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DID YOU READ

Kenneth Lonergan reveals just which cut of “Margaret” got released

Kenneth Lonergan reveals just which cut of “Margaret” got released (photo)

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After six years and three lawsuits, Kenneth Lonergan‘s “Margaret” finally opened in theaters earlier this fall. And after less than $50,000 at the box office, it closed, quickly and quietly. But a funny thing happened to poor little “Margaret” — who, if you go by the film, pronounces her name “Mar-Gar-ETTE” — on the way to obscurity: its fans haven’t let it be forgotten.

Though many of the first wave of critics to see “Margaret” wrote it off, perhaps because they were understandably distracted by the details of its notoriously protracted post-production, a second wave of reviewers found the film to be a brilliant (if very messy) slice of life in post-9/11 New York City (you can find my very positive review, written about a week after the film opened, here). With the film opening this week in England to almost universal ecstatic praise, people are talking about “Margaret” again. Some folks, myself included, think the film has a real shot at placing highly in the annual indiewire and Village Voice film critics polls, if only enough people could see it. And that’s been the problem: you couldn’t. Fox Searchlight pulled the film from theaters after four weeks of release and hadn’t scheduled any screenings for critics for year-end awards consideration.

That’s why film critic Jaime Christley launched an online petition, aimed at getting Searchlight to screen the film for members of the press. At almost 500 signatures and counting — pretty remarkable, given that there aren’t 500 employed film critics in the entire world, which means a lot of hardcore cinephiles are supporting this movement too — there’s already a lot of people on what’s being dubbed #teamMargaret. And they’re getting results too: Searchlight’s already scheduled press screenings in several major markets, with more supposedly to come.

#teamMargaret also led to a fine piece of reporting by Mary Pols of Time, who decided to track Lonergan down and interview him about the film and about its groundswell of online support. And she wrote a really good piece too, despite the fact that Lonergan, still a defendant in a lawsuit over the film, had to conduct the interview within earshot of his attorney. She also scored some interesting info regarding exactly which cut of the film unspooled in theaters.

To explain a convoluted backstory as unconvolutedly as possible: Lonergan could never finish editing the movie to his satisfaction, which led to all sorts of legal battles between him and the producers over the control of the picture. It’s been unclear which version of the movie audiences saw, a fact Lonergan clarified in a statement to Pols:

“I support this Cut wholeheartedly and want people to see and like it, because the actors deserve to be seen and appreciated for their amazing work. But while I fully support the released Cut, it’s also no secret that I tried to get a subsequent version released, which Marty Scorsese very graciously helped with, which even more fully executes my complete intentions — a cut that I still hope will someday, somehow see the light of day.”

All right so it’s not the director’s cut, which apparently was also the same cut that Martin Scorsese worked on (previously, it had been rumored that Scorsese had edited his own separate cut of the film). Which begs the question: when are we going to see that version of the movie? Looks like #teamMargaret still has its work cut out for them.

Did you catch “Margaret” in theaters? Do you think it’s one of the best movies of the year? Tell us in the comments below or write to us on Facebook and Twitter.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.