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DID YOU READ

The best genre movies of 2011, part 1

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You’ve already got my list of the top ten films of 2011, but there were a lot more than just ten good movies this year. It’s time to highlight the genre standouts, the silly, scary, exciting, emotional stuff that doesn’t get the critical praise it deserves, especially at this time of the year when it’s all about gloss, and prestige, and actors eating half their body weight in ice cream and calling it “artistic commitment.” (Don’t you wish you had a job that let you call your obsession with Coffee Heath Bar Crunch art? Me too.)

This is part one of my list of the best genre movies of 2011. I’ve picked out a whole bunch of genres, from Western, to romance, to horror, and selected one exemplary entry for each. Be sure to come back tomorrow for 2011’s best buddy cop movie, best comedy, best sports movie, and more. Until then, here are our first five genre standouts.

The Best Western of the Year
“Blackthorn”
Directed by Mateo Gil

“Meek’s Cutoff” was the critical darling of the Western genre this year, but Kelly Reichardt’s bleak account of a doomed wagon train was too often an exercise in frustration to my taste. For a more satisfying frontier throwback, seek out “Blackthorn,” a sort-of-sequel to “Butch Cassidy and the Sundance Kid” starring the wonderfully dyspeptic Sam Shepard as an aging Cassidy who sets out for the United States after decades in hiding in Bolivia. Along the way he encounters a man with some stolen money, which leads to plenty of double-crosses, chases, and shootouts, a new partnership to mirror the one he had with Sundance, and the occasional masculine contemplation of the meaning of life over a plate of campfire beans. “Blackthorn”‘s ending is almost as disappointing as “Meek’s Cutoff”‘s but you know what they say about focusing on the journey rather than the destination. This is a really interesting journey. Read my full review here.


The Best Horror Film of the Year
“Insidious”
Directed by James Wan

Speaking of disappointing endings, I wouldn’t for one minute pretend that the last fifteen minutes of “Insidious” — a haunted house movie from the writer and director of “Saw” — doesn’t completely fall apart after one too many predictable plot twists and a little too much unpredictable silliness. Until then, though, this story of troubled married couple and their spooky encounters in their new home on the corner of Hellmouth Drive and You Guys Are Totally Fucked Boulevard is absolutely terrifying. Every scene with Lin Shaye as the paranormal investigator called to cure the couple’s comatose son is killer. Not to be watched in a house with creaky floorboards or oversized grandfather clocks. Read my full review here.


The Best Legal Thriller of the Year
“The Lincoln Lawyer”
Directed by Brad Furman

Is “The Lincoln Lawyer” the most accurate legal thriller of the year? My night school law degree hasn’t come in the mail yet, I’m guessing probably not. But who cares? The broadcast television airwaves are littered with dozens of weekly hours of dry, by-the-books law shows; if you want pedestrian legal thrills, go there. If you want a batshit crazy story with big, fun plot twists and a deliciously evil villain, check out this sturdy adaptation of the novel of the same name by Michael Connelly. I can’t tell you who you the villain is because that would spoil some of the surprise, but I can say that Matthew McConaughey is in excellent form as Mickey Haller, a slick, smart Los Angeles attorney hired to defend a real estate magnate’s son from charges of rape. I walked into this movie almost at random on a day when I was stranded in Manhattan with several hours to kill. I walked out two hours later absolutely delighted by one of the most purely entertaining movies I saw all year.


The Best Romance of the Year
“Weekend”
Directed by Andrew Haigh

Two men meet in the bar on a Friday night and have a one night stand. The next morning, they discover a connection deeper than physical attraction but for reasons best left unexplained, their relationship has to end when the weekend does. This sweet, sad, and painfully accurate film about fleeting love evokes memories of David Lean’s “Brief Encounter” and Richard Linklater’s “Before Sunrise.” Director Andrew Haigh shot the film in practical locations with long, uncut takes because, he told me, he wanted “Weekend” “to feel almost like a documentary…you, as the audience, were almost sitting in the corner of the room just watching this relationship unfold.” He succeeded. Good luck trying not to cry as you watch this relationship unfold during the big climactic scene in the train station. You’ll need it. Read my full interview with Haigh here. “Weekend” is currently available on Netflix Watch Instantly.

http://www.youtube.com/watch?v=LkC7xHAfxm4


The Best Comic Book Movie of the Year
“X-Men: First Class”
Directed by Matthew Vaughn

Technically “The Adventures of Tintin” would probably get my vote for the most accomplished comic book adaptation of the year. But I’ve never read any “Tintin” comics, and neither have most of the people who’ll be seeing it in the United States, which means Steven Spielberg didn’t have to contend with angry, judgmental fanboys freaking out over his every creative decision. Matthew Vaughn, on the other hand, had plenty of nerds looking over his shoulder as he made the fifth film in the X-Men franchise. He also had to retrofit a new story to fit within the framework of old comics and movies, deal with the fact that the previous “X-Men” prequel, “Wolverine,” was one of the worst comic book movies ever, and crank out the entire project from start to finish in less than a year. Somehow, he made it work. Michael Fassbender was such a badass antihero as the young, Nazi-hunting Magneto he suggested an avenue for a prequel to this prequel. Listen to my full review here.


On to PART 2 of The Best Genre Movies of 2011.

Got different picks for the best Western, horror film, legal thriller, romance, and comic book movie of the year? Let us know in the comments below or write to us on Facebook and Twitter.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

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IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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