DID YOU READ

Kenneth Lonergan reveals just which cut of “Margaret” got released

Kenneth Lonergan reveals just which cut of “Margaret” got released (photo)

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After six years and three lawsuits, Kenneth Lonergan‘s “Margaret” finally opened in theaters earlier this fall. And after less than $50,000 at the box office, it closed, quickly and quietly. But a funny thing happened to poor little “Margaret” — who, if you go by the film, pronounces her name “Mar-Gar-ETTE” — on the way to obscurity: its fans haven’t let it be forgotten.

Though many of the first wave of critics to see “Margaret” wrote it off, perhaps because they were understandably distracted by the details of its notoriously protracted post-production, a second wave of reviewers found the film to be a brilliant (if very messy) slice of life in post-9/11 New York City (you can find my very positive review, written about a week after the film opened, here). With the film opening this week in England to almost universal ecstatic praise, people are talking about “Margaret” again. Some folks, myself included, think the film has a real shot at placing highly in the annual indiewire and Village Voice film critics polls, if only enough people could see it. And that’s been the problem: you couldn’t. Fox Searchlight pulled the film from theaters after four weeks of release and hadn’t scheduled any screenings for critics for year-end awards consideration.

That’s why film critic Jaime Christley launched an online petition, aimed at getting Searchlight to screen the film for members of the press. At almost 500 signatures and counting — pretty remarkable, given that there aren’t 500 employed film critics in the entire world, which means a lot of hardcore cinephiles are supporting this movement too — there’s already a lot of people on what’s being dubbed #teamMargaret. And they’re getting results too: Searchlight’s already scheduled press screenings in several major markets, with more supposedly to come.

#teamMargaret also led to a fine piece of reporting by Mary Pols of Time, who decided to track Lonergan down and interview him about the film and about its groundswell of online support. And she wrote a really good piece too, despite the fact that Lonergan, still a defendant in a lawsuit over the film, had to conduct the interview within earshot of his attorney. She also scored some interesting info regarding exactly which cut of the film unspooled in theaters.

To explain a convoluted backstory as unconvolutedly as possible: Lonergan could never finish editing the movie to his satisfaction, which led to all sorts of legal battles between him and the producers over the control of the picture. It’s been unclear which version of the movie audiences saw, a fact Lonergan clarified in a statement to Pols:

“I support this Cut wholeheartedly and want people to see and like it, because the actors deserve to be seen and appreciated for their amazing work. But while I fully support the released Cut, it’s also no secret that I tried to get a subsequent version released, which Marty Scorsese very graciously helped with, which even more fully executes my complete intentions — a cut that I still hope will someday, somehow see the light of day.”

All right so it’s not the director’s cut, which apparently was also the same cut that Martin Scorsese worked on (previously, it had been rumored that Scorsese had edited his own separate cut of the film). Which begs the question: when are we going to see that version of the movie? Looks like #teamMargaret still has its work cut out for them.

Did you catch “Margaret” in theaters? Do you think it’s one of the best movies of the year? Tell us in the comments below or write to us on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.