DID YOU READ

The best genre movies of 2011, part 1

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You’ve already got my list of the top ten films of 2011, but there were a lot more than just ten good movies this year. It’s time to highlight the genre standouts, the silly, scary, exciting, emotional stuff that doesn’t get the critical praise it deserves, especially at this time of the year when it’s all about gloss, and prestige, and actors eating half their body weight in ice cream and calling it “artistic commitment.” (Don’t you wish you had a job that let you call your obsession with Coffee Heath Bar Crunch art? Me too.)

This is part one of my list of the best genre movies of 2011. I’ve picked out a whole bunch of genres, from Western, to romance, to horror, and selected one exemplary entry for each. Be sure to come back tomorrow for 2011’s best buddy cop movie, best comedy, best sports movie, and more. Until then, here are our first five genre standouts.

The Best Western of the Year
“Blackthorn”
Directed by Mateo Gil

“Meek’s Cutoff” was the critical darling of the Western genre this year, but Kelly Reichardt’s bleak account of a doomed wagon train was too often an exercise in frustration to my taste. For a more satisfying frontier throwback, seek out “Blackthorn,” a sort-of-sequel to “Butch Cassidy and the Sundance Kid” starring the wonderfully dyspeptic Sam Shepard as an aging Cassidy who sets out for the United States after decades in hiding in Bolivia. Along the way he encounters a man with some stolen money, which leads to plenty of double-crosses, chases, and shootouts, a new partnership to mirror the one he had with Sundance, and the occasional masculine contemplation of the meaning of life over a plate of campfire beans. “Blackthorn”‘s ending is almost as disappointing as “Meek’s Cutoff”‘s but you know what they say about focusing on the journey rather than the destination. This is a really interesting journey. Read my full review here.


The Best Horror Film of the Year
“Insidious”
Directed by James Wan

Speaking of disappointing endings, I wouldn’t for one minute pretend that the last fifteen minutes of “Insidious” — a haunted house movie from the writer and director of “Saw” — doesn’t completely fall apart after one too many predictable plot twists and a little too much unpredictable silliness. Until then, though, this story of troubled married couple and their spooky encounters in their new home on the corner of Hellmouth Drive and You Guys Are Totally Fucked Boulevard is absolutely terrifying. Every scene with Lin Shaye as the paranormal investigator called to cure the couple’s comatose son is killer. Not to be watched in a house with creaky floorboards or oversized grandfather clocks. Read my full review here.


The Best Legal Thriller of the Year
“The Lincoln Lawyer”
Directed by Brad Furman

Is “The Lincoln Lawyer” the most accurate legal thriller of the year? My night school law degree hasn’t come in the mail yet, I’m guessing probably not. But who cares? The broadcast television airwaves are littered with dozens of weekly hours of dry, by-the-books law shows; if you want pedestrian legal thrills, go there. If you want a batshit crazy story with big, fun plot twists and a deliciously evil villain, check out this sturdy adaptation of the novel of the same name by Michael Connelly. I can’t tell you who you the villain is because that would spoil some of the surprise, but I can say that Matthew McConaughey is in excellent form as Mickey Haller, a slick, smart Los Angeles attorney hired to defend a real estate magnate’s son from charges of rape. I walked into this movie almost at random on a day when I was stranded in Manhattan with several hours to kill. I walked out two hours later absolutely delighted by one of the most purely entertaining movies I saw all year.


The Best Romance of the Year
“Weekend”
Directed by Andrew Haigh

Two men meet in the bar on a Friday night and have a one night stand. The next morning, they discover a connection deeper than physical attraction but for reasons best left unexplained, their relationship has to end when the weekend does. This sweet, sad, and painfully accurate film about fleeting love evokes memories of David Lean’s “Brief Encounter” and Richard Linklater’s “Before Sunrise.” Director Andrew Haigh shot the film in practical locations with long, uncut takes because, he told me, he wanted “Weekend” “to feel almost like a documentary…you, as the audience, were almost sitting in the corner of the room just watching this relationship unfold.” He succeeded. Good luck trying not to cry as you watch this relationship unfold during the big climactic scene in the train station. You’ll need it. Read my full interview with Haigh here. “Weekend” is currently available on Netflix Watch Instantly.

http://www.youtube.com/watch?v=LkC7xHAfxm4


The Best Comic Book Movie of the Year
“X-Men: First Class”
Directed by Matthew Vaughn

Technically “The Adventures of Tintin” would probably get my vote for the most accomplished comic book adaptation of the year. But I’ve never read any “Tintin” comics, and neither have most of the people who’ll be seeing it in the United States, which means Steven Spielberg didn’t have to contend with angry, judgmental fanboys freaking out over his every creative decision. Matthew Vaughn, on the other hand, had plenty of nerds looking over his shoulder as he made the fifth film in the X-Men franchise. He also had to retrofit a new story to fit within the framework of old comics and movies, deal with the fact that the previous “X-Men” prequel, “Wolverine,” was one of the worst comic book movies ever, and crank out the entire project from start to finish in less than a year. Somehow, he made it work. Michael Fassbender was such a badass antihero as the young, Nazi-hunting Magneto he suggested an avenue for a prequel to this prequel. Listen to my full review here.


On to PART 2 of The Best Genre Movies of 2011.

Got different picks for the best Western, horror film, legal thriller, romance, and comic book movie of the year? Let us know in the comments below or write to us on Facebook and Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.

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IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines

Shopping

The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.

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Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.

Booger

A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.

Ogre

Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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