“A Separation,” reviewed


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So many movies let their characters off easy. They occupy universes of absurd moral clarity; good and bad, black and white. In contrast, nothing in the fascinating new Iranian movie “A Separation” is that simple. Every decision its characters are forced to make — and they’re forced to make a lot of them — is a difficult one. It’s not even a simple film to describe. Is it a legal thriller? A family drama? A character study? It’s all of those things and more.

The moral dilemmas begin in the very first scene, when married couple Simin (Leila Hatami) and Nader (Peyman Naadi) appear in Islamic court. Simin wants to leave the country with their daughter Termeh (Sarina Farhadi) and find a better life elsewhere. Nader prefers to stay, particularly because his father has advanced Alzheimer’s and needs constant care. So Simin asks for a divorce. Nader is willing to grant it, but he refuses to let Termeh leave as well. Who is right here? Who the hell knows.

Simin moves out and Nader is forced to hire a caretaker for his father on short notice. He winds up with Razieh (Sareh Bayat), a devoutly religious woman. For Razieh, the commute to this job is too long and the pay is too low. But her husband is unemployed and owes some men money so she takes the position anyway. On her first day, Nader’s father wets himself, which forces Razieh to disrobe and clean him, a big no-no for a married Islamic woman. She wants to quit, but again, she needs the work. What should she do? Who the hell knows.

There are enough rock-and-a-hard-place choices in these early scenes to fill a month of Hollywood movies. But these early scenes are just the overture to writer/director Ashgar Farhadi‘s cinematic symphony of ethical complexity. One day, there is an accident at Nader’s home while Razieh is out. Is she to blame? Later Nader confronts Razieh and the two get into an argument. She falls and there are medical complications. Is he to blame? In a sense, the film is a modern day “Rashomon.” All these people witnessed this event, but no one can agree on exactly what happened. We were there too, and we might not agree either.

The acting is stunning, the screenplay is brilliant, and, as evidenced by the still above, Farhadi finds brilliant ways to visualize the growing rifts between all his various characters. Many later scenes take place back in Islamic court, a riveting place where there are no juries, trials sort of resemble high school debates, and the rule of law often seems to create more ambiguity, not less. Will you agree with the court’s ultimate decision? What do you think?

My advice would be to see “A Separation” as soon as you can, and with a big group of people. Just be prepared for a lot of different opinions after it’s over. Still that’s preferable to walking out of this movie with no one to talk to. That would not be easy.

“A Separation” opens in New York and Los Angeles this Friday. If you see it, let us know what you think in the comments below or write to us on Facebook and Twitter.


The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”


Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).



Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.


And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.


Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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GIFs via Giffy

In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.


Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.


Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!



Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.


Self Defense

You can’t throw a download like a ninja star. Think about it.


If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.



Stan Diego Comic-Con

Stan Against Evil returns November 1st.

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Photo Credit: Erin Resnick, GIFs via Giphy

Another Comic-Con International is in the can, and multiple nerdgasms were had by all – not least of which were about the Stan Against Evil roundtable discussion. Dana, Janet and John dropped a whole lotta information on what’s to come in Season 2 and what it’s like to get covered in buckets of demon goo. Here are the highlights.

Premiere Date!

Season 2 hits the air November 1 and picks up right where things left off. Consider this your chance to seamlessly continue your Halloween binge.

Character Deets!

Most people know that Evie was written especially for Janet, but did you know that Stan is based on Dana Gould’s dad? It’s true. But that’s where the homage ends, because McGinley was taken off the leash to really build a unique character.

Happy Accidents!

Improv is apparently everything, because according to Gould the funniest material happens on the fly. We bet the writers are totally cool with it.

Exposed Roots!

If Stan fans are also into Twin Peaks and Doctor Who, that’s no accident. Both of those cult classic genre benders were front of mind when Stan was being developed.

Trailer Treasure!

Yep. A new trailer dropped. Feast your eyes.

Catch up on Stan Against Evil’s first season on the IFC app before it returns November 1st on IFC.