Countdown to Top Ten 2K11: “Point Blank”

Countdown to Top Ten 2K11: “Point Blank” (photo)

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Countdown to Top Ten 2K11 is a column with one simple goal: to help you decide what films you need to see before making your end of the year top ten list. Each installment features my thoughts on a critically acclaimed 2011 movie, a sampling of other critics’ reactions, the odds of the film making my own list, and the reasons why it might make yours.

This time we’re covering “Point Blank,” an arthouse thriller from France. But is this European import important enough to make your top ten list? Let’s find out.

Movie: “Point Blank”
Director: Fred Cavayé
Rotten Tomatoes Score: 91%
Plot Synopsis: A nurse’s assistant is blackmailed into helping a criminal escape from the hospital. If he doesn’t do as he’s told, his pregnant wife will be killed.
What the Critics Said: “My nerves are still jangling,” Michael Phillips, Chicago Tribune
“Preposterously exciting,” Joe Morgenstern, Wall Street Journal
“A classic Hitchcock plot,” James Rocchi, MSN Movies
Were They Right? Yes, this is a very entertaining and exciting movie, though I’m not sure it’s preposterously exciting. That would imply it’s an exceptional, one-of-a-kind movie, more exciting than any action movie ever made in the history of cinema. Not true, and not true to the spirit of the movie either, which is lean and workmanlike, and not prone to wild bouts of verbal or physical hyperbole.

Let me explain. “Point Blank”‘s protagonist is a man named Samuel (Gilles Lellouche). I was about to describe him as “Point Blank”‘s “hero,” but the fact that Samuel is not a hero is crucial to his character. Samuel isn’t a lunatic cop on the edge or a risk-addicted bomb defuser stationed in Iraq; he’s an assistant nurse in a Paris hospital. He possesses none of the prerequisite skills an action hero requires to survive an action film, save Lellouche’s ruggedly handsome face of perfect, 5 o’clock shadow. As Rocchi mentioned, Samuel is a classic Hitchcockian wrong man: the innocent guy thrust into dangerous circumstances by bad timing and shitty luck. In this case, Samuel just happens to interrupt an assassination attempt on an injured man who’s been brought to the hospital where he works. Other underworld types notice Samuel’s accidental altruism and take advantage of it. They follow him home, beat him into unconsciousness, and kidnap his pregnant wife. Sneak the injured man out of the hospital, a mysterious voice on the other end of the telephone tells Samuel when he comes to, or your wife and unborn child are both dead.

Now this wouldn’t be a big deal if it happened to, say, Liam Neeson — in fact, this is basically the exact same premise as Neeson’s 2008 film “Taken,” except in that case, when Neeson’s character received a similarly threatening phone call from a similar bunch of kidnappers he responds with, and I’m paraphrasing, “Fuck you, I’m Liam Neeson, and I’m going to find you, kill you, rescue my daughter, then kill you some more just because I’m so fucking awesome.” Samuel, unfortunately, is not Liam Neeson. This is the scariest thing that has ever happened to him, and there is no second scariest thing on the list.

Understandably, he reacts with panic. He does what the man on the phone asks, and that only gets him into bigger trouble with the police. The centerpiece of the film is a very long foot chase through the streets and subways of Paris. By the skin of his teeth, Samuel escapes. At this point he’s been running full speed for maybe fifteen minutes straight. Samuel’s no Usain Bolt; he’s not even Liam Neeson. So what does he do? He pukes his guts out.

How often do you see the male lead of an action movie puke? And not because he’s drunk or because his wacky partner poisoned his coffee, but because he is terribly out of shape and scared out of his mind? Almost never. And that’s why “Point Blank” is so much fun to watch. It’s features an everyman protagonist who actually behaves like every man would in this situation. Not the man we’d hope we’d be, buff and confident and unflappable, but the guy we probably are: loyal, loving, and kind of a screwup. This movie is a celebration of ordinariness, not preposterousness.

There are a lot of great plot twists in “Point Blank” I don’t want to spoil, which means I can’t really say much more about the movie. But it’s not a life-changing thriller; it’s not even the best French thriller I saw this year (that title would go to “Sleepless Night,” though that film doesn’t open here until 2012). It could use a bit more character drama to enhance the impact of all that action. “Point Blank” is good. It’s just not preposterously good.

Worthy of an Oscar Nomination For: They don’t give out Oscars for Best Foot Chase, so none, unfortunately.
Chances of Making My Top Ten: About as good as my chances of evading a citywide manhunt if my own wife were kidnapped; in other words, slim to none.
It Might Make Your Top Ten List If: you value pure entertainment in movies over anything else; you think that genre films in foreign languages are automatically more important or more meaningful than genre films made in English.

Previously in Countdown to Top Ten 2K11
“The Arbor,” directed by Clio Barnard
“Cold Weather,” directed by Aaron Katz
“Meek’s Cutoff,” directed by Kelly Reichardt
“Margin Call,” directed by J.C. Chandor
“Bill Cunningham New York,” directed by Richard Press
“Hanna,” directed by Joe Wright

Have a movie you wanted covered in a future installment of Countdown to Top Ten 2K11? Let me know on Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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