DID YOU READ

The best movies of 2011

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The Mayans might have predicted the world would come to an end in 2012, but it’s hard to imagine a more apocalyptic year at the movies, both on and off-screen, than 2011.  This was the year that theater attendance dipped to its lowest level since 1995 and critics played the role of coroners, declaring the film camera — and even film itself — officially dead.  2011 was the year that digital became the dominant medium of the movies, both in terms of recording and distribution.  We still sometimes call them films, but we sure don’t watch them that way anymore, thanks to television, Blu-ray, HD digital projectors, and online streaming.

While pundits eulogized the death of film, a few directors celebrated its birth.  Michel Hazanavicius made “The Artist,” about the forgotten magic of early silent cinema; Martin Scorsese made “Hugo,” an impassioned plea about the importance of film preservation masquerading as a children’s film about an orphan who lives in a train station.  Both became critical darlings, maybe because in a time of great technological upheaval it felt appropriate to look back, with awe and admiration.

Looking ahead with anxiety, though, was a far more popular theme.   In 2011, filmmakers envisioned the start of our investment banker-led economic collapse (“Margin Call”) and imagined the start of an ape-led social collapse (“Rise of the Planet of the Apes”).  They put big name movie stars up against cataclysmic viruses (“Contagion”) and cataclysmically shitty employers (“Horrible Bosses”).  As more and more movies foretold the end of everything, more and more treated the end like a foregone conclusion rather than a point of suspense; in Lars von Trier’s “Melancholia,” Earth didn’t even survive past the opening credits.  My own list of the best films of 2011 is bracketed by two movies about men haunted by dreams of impending Armageddon.

Ah, top ten lists. So fun to read, so excruciating to make, so contentious to discuss. “These are the greatest movies of the year.” “No, these are the most important movies of the year.” I’ve never been good at drawing those kinds of distinctions. All I can do is tell you honestly which movies affected me the most and try to explain why.  That’s what I’m going to do here. Film may be dead, but cinema is alive and well.  And here is the proof.

10. “Bellflower”
Directed by Evan Glodell

“DIY” doesn’t feel like a strong enough term to describe Evan Glodell’s “Bellflower” so I’m going to call it “DIAY” — do it all yourself. Glodell had a hand in editing, producing, writing, and directing this film; he also played the lead role of Woodrow and actually built all the gadgets and weapons his character uses in movie, including a flamethrowing muscle car called The Medusa. It’s an impressive accomplishment — and I haven’t even mentioned the fact that he also designed the custom camera he shot the movie with yet — but “Bellflower” is a lot more than a hollow technical exercise; it’s also a beautiful and tragic account of what it feels like to fall in and out of love (plus flamethrowers). It’s the best directorial debut of the year and the subject of my favorite movie trailer of the year to boot.


9. “Margaret”
Directed by Kenneth Lonergan

Is this movie a mess? Yeah, kind of. But that’s also kind of the point. “Margaret” is about a teenage girl (Anna Paquin) who accidentally causes a bus driver (Mark Ruffalo) to run over and kill a woman (Allison Janney, devastating and unforgettable in just one scene). Afterwards she’s left searching for answers; the only one she ever finds is that life is messy and rarely makes any sense. Neither does this film’s tortured backstory, which involves untold numbers of cuts and lawsuits spread out over half a decade. It sounded like a disaster on paper, but it’s actually a magnificent film about people living in the aftermath of a disaster, and scene after scene hit with the impact of an oncoming city bus. Playing “Margaret”‘s spoiled, confused, angry protagonist, Anna Paquin gives the performance of 2011, creating one of the most fully and complexly realized teenagers in movie history.


8. “Win Win”
Directed by Thomas McCarthy

Our perpetually recessed economy has a lot of people asking themselves how far they would go to provide for their family. Thomas McCarthy’s “Win Win” is not only one of the best recent films about the search for the answer to that question, it’s also also one the smartest and most unusual underdog sports movies in ages. New Jersey lawyer and high school wrestling coach Mike Flaherty (Paul Giamatti, as good as he’s ever been) is in danger of losing his feeble legal practice when he makes a sensible but morally indefensible choice: he has himself declared the guardian of one of his elderly clients, dumps him in a nursing home, and pockets the monthly $1500 stipend that comes with the guardianship. Mike’s decision bears unexpected consequences for his family and his wrestling team, all portrayed wonderfully by a cast that includes Amy Ryan, Bobby Cannavale, and newcomer Alex Shaffer as Mike’s client’s grandson, a troubled teenager and wrestling savant. McCarthy’s film is full of astute, unsentimental observations about life in modern America and features an ending that is just about perfect.


7. “Poetry”
Directed by Lee Chang-dong

An elderly woman named Mija (Yun Jung-hee) learns she is in the early stages of Alzheimer’s Disease and tries to keep her memory sharp by taking a poetry class in this heartbreaking film from Korean director Lee Chang-dong.  Inspiration proves elusive, and only comes along eventually at great personal cost, one involving her grandson Wook (Lee David) and his role in the death of a girl at his school. Lee’s “Poetry” is about the connection between pain and beauty, and how the worst experiences sometimes spur the greatest works of art.  Or, as Mija’s poetry teacher puts it, “It’s not difficult to write a poem, but to have the heart to write one.” It’s not hard to make a movie, either. Making one with this much heart is the real challenge.


6. “A Separation”
Directed by Asghar Farhadi

Like “Win Win,” this is another movie set in a universe of fascinating moral complexity. Like “Win Win” it’s a bit of a genre hybrid: part legal thriller, part family drama. It begins when an Iranian couple requests a divorce. The wife (Leila Hatami) wants to leave the country in order to keep their young daughter from growing up in the oppressive atmosphere of Tehran; the husband (Peyman Moaadi) can’t leave behind his father, who is afflicted with Alzheimer’s and requires constant care. After the wife moves out, a situation arises that explains her concerns. To watch the father while he’s at work, the husband hires a pregnant woman as a housekeeper, but after a few days on the job, there is an incident in the house, and the father blames the housekeeper. Who is legally at fault? Who is morally at fault? Farhadi’s outstanding film explores how hard — or sometimes impossible — those questions are to answer, with subtle writing and brilliant performances.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. 

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number! 

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time. 

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by. 

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo. 

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim. 

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t? 

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?” 

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud. 

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.