DID YOU READ

“The Iron Lady,” reviewed

the-iron-lady-12282-11

Posted by on

A few years ago, The Onion wrote an incredible article about Meryl Streep called “Name One Masterpiece Of Cinema That I’ve Starred In.” The commentary, written in Streep’s voice, savagely ridiculed — and astutely observed — the fact that Streep, maybe our greatest living actress, does not have the greatest filmmography. She’s appeared in a couple memorable movies — “The Deer Hunter,” “Kramer Vs. Kramer” — but not many. “Go ahead,” “Streep” writes, “try and name a classic movie I’ve starred in. Not a classic character I’ve portrayed, mind you, but an overall amazing piece of cinema. You can’t. You just can’t.” Streep’s turn as former British Prime Minister Margaret Thatcher in “The Iron Lady” is another none-too-classic example.

That’s despite the fact that Streep gives another chameleonic performance, almost two chameleonic performances, in two distinct time periods: in the 1970s and 80s, as Thatcher in her prime, and in the modern day, as Thatcher in the throes of dementia, hermit-like and trapped in conversation with the ghost of her dead husband Denis (Jim Broadbent). As usual, Streep’s work is technically remarkable. Age, build, posture, accent, hair, temperament, Streep nails them all. If you want to be awed by a performance, “The Iron Lady” is for you.

If you wanted to be awed by a movie, though, you’ll need to look elsewhere. The early scenes establish the structure: Streep as the decrepit Thatcher attempts to finally get rid of her husband’s possessions. Rummaging through her past keys flashbacks to Thatcher’s early life, falling in love with Denis and rising to power in the Conservative Party. At first the backwards glances are brief. But as the film progresses, they begin to dominate the runtime until Thatcher — and director Phyllida Lloyd and screenwriter Abi Morgan — are totally lost in her memories. The increasingly frantic pacing of the flashbacks may have been Lloyd and Morgan’s way of mimicking the confusion of an aging woman’s mind, but they also kill whatever little drama there was in the film. Eventually “The Iron Lady” devolves into a SportsCenter highlight reel of a woman’s life, a series of meaningless and insubstantial scenelets whose only evident purpose is to make sure Streep has plenty of showcases for her impressive performance.

Streep is undeniably impressive throughout, and her resolve and determination through the weaker stretches of the film is positively Thatcherian. But whether she demanded it be or not, “The Iron Lady” is less of a movie than a showcase for Streep. There’s no tension here, just that big voice and brassy haircut. To use another sports metaphor, if Streep were a baseball player, she would be Barry Bonds: blessed with incredible natural gifts but seemingly more interested in personal accomplishments than team ones. Bonds holds all the home run records but he never won a World Series. Similarly, Streep’s won every accolade imaginable for her work, but the Best Picture Oscars have been few and far between (the last one came for 1985’s “Out of Africa”).

Come to think of it, what about “Game of Shadows” as her next project?

“The Iron Lady” opens in limited release on Friday. If you see it, let us know what you think in the comments below or on Facebook and Twitter.

Watch More
Sneak_Peek

Flame Out

Brockmire and Other Public Implosions

Brockmire Premieres April 5 at 10P on IFC.

Posted by on

There’s less than a month until the Brockmire premiere, and to say we’re excited would be an insulting understatement. It’s not just that it stars Hank Azaria, who can do no wrong (and yes, that’s including Mystery Men, which is only cringeworthy because of Smash Mouth). It’s that the whole backstory of the titular character, Jim Brockmire, is the stuff of legends. A one-time iconic sportscaster who won the hearts of fans and players alike, he fell from grace after an unfortunate personal event triggered a seriously public meltdown. See for yourself in the NSFW Funny or Die digital short that spawned the IFC series:

See? NSFW and spectacularly catastrophic in a way that could almost be real. Which got us thinking: What are some real-life sports fails that have nothing to do with botched athletics and everything to do with going tragically off script? The internet is a dark and dirty place, friends, but these three examples are pretty special and mostly safe for work…

Disgruntled Sports Reporter

His co-anchor went offsides and he called it like he saw it.

Jim Rome vs Jim “Not Chris” Everett

You just don’t heckle a professional athlete when you’re within striking distance. Common sense.

Carl Lewis’s National Anthem

He killed it! As in murdered. It’s dead.

To see more moments just like these, we recommend spending a day in your pajamas combing through the muckiness of the internet. But to see something that’s Brockmire-level funny without having to clear your browser history, check out the sneak peeks and extras here.

Don’t miss the premiere of Brockmire April 5 at 10P on IFC.

Watch More
POR_710_D1

Mirror, Mirror

Portlandia Season 7 In Hindsight

Portlandia Season 7 Now Available Online and on the IFC App.

Posted by on

Another season of Portlandia is behind us, and oh what a season it was. We laughed. We cried. And we chuckled uncomfortably while glancing nervously around the room. Like every season before it, the latest Portlandia has held a mirror up to ridiculousness of modern American life, but more than ever that same mirror has reflected our social reality in ways that are at once hysterical and sneakily thought-provoking. Here are just a few of the issues they tackled:

Nationalism

So long, America, Portland is out! And yes, the idea of Portland seceding is still less ludicrous than building a wall.

Men’s Rights

We all saw this coming. Exit gracefully, dudes.

Protests

Whatever you stand for, stand for it together. Or with at least one other person.

Free Love

No matter who we are or how we love, deep down we all have the ability to get stalky.

Social Status

Modern self-esteem basically hinges on likes, so this isn’t really a stretch at all.

These moments are just the tip of the iceberg, and much more can be found in the full seventh season of #Portlandia, available right now #online and on the #IFC app.

via GIPHY

Watch More
ISA_2017_MONOLOGUE_PT1

Spirit's Up

You Missed It, But Don’t Panic

Watch the 2017 Spirit Awards Right Now on the IFC App.

Posted by on
GIFS via GIPHY

The 2017 Independent Spirit Awards are over! Done! See you next year!
Moonlight won every award for which it was nominated, The Witch got some well-deserved rookie love, Nick Kroll & John Mulaney were perfect hosts, and Fred Armisen apparently died.

If you missed any of it, don’t freak. It’s 2017, which is the future. The magical immediacy of media technology will save you.

Watch the entire awards show, start to finish, on the IFC app or right here. RIGHT NOW. FOR FREE. Or, you know, whenever, because that’s the whole point.

If you’re still on the fence, don’t get comfortable. Here’s a sampler platter that’ll give you the flavor of everything that went down today. Fair warning: It’s real good.

Nick Kroll and John Mulaney

Perfect hosts. Perfect. Their opening routine was deadly funny, wicked smart, and invoked both David Lynch and Werner Herzog. A huge step up from the Academy Awards’ usual fart jokes, figuratively speaking.

Andy Samberg’s Surprise Cameo

We’ll never think of Eddie Vedder the same way again.

Best Supporting Female: Molly Shannon

Superstar! It’s been too easy to think of Molly exclusively in the context of her beloved characters, but her nuanced performance in Other People changes all of that. And man can she work a crowd.

Best Feature: Moonlight

This. Movie. We called it first, Oscar!

See the full list of winners here and enjoy the entire 2017 Spirit Awards now or anytime on IFC.com and the IFC app.

Watch More
Powered by ZergNet