DID YOU READ

Butt-Numb-A-Thon 2012 full report, from “The Hobbit” to “Cabin in the Woods”

Butt-Numb-A-Thon 2012 full report, from “The Hobbit” to “Cabin in the Woods” (photo)

Posted by on

When Harry Knowles, the Grand Mufti of movie bloggers, has a birthday party he does it up big. It starts with the Internet’s most die-hard cinemaniacs filling out an elaborate application for a coveted, assigned seat at Austin’s Alamo Drafthouse Theater, and ends with intense film junkie bragging rights.

The event, appropriately called Butt-Numb-a-Thon, is a (more than) 24-hour movie marathon mixing hard-to-find vintage prints and first looks at forthcoming films. In years past, attendees have had sneak peeks at movies like “King Kong”, “Kick-Ass” and “Hobo With A Shotgun”, as well rare opportunities to see flicks like Disney’s “Song of the South” or Orson Welles’ “Chimes at Midnight.”

This year, after a Friday night kick-off party at an elaborate pinball arcade, the lucky few exchanged tips on how long to wait until drinking coffee (everyone has their own theory) and tried to guess the line-up. This was my second BNAT, but the first one is merely a haze of nachos, laughter and beer breath. I still felt like a noob going into this, and, frankly, a little nervous. It was Saturday at 11:30 am and I wouldn’t be out again til 1 pm on Sunday.

Here’s a rundown of went down.


hobbit.jpg

Readers of AintItCoolNews (Knowles’ site) know that contributor Eric “Quint” Vespe has been embedded with Peter Jackson’s production of “The Hobbit.” As such he could not be there, so offered a “happy birthday” video of messages from the set. Sir Ian McKellan appeared in costume as Gandalf the Grey and, through the magic of cinema (and some pyrotechnics in the theater) Vespe appeared in the flesh. A nice reunion for he and Knowles, but for the rest of us he brought the first ever peek at the trailer for “The Hobbit: An Unexpected Journey.” As a gag, he handed the hard drive containing the trailer to frequent BNAT attendee Elijah Wood to bring to the projection room, adding “keep it secret, keep it safe.”

We were asked not to get too specific with the description, but hearing the music and seeing The Shire I was surprised at the flood of emotions that hit me. It was like seeing old friends. (And something to look out for: a band of Dwarves sing. It’s a thing of beauty.)

The Alamo Drafthouse is known for the fun programming that happens between the films, and Butt Numb-a-Thon is no different. In addition to relevant trailers, this year the audience was treated to one-frame blasts of the movie “Teen Wolf.” The subliminal images of a furry Michael J. Fox’s slam dunks was the gift that kept on giving. Threatening to play “Teen Wolf” is a recurring gag, and this year’s 13th anniversary was actually called BNAT13Wolf on Twitter.

hugo.jpg

The first feature to roll was Martin Scorsese’s “Hugo.” An odd choice, perhaps, as it is currently out in theaters, but considering its love of cinephilia and invitation to “dream together” it couldn’t be more appropriate.

This led directly to the only 35mm print in the United States of George Melies’ ninety-nine year old sci-fi/fantasy film “A Trip To The Moon.” Watching it after “Hugo”, while you are still holding back the sniffles and willing to take a bullet for Melies, gives the short film an extra jolt of the warm and fuzzies.

justimagine.jpg

The next feature was the event’s most obscure, a 1930 sci-fi musical (yes, musical) called “Just Imagine.” You’ve never heard of it, but you’ve seen bits of it. . .in other movies. Many of the sets and props were re-used in sci-fi flicks like James Whale’s “Frankenstein” and the Buster Crabbe “Flash Gordon”/”Buck Rogers” serials.

It’s not by any stretch a good film – it a generic Depression-era picture grafted onto sci-fi. Characters say things like, “the only way I’ll be fit to marry her is if I’m the first man to explore Mars!!” Still, there are some odd, subversive jokes (like a baby vending machine) and a surprisingly blunt reference to Henry Ford’s anti-semitism. If you like quips about Prohibition while rockets are zipping through the heavens, this is a movie for you.

tinkker.jpg

After “Just Imagine” was “Tinker, Tailor, Soldier, Spy.” I’d seen it already in New York, but it is good to be reminded every now and again that not everyone lives in New York. I liked the picture the first time, loved it the second time. (This is precisely how I felt about Thomas Alfredson’s previous picture “Let The Right One In”, so maybe this is a trend to try and squeeze two ticket prices out of people.)

I strongly recommend this movie, and seeing it again confirms that I need to get out an eraser and adjust my end of the year top 10 list. The photography is gorgeous and the script is like a wind-up mechanical automaton (they borrowed it from “Hugo.”) “TTSS” came with a video message, and hearing Gary Oldman say the words “Butt Numb a Thon” with just trace elements of confusion and disdain got one of the biggest laughs of the night.

sherlock.jpg

This led right to “Sherlock Holmes: A Game of Shadows.” Reaction to this picture was mixed. I liked it for the most part. It’s better than “Pirates 4”, maybe not as good as “National Treasure 2.” I give the action sequences points for a lot of visual panache, even if they don’t really add up to much. For example, there’s a scene where our heroes are running in the woods and getting shot at by canons. It takes the “Matrix” “Bullet-time” effect and cranks it up to a remarkable degree. But it is empty. If feels like Guy Ritchie got hipped to a new technique, was excited to use it, but never bothered to put any depth to the characters or story.

I did not actively dislike “SH: AGOS”, but it is desultory. Jared Harris’ Moriarty is an evil genius because we’re told he is, not because of anything we see him do. I’m pretty sure I saw Noomi Rapace’s big Hollywood debut, too, but other than a moment of sitting in an unladylike pose in her Gypsy gown, I can’t recall a thing she did or said.

beast.jpg

Next was another vintage film, something unavailable on DVD. “The Beast With Five Fingers” stars Peter Lorre at his most bugnuts Peter Lorre-ish, working as one of a number of “kept people” in the service of a rich eccentric in a small Italian village. The other lead is Robert Alda, a composer, small time grifter, lover and all-around good guy who, when the benefactor dies, would like to see the fortune transition smoothly. Some greedy American cousins look like they’re gonna’ get in between Lorre and his Astronomy books, so that’s when the hallucinations and killings start.

The titular “five fingers” are a living hand that runs amok through the compound like an angry version of Thing from “The Adams Family.” The performances (and one-handed classical music selections) are gloriously over-the-top, making this 1946 selection a fun B-picture.

Continue to next page >>

Watch More
FrankAndLamar_100-Trailer_MPX-1920×1080

Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

Posted by on

“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

Watch More
Brockmire-103-banner-4

Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

Posted by on

He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

Watch More
Brockmire_101_tout_2

Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

Posted by on
GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

Watch More
Powered by ZergNet