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DID YOU READ

“The Adventures of Tintin,” reviewed

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Steven Spielberg loves film. And not just movies, but the actual, physical medium of light projected through celluloid. He’s one of the last directors alive who still edits his work by painstakingly cutting and pasting strips of film instead of manipulating files on a computer. He doesn’t seem like the type of guy to embrace motion-captured animation. After all, there’s no film in “mocap.” There are barely even cameras: just actors in an empty room and computerized sensors that record their movements.

And yet somehow Spielberg, the analog stalwart, has brought out the best in this new filmmaking technology. For years I’ve watched mocap animated movies in a state of puzzlement: not quite live-action, not quite animation, motion capture seemed to offer only the worst of both worlds: characters bound by real-world physics and hampered by weirdly lifeless faces and eyes. It’s worked at times as a tool of live-action filmmakers, but almost always in more fantastical settings (see James Cameron’s “Avatar”). Whenever it’s been called to approximate the real world, the previous results have been dreadful. Maybe the technology’s improved, maybe the caliber of filmmaker using the technology’s improved. Either way, Spielberg’s “The Adventures of Tintin” is the movie that really made me understand motion capture’s appeal. Now I see what mocap can do. And what it can do is action.

Spielberg does things with virtual cameras and animated characters inside his computerized world that would be impossible to capture in the real one. Some are elaborate: he builds chase sequences and sword fights and battles at sea on an epic scale. Others are ingeniously simple: with a virtual camera he can follow characters through walls, or under moving cars, or zooming in and around an African town in one continuous take. Anything seems possible in this world and Spielberg takes full advantage of the possibilities.

In a way, “Tintin” is the best “Indiana Jones” sequel he’s ever made. There are treasure hunts and daring escapes and an air of excitement, both from the characters and the director, that’s palpable. One sequence is so spectacular, I literally yelled out “Oh man!” in the movie theater. I couldn’t believe what I was seeing. It was that beautiful and that thrilling. And there are two or three other action set pieces that are just as good.

The plot and the characters are, admittedly, not nearly as memorable, but the movie is so feverishly paced you won’t notice until it’s over. The story comes from the longrunning series of Belgian comic books by the artist Hergé about a crusading adventurer journalist named Tintin (Jamie Bell) and his fearless dog sidekick Snowy (Snowy). In this film, which at one point was subtitled “The Secret of the Unicorn,” Tintin purchases a model ship at a flea market which, unbeknownst to him, is desired by all sorts of unsavory characters. The ship is promptly stolen and must be recovered and then a tiny scroll that had been hidden in its mast must be retrieved as well. That scroll, and several others, point to the location of an incredible treasure.

Tintin eventually crosses paths with a drunken sea captain named Haddock, who becomes his other partner in his quest for the scroll. He is played by Andy Serkis, the chameleonic actor who previously motion-captured the performances that gave us Gollum in “The Lord of the Rings,” King Kong in Peter Jackson’s 2005 remake, and Caesar in this year’s “Rise of the Planet of the Apes.” His Haddock is another remarkable creation; witty, charming, roguish, and perpetually sauced. Serkis is like the Pixar of mocap; he seemingly can do no wrong. He might be the biggest and best actor in the entire world who everyone loves and no one knows.

Tintin himself isn’t much of a protagonist, or a journalist, for that matter — who does this guy work for? Does he ever file a story? — but he’s an acceptable everyman foil for Captain Haddock and the rest of the colorful supporting cast, including Simon Pegg and Nick Frost as a pair of bumbling policemen and Daniel Craig as a mysterious man who wants Tintin’s ship. Really they’re all just there to drive the action. But let’s not forget, the movie is called “The Adventures of Tintin,” not “The Searing Emotional Drama of Tintin.” On that level, the movie is an absolute masterpiece, maybe the first one motion capture has ever produced.

“The Adventures of Tintin” opens today. If you see it, tell us what you think in the comments below or on Facebook and Twitter.

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G.I. Jeez

Stomach Bugs and Prom Dates

E.Coli High is in your gut and on IFC's Comedy Crib.

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Brothers-in-law Kevin Barker and Ben Miller have just made the mother of all Comedy Crib series, in the sense that their Comedy Crib series is a big deal and features a hot mom. Animated, funny, and full of horrible bacteria, the series juxtaposes timeless teen dilemmas and gut-busting GI infections to create a bite-sized narrative that’s both sketchy and captivating. The two sat down, possibly in the same house, to answer some questions for us about the series. Let’s dig in….

E.coli-class-

IFC: How would you describe E.Coli High to a fancy network executive you just met in an elevator?

BEN: Hi ummm uhh hi ok well its like umm (gets really nervous and blows it)…

KB: It’s like the Super Bowl meets the Oscars.

IFC: How would you describe E.Coli High to a drunk friend of a friend you met in a bar?

BEN: Oh wow, she’s really cute isn’t she? I’d definitely blow that too.

KB: It’s a cartoon that is happening inside your stomach RIGHT NOW, that’s why you feel like you need to throw up.

IFC: What was the genesis of E.Coli High?

KB: I had the idea for years, and when Ben (my brother-in-law, who is a special needs teacher in Philly) began drawing hilarious comics, I recruited him to design characters, animate the series, and do some writing. I’m glad I did, because Ben rules!

BEN: Kevin told me about it in a park and I was like yeah that’s a pretty good idea, but I was just being nice. I thought it was dumb at the time.

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IFC: What makes going to proms and dating moms such timeless and oddly-relatable subject matter?

BEN: Since the dawn of time everyone has had at least one friend with a hot mom. It is physically impossible to not at least make a comment about that hot mom.

KB: Who among us hasn’t dated their friend’s mom and levitated tables at a prom?

IFC: Why do you think the world is ready for this series?

BEN: There’s a lot of content now. I don’t think anyone will even notice, but it’d be cool if they did.

KB: A show about talking food poisoning bacteria is basically the same as just watching the news these days TBH.

Watch E.Coli High below and discover more NYTVF selections from years past on IFC’s Comedy Crib.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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