DID YOU READ

Indiana Jones and the razor-sharp criticism

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“The Adventures of Tintin” might not be setting the world on fire at the box office, but it should. In a lot of ways, the film is the best “Indiana Jones” sequel Steven Spielberg ever made. It’s great globetrotting fun, with dazzling action setpieces, iconic visuals, and charming supporting characters. The story isn’t going to set the world on fire, but “Tintin” is still a hell of a lot more entertaining than 2008’s “Indiana Jones and the Kingdom of the Crystal Skull,” a movie so miscalculated it inspired a new variation on “jumping the shark.” Now the moment when franchises officially run out of good ideas, they “nuke the fridge.”

Perhaps that makes this new video review from Red Letter Media — the guys who brilliantly and savagely skewered the entire “Star Wars” prequel trilogy — inevitable, but it doesn’t make it any less welcome. As usual, angry old man, Pizza Rolls enthusiast, and wife-murder-joke-maker Mr. Plinkett’s criticism is silly, funny, and full of razor-sharp observations.

It’s also surprisingly even-handed. Plinkett (yes, I know he’s a character and not a real person, but whatever) avoids the easy targets — there’s hardly a mention of Mutt Williams swinging through the trees with monkeys a la Tarzan — and he even goes out of his way to praise the parts of “Crystal Skull” that work, including theperformance of Shia LaBeouf as Mutt and the underrated motorcycle and car chase scene around the campus of Marshall University. Plinkett doesn’t even make fun of the nuke the fridge moment; he actually praises that scene for its clever comedy and striking visuals. Rightfully so; I always thought the fridge nuke got a bum rap; it’s way better than any of the chases or suspense scenes in the film’s CGI-laden second half. But I guess crystal skulling the kingdom doesn’t have the same ring as nuking the fridge. Here’s the video, in two lengthy parts.

Editor’s Note: The embed function on the videos appear to be broken at this time. If they are still down, please visit Red Letter Media here to watch the videos in full.

The videos are silly, and there are still too many moments of misogynistic humor for my taste, but don’t let those fool you: the Red Letter Media guys are no dopes. Their examination of the Indiana Jones character is right on the money. As much as we love the old movies, the appeal of “Raiders of the Lost Ark” or “Indiana Jones and the Temple of Doom” isn’t the character of Indiana jones; it’s the idea of being Indiana Jones that’s appealing. And an older Indiana Jones who has trouble running down stairs and reconnects with an old flame isn’t as appealing a character for vicarious thrills. If they were going to introduce Indiana Jones’ son as a possible torchbearer for the future of the franchise, they might as well have just cast him as a full-on Indiana Jones Jr. Give him the whip, let him wear the hat, and call him anything but Mutt Williams. And, no, it doesn’t make it any better that Indiana was named after a dog.

That’s why “Tintin” is a better movie than “Kingdom of the Crystal Skull” even if it’s made with the kind of cartoonish CGI that marred “Indy IV.” Admittedly Tintin is not as cool a hero as Indy in his prime. He doesn’t have the whip or the hat, and he doesn’t have much of a love life. Like Indy, though, Tintin’s fearless, clever, and he has a job that seemingly doesn’t care if he spends weeks or months away from the office in search of adventure. Unlike Indy, he’s made entirely in a computer, which means he never has to worry about getting older. That may be the most appealling part of all.

What’s your favorite “Indiana Jones” sequel? Tell us in the comments below or write to us on Facebook and Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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