National Film Registry Class of ’11 includes “Silence of the Lambs” and “El Mariachi”


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Every year the Library of Congress selects 25 films of “enduring significance to American culture” for preservation as part of the National Film Registry. 550 films have joined the Registry since it was first started by congressional order in 1989, and yesterday 25 new titles were added to their prestigious ranks. They are, in alphabetical order:

“Allures” (1961), directed by Jordan Belson
“Bambi” (1942), directed by David D. Hand
“The Big Heat” (1953), directed by Fritz Lang
“A Computer Animated Hand” (1973), directed by Ed Catmull
“Crisis: Behind a Presidential Commitment” (1963), directed by Robert Drew
“The Cry of the Children” (1912), directed by George Nichols
“A Cure for Pokeritis” (1912), directed by Laurence Trimble
“El Mariachi” (1992), directed by Robert Rodriguez
“Faces” (1968), directed by John Cassavetes
“Fake Fruit Factory” (1986), directed by Chick Strand
“Forrest Gump” (1994), directed by Robert Zemeckis
“Growing Up Female” (1971), directed by Julia Reichert and Jim Klein
“Hester Street” (1975), directed by Joan Micklin Silver
“I, An Actress” (1977), directed by George Kuchar
“The Iron Horse” (1924), directed by John Ford
“The Kid” (1921), directed by Charles Chaplin
“The Lost Weekend” (1945), directed by Billy Wilder
“The Negro Soldier” (1944), directed by Stuart Heisler
“Nicholas Brothers Family Home Movies” (1930s-40s)
“Norma Rae” (1979), directed by Martin Ritt
“Porgy and Bess” (1959), directed by Otto Preminger
“The Silence of the Lambs” (1991), directed by Jonathan Demme
“Stand and Deliver” (1988), directed by Ramon Menendez
“Twentieth Century” (1934), directed by Howard Hawks
“The War of the Worlds” (1953), directed by Byron Haskin

As is usually the case, the Registry selected an eclectic mix of films this year: mainstream and avant-garde, silent and sound, a century old and relatively contemporary. The earliest films, a pair of silents called “The Cry of the Children” and “A Case of Pokeritis,” were made one hundred years ago. The most recent is 1994’s “Forrest Gump.” Now we can all rest easy knowing that future generations of Americans will be able to learn about life through the metaphor of a chocolate box.

You might even say that the National Film Registry is like a box of chocolates: you never know what you’re going to get. According to an article in The Washington Post, the selections are made by just one man: Librarian of Congress James H. Billington, who makes his choices based on the recommendations of an advisory board and regular movie fans (got a movie you want on the Registry? Submit it here). Artistic merit is good but cultural merit is better. Hence “Airplane!,” which helped inspire an entire genre of spoof comedies, made the cut last year while “The Naked Gun,” an even funnier but less influential film from the same directors, remains cruelly overlooked. Some day, Enrico Palazzo, your time will come.

According to the Post, films selected by the Registry “are preserved at the Library of Congress’s Packard Campus for Audio Visual Conservation in Culpeper, or through collaborations with archives, studios and independent filmmakers” and “most of the films named to the National Registry can be viewed by reservation at the Library of Congress’s reading room on Capitol Hill.” So if you live in the DC area, and you don’t feel like paying $3 to rent “Night of the Living Dead,” you can always try there.

Also: am I crazy, or is Librarian of Congress kind of the sickest job title on the planet? “What do you do?” “Oh, I’m a Librarian…OF CONGRESS.”

What movies deserve to be preserved by the National Film Registry next year? Tell us in the comments below or write to us on Facebook Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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