DID YOU READ

The best genre movies of 2011, part 2

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Continuing our list from yesterday here are five more of the best genre movies of 2011. Click over for our picks for the best romance, Western, horror film, legal thriller, and comic book movie. Today it’s time for the best spy movie, cop movie, sports movie, mystery, and science-fiction. Let’s do it.

The Best Spy Movie of the Year
“Mission: Impossible – Ghost Protocol” (In IMAX)
Directed by Brad Bird

Even fans of “Tinker Tailor Soldier Spy” would admit the film is more of a character study about spies than a true spy movie. For real genre thrills, I’m going with something bigger: much bigger. “Mission: Impossible – Ghost Protocol” delivered everything we’ve come to expect from this series — high-tech gadgets, ferocious fights, Tom Cruise running — on a grander scale than ever before. Director Brad Bird’s IMAX action scenes, especially one dazzling, dangling sequence atop the tallest building in the world, were absolutely stunning. Badass Digest’s Devin Faraci makes some excellent observations about the gaping holes in the film’s story. So why isn’t anyone talking about them? Because people get so caught up in “Ghost Protocol”‘s enormous imagery they don’t have time to think.


The Best Sports Movie of the Year
“Warrior”

Directed by Gavin O’Connor

This might be the most inexplicable flop of the year. “Warrior” was a shameless crowd-pleaser, with twice the underdogs of your typical underdog sports movie, but for some reason the crowds never showed up to be pleased. Maybe the lack of a bankable star kept people away, but the lack of a bankable star meant two very good young actors, Joel Edgerton and Tom Hardy, got to play the lead roles of Brendan and Tommy Conlon, estranged brothers who both enter the same mixed martial arts tournament in search of a big cash prize. The final fight felt seriously anticlimactic and Nick Nolte goes a bit overboard in his alcoholic suffering at times, but the rest of this movie is just about perfect. Any sports movie would be blessed to have a lead character as good as Hardy’s or Edgerton’s. This one has both. If I had to bank on one 2011 movie slowly becoming a massive word-of-mouth hit on DVD and Blu-ray, I’d pick “Warrior.” It could easily become this decade’s “Shawshank Redemption.” Read my full review here.

http://www.youtube.com/watch?v=54vrgCP5nlc


The Best Cop Movie of the Year
“The Guard”
Directed by John Michael McDonagh

The buddy cop movie has had its up and downs in recent years but it rose from the ashes like a phoenix who was getting too old for this shit with the comedy “The Guard.” Brendan Gleeson delivers a brilliant performance as Sgt. Gerry Boyle, a small town Irish cop who stumbles, accidentally and disinterestedly, onto a drug smuggling ring. He teams with an American FBI agent (Don Cheadle, whose Southern accent is the one weak spot in the film) and together they make a classic pair of mismatched partners. “The Guard” was written and directed by John Michael McDonagh, brother of “In Bruges” filmmaker Martin McDonagh. I suspect if you liked the latter, you’ll dig the former, which has a similarly picaresque setting and dark sense of humor. Listen to my full review here.


The Best Mystery of the Year
“Cold Weather”
Directed by Aaron Katz

Mysteries are all about finding things in unlikely places and the DIY, improvisational genre of mumblecore is probably the last place in moviedom you’d expect to find a good whodunit. Yet here is Aaron Katz’s “Cold Weather,” a very successful experiment in marrying the off-the-cuff mumblecore aesthetic with the rigid structure of a drawing room mystery. A college dropout with an interest in forensic science and Sherlock Holmes novels moves back home to Portland and gets a job in an ice factory. An old flame comes to visit then seemingly disappears. Was she kidnapped? Or even murdered? While Hollywood turned Sherlock Holmes into a six packed, speed ramping action hero, Katz proved you don’t need any of that to tell a compelling story. All you need are a few interesting characters, one good brainteaser, and a pipe. Read my full review here.


The Best Sci-Fi Movie of the Year
“Attack the Block”
Directed by Joe Cornish

There was plenty of callbacks to old movies in “Attack the Block,” including 80s gang flicks like “The Warriors” and “Streets of Fire,” but the film was far more creative than your typical nostalgia pastiche. Even the design of the “gorilla-wolf” aliens that crash into a giant South London housing complex was refreshing (if something with glowing, razor-sharp teeth and a hunger for human flesh can be termed “refreshing”). Director Joe Cornish’s dazzling debut film was light on science but heavy on scares and humor, and it featured a cast of charismatic misfit kids who made the Goonies look like the Muppet Babies. Buried beneath the laughs and scares, there are even some powerful themes about personal responsibility and the dehumanizing nature of life in the projects. Believe, bruv: this movie deserved better than its $1.0 million domestic gross. Read my full review here.


Back to PART 1 of The Best Genre Movies of 2011.

What was your favorite spy movie, cop movie, sports movie, mystery, and sci-fi movie of the year? Tell us in the comments below or write to us on Facebook and Twitter.

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Bro and Tell

BFFs And Night Court For Sports

Bromance and Comeuppance On Two New Comedy Crib Series

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“Silicon Valley meets Girls meets black male educators with lots of unrealized potential.”

That’s how Carl Foreman Jr. and Anthony Gaskins categorize their new series Frank and Lamar which joins Joe Schiappa’s Sport Court in the latest wave of new series available now on IFC’s Comedy Crib. To better acquaint you with the newbies, we went right to the creators for their candid POVs. And they did not disappoint. Here are snippets of their interviews:

Frank and Lamar

via GIPHY

IFC: How would you describe Frank and Lamar to a fancy network executive you met in an elevator?
Carl: Best bros from college live and work together teaching at a fancy Manhattan private school, valiantly trying to transition into a more mature phase of personal and professional life while clinging to their boyish ways.

IFC: And to a friend of a friend you met in a bar?
Carl: The same way, slightly less coherent.

Anthony: I’d probably speak about it with much louder volume, due to the bar which would probably be playing the new Kendrick Lamar album. I might also include additional jokes about Carl, or unrelated political tangents.

Carl: He really delights in randomly slandering me for no reason. I get him back though. Our rapport on the page, screen, and in real life, comes out of a lot of that back and forth.

IFC: In what way is Frank and Lamar a poignant series for this moment in time?
Carl: It tells a story I feel most people aren’t familiar with, having young black males teach in a very affluent white world, while never making it expressly about that either. Then in tackling their personal lives, we see these three-dimensional guys navigate a pivotal moment in time from a perspective I feel mainstream audiences tend not to see portrayed.

Anthony: I feel like Frank and Lamar continues to push the envelope within the genre by presenting interesting and non stereotypical content about people of color. The fact that this show brought together so many talented creative people, from the cast and crew to the producers, who believe in the project, makes the work that much more intentional and truthful. I also think it’s pretty incredible that we got to employ many of our friends!

Sport Court

Sport Court gavel

IFC: How would you describe Sport Court to a fancy network executive you met in an elevator?
Joe: SPORT COURT follows Judge David Linda, a circuit court judge assigned to handle an ad hoc courtroom put together to prosecute rowdy fan behavior in the basement of the Hartford Ultradome. Think an updated Night Court.

IFC: How would you describe Sport Court to drunk friend of a friend you met in a bar?
Joe: Remember when you put those firecrackers down that guy’s pants at the baseball game? It’s about a judge who works in a court in the stadium that puts you in jail right then and there. I know, you actually did spend the night in jail, but imagine you went to court right that second and didn’t have to get your brother to take off work from GameStop to take you to your hearing.

IFC: Is there a method to your madness when coming up with sports fan faux pas?
Joe: I just think of the worst things that would ruin a sporting event for everyone. Peeing in the slushy machine in open view of a crowd seemed like a good one.

IFC: Honestly now, how many of the fan transgressions are things you’ve done or thought about doing?
Joe: I’ve thought about ripping out a whole row of chairs at a theater or stadium, so I would have my own private space. I like to think of that really whenever I have to sit crammed next to lots of people. Imagine the leg room!

Check out the full seasons of Frank and Lamar and Sport Court now on IFC’s Comedy Crib.

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Millennial Wisdom

Charles Speaks For Us All

Get to know Charles, the social media whiz of Brockmire.

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He may be an unlikely radio producer Brockmire, but Charles is #1 when it comes to delivering quips that tie a nice little bow on the absurdity of any given situation.

Charles also perfectly captures the jaded outlook of Millennials. Or at least Millennials as mythologized by marketers and news idiots. You know who you are.

Played superbly by Tyrel Jackson Williams, Charles’s quippy nuggets target just about any subject matter, from entry-level jobs in social media (“I plan on getting some experience here, then moving to New York to finally start my life.”) to the ramifications of fictional celebrity hookups (“Drake and Taylor Swift are dating! Albums y’all!”). But where he really nails the whole Millennial POV thing is when he comments on America’s second favorite past-time after type II diabetes: baseball.

Here are a few pearls.

On Baseball’s Lasting Cultural Relevance

“Baseball’s one of those old-timey things you don’t need anymore. Like cursive. Or email.”

On The Dramatic Value Of Double-Headers

“The only thing dumber than playing two boring-ass baseball games in one day is putting a two-hour delay between the boring-ass games.”

On Sartorial Tradition

“Is dressing badly just a thing for baseball, because that would explain his jacket.”

On Baseball, In A Nutshell

“Baseball is a f-cked up sport, and I want you to know it.”


Learn more about Charles in the behind-the-scenes video below.

And if you were born before the late ’80s and want to know what the kids think about Baseball, watch Brockmire Wednesdays at 10P on IFC.

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Crown Jules

Amanda Peet FTW on Brockmire

Amanda Peet brings it on Brockmire Wednesday at 10P on IFC.

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GIFS via Giphy

On Brockmire, Jules is the unexpected yin to Jim Brockmire’s yang. Which is saying a lot, because Brockmire’s yang is way out there. Played by Amanda Peet, Jules is hard-drinking, truth-spewing, baseball-loving…everything Brockmire is, and perhaps what he never expected to encounter in another human.

“We’re the same level of functional alcoholic.”


But Jules takes that commonality and transforms it into something special: a new beginning. A new beginning for failing minor league baseball team “The Frackers”, who suddenly about-face into a winning streak; and a new beginning for Brockmire, whose life gets a jumpstart when Jules lures him back to baseball. As for herself, her unexpected connection with Brockmire gives her own life a surprising and much needed goose.

“You’re a Goddamn Disaster and you’re starting To look good to me.”

This palpable dynamic adds depth and complexity to the narrative and pushes the series far beyond expected comedy. See for yourself in this behind-the-scenes video (and brace yourself for a unforgettable description of Brockmire’s genitals)…

Want more about Amanda Peet? She’s all over the place, and has even penned a recent self-reflective piece in the New York Times.

And of course you can watch the Jim-Jules relationship hysterically unfold in new episodes of Brockmire, every Wednesday at 10PM on IFC.

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