DID YOU READ

The best genre movies of 2011, part 1

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You’ve already got my list of the top ten films of 2011, but there were a lot more than just ten good movies this year. It’s time to highlight the genre standouts, the silly, scary, exciting, emotional stuff that doesn’t get the critical praise it deserves, especially at this time of the year when it’s all about gloss, and prestige, and actors eating half their body weight in ice cream and calling it “artistic commitment.” (Don’t you wish you had a job that let you call your obsession with Coffee Heath Bar Crunch art? Me too.)

This is part one of my list of the best genre movies of 2011. I’ve picked out a whole bunch of genres, from Western, to romance, to horror, and selected one exemplary entry for each. Be sure to come back tomorrow for 2011’s best buddy cop movie, best comedy, best sports movie, and more. Until then, here are our first five genre standouts.

The Best Western of the Year
“Blackthorn”
Directed by Mateo Gil

“Meek’s Cutoff” was the critical darling of the Western genre this year, but Kelly Reichardt’s bleak account of a doomed wagon train was too often an exercise in frustration to my taste. For a more satisfying frontier throwback, seek out “Blackthorn,” a sort-of-sequel to “Butch Cassidy and the Sundance Kid” starring the wonderfully dyspeptic Sam Shepard as an aging Cassidy who sets out for the United States after decades in hiding in Bolivia. Along the way he encounters a man with some stolen money, which leads to plenty of double-crosses, chases, and shootouts, a new partnership to mirror the one he had with Sundance, and the occasional masculine contemplation of the meaning of life over a plate of campfire beans. “Blackthorn”‘s ending is almost as disappointing as “Meek’s Cutoff”‘s but you know what they say about focusing on the journey rather than the destination. This is a really interesting journey. Read my full review here.


The Best Horror Film of the Year
“Insidious”
Directed by James Wan

Speaking of disappointing endings, I wouldn’t for one minute pretend that the last fifteen minutes of “Insidious” — a haunted house movie from the writer and director of “Saw” — doesn’t completely fall apart after one too many predictable plot twists and a little too much unpredictable silliness. Until then, though, this story of troubled married couple and their spooky encounters in their new home on the corner of Hellmouth Drive and You Guys Are Totally Fucked Boulevard is absolutely terrifying. Every scene with Lin Shaye as the paranormal investigator called to cure the couple’s comatose son is killer. Not to be watched in a house with creaky floorboards or oversized grandfather clocks. Read my full review here.


The Best Legal Thriller of the Year
“The Lincoln Lawyer”
Directed by Brad Furman

Is “The Lincoln Lawyer” the most accurate legal thriller of the year? My night school law degree hasn’t come in the mail yet, I’m guessing probably not. But who cares? The broadcast television airwaves are littered with dozens of weekly hours of dry, by-the-books law shows; if you want pedestrian legal thrills, go there. If you want a batshit crazy story with big, fun plot twists and a deliciously evil villain, check out this sturdy adaptation of the novel of the same name by Michael Connelly. I can’t tell you who you the villain is because that would spoil some of the surprise, but I can say that Matthew McConaughey is in excellent form as Mickey Haller, a slick, smart Los Angeles attorney hired to defend a real estate magnate’s son from charges of rape. I walked into this movie almost at random on a day when I was stranded in Manhattan with several hours to kill. I walked out two hours later absolutely delighted by one of the most purely entertaining movies I saw all year.


The Best Romance of the Year
“Weekend”
Directed by Andrew Haigh

Two men meet in the bar on a Friday night and have a one night stand. The next morning, they discover a connection deeper than physical attraction but for reasons best left unexplained, their relationship has to end when the weekend does. This sweet, sad, and painfully accurate film about fleeting love evokes memories of David Lean’s “Brief Encounter” and Richard Linklater’s “Before Sunrise.” Director Andrew Haigh shot the film in practical locations with long, uncut takes because, he told me, he wanted “Weekend” “to feel almost like a documentary…you, as the audience, were almost sitting in the corner of the room just watching this relationship unfold.” He succeeded. Good luck trying not to cry as you watch this relationship unfold during the big climactic scene in the train station. You’ll need it. Read my full interview with Haigh here. “Weekend” is currently available on Netflix Watch Instantly.

http://www.youtube.com/watch?v=LkC7xHAfxm4


The Best Comic Book Movie of the Year
“X-Men: First Class”
Directed by Matthew Vaughn

Technically “The Adventures of Tintin” would probably get my vote for the most accomplished comic book adaptation of the year. But I’ve never read any “Tintin” comics, and neither have most of the people who’ll be seeing it in the United States, which means Steven Spielberg didn’t have to contend with angry, judgmental fanboys freaking out over his every creative decision. Matthew Vaughn, on the other hand, had plenty of nerds looking over his shoulder as he made the fifth film in the X-Men franchise. He also had to retrofit a new story to fit within the framework of old comics and movies, deal with the fact that the previous “X-Men” prequel, “Wolverine,” was one of the worst comic book movies ever, and crank out the entire project from start to finish in less than a year. Somehow, he made it work. Michael Fassbender was such a badass antihero as the young, Nazi-hunting Magneto he suggested an avenue for a prequel to this prequel. Listen to my full review here.


On to PART 2 of The Best Genre Movies of 2011.

Got different picks for the best Western, horror film, legal thriller, romance, and comic book movie of the year? Let us know in the comments below or write to us on Facebook and Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.