Hold on to your butts, because Steven Spielberg is getting pretty serious about “Jurassic Park 4.” The director has been pretty busy over the past year wrapping up production on “The Adventures of Tintin” and “War Horse” (both out this month) and starting on “Lincoln,” but apparently he’s still had time to get some momentum going on the fourth installment of the beloved dinosaur franchise that he kicked off.
The last we heard from Spielberg was at Comic-Con when he said the fourquel has a writer and would hopefully be made “in the near future.” At the time, we assumed he was just talking big when he said the movie would be ready “in the next two or three years,” but it turns out he might actually have been telling the truth.
In a recent interview with Coming Soon, Spielberg admitted that “Jurassic Park 4″ is definitely on his to-do list, even though he’s been busy on other projects.
“I haven’t been active in the last year because I’ve been so busy obviously on ‘War Horse,’ ‘Tintin’ and now I’m currently shooting ‘Lincoln,’ but right now, it’s on the schedule to bring out another ‘Jurassic Park,'” he said.
When Coming Soon tried to pry for more, Spielberg apparently chuckled and said, “It’s just another boring secret.”
Sure, that exchange didn’t give us too much information, but at least it’s confirmation that “Jurassic Park 4″ is still being developed. We still have plenty of questions about the film, such as where it will sit in the franchise’s chronology and whether Spielberg will be the man behind the camera this time around (he directed the first two films, Joe Johnson directed the third). Hopefully once that information is released we can figure out whether this is a movie we can get behind or not.
Are you dreading or anticipating a new “Jurassic Park” film? Tell us in the comments section below or on Facebook and Twitter.
Glenn Danzig rocks harder than granite. In his 60 years, he’s mastered punk with The Misfits, slayed metal with the eponymous Danzig, and generally melted faces with the force of his voice. And thanks to Fred and Carrie, he’s now stopping by tonight’s brand new Portlandiaso we can finally get to see what “Evil Elvis” is like when he hits the beach. To celebrate his appearance, we put together our favorite metal moments from pop culture, from the sublime to the absurd.
10. Cannibal Corpse meets Ace Ventura
Back in the ’90s, Cannibal Corpse was just a small time band from Upstate New York, plying their death metal wares wherever they could find a crowd, when a call from Jim Carry transformed their lives. Turns out the actor was a fan, and wanted them for a cameo in his new movie, Ace Ventura: Pet Detective. The band had a European tour coming up, and were wary of being made fun of, so they turned it down. Thankfully, the rubber-faced In Living Color vet wouldn’t take no for an answer, proving that you don’t need to have a lot of fans, just the right ones.
9. AC/DC in Private Parts
Howard Stern’s autobiographical film, based on his book of the same name, followed his rise in the world of radio and pop culture. For a man surrounded by naked ladies and adoring fans, it’s hard to track the exact moment he made it. But rocking out with AC/DC in the middle of Central Park, as throngs of fans clamor to get a piece of you, seems like it comes pretty close. You can actually see Stern go from hit host to radio god in this clip, as “You Shook Me All Night Long” blasts in the background.
8. Judas Priest meets The Simpsons
When you want to blast a bunch of peace-loving hippies out on their asses, you’re going to need some death metal. At least, that’s what the folks at The Simpsons thought when they set up this cameo from the metal gods. Unfortunately, thanks to a hearty online backlash, the writers of the classic series were soon informed that Judas Priest, while many things, are not in fact “death metal.” This led to the most Simpson-esque apology ever. Rock on, Bartman. Rock on.
7. Anthrax on Married…With Children
What do you get when Married…with Children spoofs My Dinner With Andre, substituting the erudite playwrights for a band so metal they piss rust? Well, for starters, a lot of headbanging, property destruction and blown eardrums. And much like everything else in life, Al seems to have missed the fun.
6. Motorhead rocks out on The Young Ones
The Young Ones didn’t just premiere on BBC2 in 1982 — it kicked the doors down to a new way of doing comedy. A full-on assault on the staid state of sitcoms, the show brought a punk rock vibe to the tired format, and in the process helped jumpstart a comedy revolution. For instance, where an old sitcom would just cut from one scene to the next, The Young Ones choose to have Lemmy and his crew deliver a raw version of “Ace of Spades.” The general attitude seemed to be, you don’t like this? Well, then F— you!
5. Red and Kitty Meet Kiss on That ’70s Show
Long before they were banished to playing arena football games, Kiss was the hottest ticket in rock. The gang from That ’70s Show got to live out every ’70s teen’s dream when they were set loose backstage at a Kiss concert, taking full advantage of groupies, ganja and hard rock.
4. Ronnie James Dio in Tenacious D in The Pick of Destiny (NSFW, people!)
What does a young boy do when he was born to rock, and the world won’t let him? What tight compadre does he pray to for guidance and some sweet licks? If you’re a young Jables, half of “the world’s most awesome band,” you bow your head to Ronnie James Dio, aka the guy who freaking taught the world how to do the “Metal Horns.” Never before has a rock god been so literal than in this clip that turns it up to eleven.
3. Ozzy Osbourne in Trick or Treat
It’s hard to tell if Ozzy was trying his hardest here, or just didn’t give a flying f–k. What is clear is that, either way, it doesn’t really matter. Ozzy’s approach to acting seems to lean more heavily on Jack Daniels than sense memory, and yet seeing the slurry English rocker play a sex-obsessed televangelist is so ridiculous, he gets a free pass. Taking part in the cult horror Trick or Treat, Ozzy proves that he makes things better just by showing up. Because that’s exactly what he did here. Showed up. And it rocks.
2. Glenn Danzig on Portlandia
Danzig seems to be coming out of a self imposed exile these days. He just signed with a record company, and his appearance on Portlandia is reminding everyone how kick ass he truly is. Who else but “The Other Man in Black” could help Portland’s resident goths figure out what to wear to the beach? Carrie Brownstein called Danzig “amazing,” and he called Fred “a genius,” so this was a rare love fest for the progenitor of horror punk.
1. Alice Cooper in Wayne’s World
It’s surprising, sure, but for a scene that contains no music whatsoever, it’s probably the most famous metal moment in the history of film. When Alice Cooper informed Wayne and Garth that Milwaukee is actually pronounced “Milly-way-kay” back in 1992, he created one of the most famous scenes in comedy history. What’s more metal than that? Much like Wayne and Garth, we truly are not worthy.
Just when you thought it was safe to go back in the water…
…it kind of was.
As first reported by the Orlando Sentinel, Universal Studios Florida will close their ride based on Steven Spielberg’s classic horror movie “Jaws” by January 2012. The “Jaws” ride was one of the original attractions when Universal Studios first opened in Orlando in 1990; when it shuts down next month, it leaves “E.T. Adventure,” “Universal’s Horror Make-Up Show” and “Lucy: A Tribute” as the last remaining vestiges of the original park’s lineup.
“‘Jaws’ has been an amazing attraction and an important part of our history,” Universal spokesman Tom Schroder told The Sentinel. “We know that ‘Jaws’ holds a special place in the hearts of our guests. But we always have to look to the future and dedicate ourselves to providing new, innovative entertainment experiences for our guests.”
As a child of the 1980s, I do have plenty of fond memories riding on “Jaws.” Wait, are they fond memories? Can you fondly remember getting traumatized for life? I was so terrified of “Jaws” as a kid that I purposefully sat in the middle of the boat so the shark would have to eat his way through several other people if he wanted to get to me. I rode “Jaws” for the last time three years ago, when my wife and I spent a day at Universal on our honeymoon, and this time I bravely offered to sit on the end of the row to protect my new bride (she was surprisingly nonplussed by my selfless gesture). On that cool November afternoon in 2008, Jaws was not quite as fearsome as I thought him to be at age 10. He looked a lot stiffer, his “attacks” seemed a bit less random, and the boat “captain” who lead our “tour” through “Amity” a bit more rehearsed. Sort of like this guy…
Now I could channel my desire to ensure future generations are as emotionally scarred as I was nostalgia and pretend like “Jaws” wasn’t looking creaky around the edges, but it was. Truth be told, it probably was time for an upgrade. That plastic shark represented an analog artifact in an increasingly digital movie world.
This is a topic we once discussed in depth on our old podcast: how the changing face of movie-themed amusement parks like Universal Studios represents a clear signifier that the way movies are created and consumed has changed completely over the course of my lifetime. When Steven Spielberg made “Jaws” in 1974, the titular shark was a mechanical creature, and a really bad one at that; Spielberg famously shot around the fact that “Bruce the Shark” didn’t work by keeping him off camera as long as he possibly could. Almost completely by accident, he wound up making one of the greatest suspense movies of all time. So when “Jaws” opened at Universal Florida in 1990, it was cool to get menaced by a big-ass animatronic shark because that was sort of the same technology used to menace Roy Scheider and Richard Dreyfuss (appropriately, according to the ride’s Wikipedia page, the original “Jaws” ride was plagued with almost as many technical problems as the first Bruce and had to be shut down for more than a year while the bugs were worked out).
That was one of the things that was so great about old school Universal: they could get pretty close to the real (fake) thing. A lot of the original Universal attractions were about taking you behind-the-scenes and revealing the secrets of movie and TV making. There was a “Murder She Wrote Mystery Theater” about foley work and sound effects. At “Alfred Hitchcock: The Art of Making Movies,” employees taught the tourists how Hitch shot the crashing carousel at the end of “Strangers on a Train.” Just look at how much production info was tossed out at the audience during the introduction of the “Ghostbusters Spooktacular,” which recreated the climactic battle with Gozer on an impressively accurate replica of the Central Park West rooftop.
Okay, so the show is incredibly hokey. But it really was a simpler time, not only in terms of how films were made, but how they were understood to be made. The “Ghostbusters Spooktacular” is pre-DVD and pre-the widespread proliferation of making-of special features. In 2011, you don’t need to go to Universal Studios to find out how “Ghostbusters” was made. Twenty years ago, you kind of did. Even if you wanted to go to a theme park to watch modern moviemaking in action in 2011, what would they show you? The hard drive that processed the Transformers? Green screen pingpong balls from Sam Worthington’s face? “Okay everyone, gather around! Now I’m going to record Gary’s movements in this mo-cap suit. And I’ll just feed all this data into a computer and we’ll be able to see the finished effect in… 12 to 18 months! Can everyone extend their vacations until then? Super!”
Analog moviemaking left behind all kinds of wonderful detritus that could be used to litter Universal Studios. Back in the day, the park featured a whole “Boneyard” full of old props for guests to ogle. Today, the Boneyard is gone, replaced by a rollercoaster called “Hollywood Rip Ride Rockit.” There’s no behind-the-scenes info to reveal because there are no scenes to go behind; it’s just a rollercoaster. It’s not even tied to any particular film.
“Jaws” really was a relic. We’ve got CGI sharks now, and CGI-based movie rides like “The Simpsons Ride” and “Shrek 4-D.” The next attraction to open in Florida? A “Despicable Me” 3D movie. I don’t think this change is despicable; it’s just progress, and a company keeping up with its customers’ tastes and attitudes. But even if I understand it, that doesn’t mean I won’t miss the good old days. Rest in peace, Bruce. You scared the shit out of me.
What’s your favorite ride at Universal Studios? Tell us in the comments below or write to Facebook and Twitter.
Daniel Day-Lewis has always been known as one of the best character actors of our generation, but he truly has transformed into his role for Steven Spielberg’s upcoming film “Lincoln.” The first image of him in costume as Abraham Lincoln has hit the web, and — though we never met the 16th President of the United States in person — Day-Lewis looks strikingly accurate to every depiction we’ve seen of the man.
Of course, the image is far from an actual picture from the set. In fact, the image was snapped by local Virginia Twitter user Michael Phillips, who looks like he caught the actor during a lunch break. That, or Lincoln had a penchant for jeans and turtlenecks that we didn’t know anything about.
“Lincoln” is based on the best-selling nonfiction novel “Team of Rivals” by Doris Kearns Goodwin, who also helped adapt the script. The film follows the life of the former president as he rose in politics and spearheaded the Civil War. The movie also stars Joseph Gordon-Levitt, Tommy Lee Jones, James Spader, Lee Pace, Sally Field, Jackie Earle Haley, David Strathairn and John Hawkes. It is due in theaters by late 2012.
Do you think Day-Lewis looks good as Lincoln? Tell us in the comments section below or on Facebook and Twitter.