DID YOU READ

The best movies of 2011

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The Mayans might have predicted the world would come to an end in 2012, but it’s hard to imagine a more apocalyptic year at the movies, both on and off-screen, than 2011.  This was the year that theater attendance dipped to its lowest level since 1995 and critics played the role of coroners, declaring the film camera — and even film itself — officially dead.  2011 was the year that digital became the dominant medium of the movies, both in terms of recording and distribution.  We still sometimes call them films, but we sure don’t watch them that way anymore, thanks to television, Blu-ray, HD digital projectors, and online streaming.

While pundits eulogized the death of film, a few directors celebrated its birth.  Michel Hazanavicius made “The Artist,” about the forgotten magic of early silent cinema; Martin Scorsese made “Hugo,” an impassioned plea about the importance of film preservation masquerading as a children’s film about an orphan who lives in a train station.  Both became critical darlings, maybe because in a time of great technological upheaval it felt appropriate to look back, with awe and admiration.

Looking ahead with anxiety, though, was a far more popular theme.   In 2011, filmmakers envisioned the start of our investment banker-led economic collapse (“Margin Call”) and imagined the start of an ape-led social collapse (“Rise of the Planet of the Apes”).  They put big name movie stars up against cataclysmic viruses (“Contagion”) and cataclysmically shitty employers (“Horrible Bosses”).  As more and more movies foretold the end of everything, more and more treated the end like a foregone conclusion rather than a point of suspense; in Lars von Trier’s “Melancholia,” Earth didn’t even survive past the opening credits.  My own list of the best films of 2011 is bracketed by two movies about men haunted by dreams of impending Armageddon.

Ah, top ten lists. So fun to read, so excruciating to make, so contentious to discuss. “These are the greatest movies of the year.” “No, these are the most important movies of the year.” I’ve never been good at drawing those kinds of distinctions. All I can do is tell you honestly which movies affected me the most and try to explain why.  That’s what I’m going to do here. Film may be dead, but cinema is alive and well.  And here is the proof.

10. “Bellflower”
Directed by Evan Glodell

“DIY” doesn’t feel like a strong enough term to describe Evan Glodell’s “Bellflower” so I’m going to call it “DIAY” — do it all yourself. Glodell had a hand in editing, producing, writing, and directing this film; he also played the lead role of Woodrow and actually built all the gadgets and weapons his character uses in movie, including a flamethrowing muscle car called The Medusa. It’s an impressive accomplishment — and I haven’t even mentioned the fact that he also designed the custom camera he shot the movie with yet — but “Bellflower” is a lot more than a hollow technical exercise; it’s also a beautiful and tragic account of what it feels like to fall in and out of love (plus flamethrowers). It’s the best directorial debut of the year and the subject of my favorite movie trailer of the year to boot.


9. “Margaret”
Directed by Kenneth Lonergan

Is this movie a mess? Yeah, kind of. But that’s also kind of the point. “Margaret” is about a teenage girl (Anna Paquin) who accidentally causes a bus driver (Mark Ruffalo) to run over and kill a woman (Allison Janney, devastating and unforgettable in just one scene). Afterwards she’s left searching for answers; the only one she ever finds is that life is messy and rarely makes any sense. Neither does this film’s tortured backstory, which involves untold numbers of cuts and lawsuits spread out over half a decade. It sounded like a disaster on paper, but it’s actually a magnificent film about people living in the aftermath of a disaster, and scene after scene hit with the impact of an oncoming city bus. Playing “Margaret”‘s spoiled, confused, angry protagonist, Anna Paquin gives the performance of 2011, creating one of the most fully and complexly realized teenagers in movie history.


8. “Win Win”
Directed by Thomas McCarthy

Our perpetually recessed economy has a lot of people asking themselves how far they would go to provide for their family. Thomas McCarthy’s “Win Win” is not only one of the best recent films about the search for the answer to that question, it’s also also one the smartest and most unusual underdog sports movies in ages. New Jersey lawyer and high school wrestling coach Mike Flaherty (Paul Giamatti, as good as he’s ever been) is in danger of losing his feeble legal practice when he makes a sensible but morally indefensible choice: he has himself declared the guardian of one of his elderly clients, dumps him in a nursing home, and pockets the monthly $1500 stipend that comes with the guardianship. Mike’s decision bears unexpected consequences for his family and his wrestling team, all portrayed wonderfully by a cast that includes Amy Ryan, Bobby Cannavale, and newcomer Alex Shaffer as Mike’s client’s grandson, a troubled teenager and wrestling savant. McCarthy’s film is full of astute, unsentimental observations about life in modern America and features an ending that is just about perfect.


7. “Poetry”
Directed by Lee Chang-dong

An elderly woman named Mija (Yun Jung-hee) learns she is in the early stages of Alzheimer’s Disease and tries to keep her memory sharp by taking a poetry class in this heartbreaking film from Korean director Lee Chang-dong.  Inspiration proves elusive, and only comes along eventually at great personal cost, one involving her grandson Wook (Lee David) and his role in the death of a girl at his school. Lee’s “Poetry” is about the connection between pain and beauty, and how the worst experiences sometimes spur the greatest works of art.  Or, as Mija’s poetry teacher puts it, “It’s not difficult to write a poem, but to have the heart to write one.” It’s not hard to make a movie, either. Making one with this much heart is the real challenge.


6. “A Separation”
Directed by Asghar Farhadi

Like “Win Win,” this is another movie set in a universe of fascinating moral complexity. Like “Win Win” it’s a bit of a genre hybrid: part legal thriller, part family drama. It begins when an Iranian couple requests a divorce. The wife (Leila Hatami) wants to leave the country in order to keep their young daughter from growing up in the oppressive atmosphere of Tehran; the husband (Peyman Moaadi) can’t leave behind his father, who is afflicted with Alzheimer’s and requires constant care. After the wife moves out, a situation arises that explains her concerns. To watch the father while he’s at work, the husband hires a pregnant woman as a housekeeper, but after a few days on the job, there is an incident in the house, and the father blames the housekeeper. Who is legally at fault? Who is morally at fault? Farhadi’s outstanding film explores how hard — or sometimes impossible — those questions are to answer, with subtle writing and brilliant performances.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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