DID YOU READ

Kenneth Lonergan reveals just which cut of “Margaret” got released

Kenneth Lonergan reveals just which cut of “Margaret” got released (photo)

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After six years and three lawsuits, Kenneth Lonergan‘s “Margaret” finally opened in theaters earlier this fall. And after less than $50,000 at the box office, it closed, quickly and quietly. But a funny thing happened to poor little “Margaret” — who, if you go by the film, pronounces her name “Mar-Gar-ETTE” — on the way to obscurity: its fans haven’t let it be forgotten.

Though many of the first wave of critics to see “Margaret” wrote it off, perhaps because they were understandably distracted by the details of its notoriously protracted post-production, a second wave of reviewers found the film to be a brilliant (if very messy) slice of life in post-9/11 New York City (you can find my very positive review, written about a week after the film opened, here). With the film opening this week in England to almost universal ecstatic praise, people are talking about “Margaret” again. Some folks, myself included, think the film has a real shot at placing highly in the annual indiewire and Village Voice film critics polls, if only enough people could see it. And that’s been the problem: you couldn’t. Fox Searchlight pulled the film from theaters after four weeks of release and hadn’t scheduled any screenings for critics for year-end awards consideration.

That’s why film critic Jaime Christley launched an online petition, aimed at getting Searchlight to screen the film for members of the press. At almost 500 signatures and counting — pretty remarkable, given that there aren’t 500 employed film critics in the entire world, which means a lot of hardcore cinephiles are supporting this movement too — there’s already a lot of people on what’s being dubbed #teamMargaret. And they’re getting results too: Searchlight’s already scheduled press screenings in several major markets, with more supposedly to come.

#teamMargaret also led to a fine piece of reporting by Mary Pols of Time, who decided to track Lonergan down and interview him about the film and about its groundswell of online support. And she wrote a really good piece too, despite the fact that Lonergan, still a defendant in a lawsuit over the film, had to conduct the interview within earshot of his attorney. She also scored some interesting info regarding exactly which cut of the film unspooled in theaters.

To explain a convoluted backstory as unconvolutedly as possible: Lonergan could never finish editing the movie to his satisfaction, which led to all sorts of legal battles between him and the producers over the control of the picture. It’s been unclear which version of the movie audiences saw, a fact Lonergan clarified in a statement to Pols:

“I support this Cut wholeheartedly and want people to see and like it, because the actors deserve to be seen and appreciated for their amazing work. But while I fully support the released Cut, it’s also no secret that I tried to get a subsequent version released, which Marty Scorsese very graciously helped with, which even more fully executes my complete intentions — a cut that I still hope will someday, somehow see the light of day.”

All right so it’s not the director’s cut, which apparently was also the same cut that Martin Scorsese worked on (previously, it had been rumored that Scorsese had edited his own separate cut of the film). Which begs the question: when are we going to see that version of the movie? Looks like #teamMargaret still has its work cut out for them.

Did you catch “Margaret” in theaters? Do you think it’s one of the best movies of the year? Tell us in the comments below or write to us on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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