kirsten Dunst from “Melancholia.” Fassbender appeared on 27% of all Indiewire ballots and just 21% of all Voice ballots, a pretty big difference especially when you consider that one out of every three ballots in both polls were essentially identical. On the supporting side of things, Christopher Plummer got similarly Fassbendered. At Indiewire he won Best Supporting Performance by a sizable margin. In the Voice he only placed third, behind Albert Brooks in “Drive” and Jeannie Berlin in “Margaret.”

So what does this all mean? What do I look like, a guy who took more than one math class in college? Because I didn’t. Personally, I think it means that while consensus does exist out there in film critic land, it’s also far more fickle and flexible than we often imagine it to be. You poll 10 critics, you might get complete agreement. You poll 10 other critics, you might get ten different favorites. A few critics invited to vote here, a few critics not invited to vote there, and intentionally or unintentionally you’ve created significant variations in the data.

If you were going to take this research even further down sabremetriciany avenues, you’d need information that the Voice and Indiewire don’t publicly provide, namely the ages and outlets of their contributors. Then you could compare the statistical variations in the two polls with other factors; maybe the average voting age at Indiewire was younger and younger voters tended to prefer “Drive.” Or maybe print critics were more heavily sampled at the Voice, and they were less impressed by Michael Fassbender’s emotionally naked weiner performance.

For now, I guess we’re left more questions. In the meantime, be sure to examine the Voice and Indiewire polls in depth and to report back to me with your own findings. Or if you just want to read my ballots you can find those here and here.

Which poll do you agree with more: the Voice or Indiewire? Tell us in the comments below or write to us on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.