DID YOU READ

Zombies as a metaphor: a discussion on the undead in popular culture

Zombies as a metaphor: a discussion on the undead in popular culture (photo)

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“Traveling in a fried-out combi/ On a hippie trail, head full of zombie.” – Men at Work, “Down Under”

I have, like everyone, been thinking about zombies in pop culture. Let’s face facts: we live in a golden age of zombie. What is the most successful show on GetGlue? “The Walking Dead.” Further, the 24/7 web site actually estimates that the zombie genre is worth over $5 billion to the U.S. economy.

It’s a zombie world and we are just trying to survive the slow advance of the famished hordes. There’s more. Zombie mash-ups are reinvigorating classics. Zombies, everywhere, are on the march. Zombies are even, if you believe it, taking over the economy (figuratively, of course). Things have gotten so zombie out there — and there really is no other way to describe it — that the Centers for Disease Control’s “Preparedness 101: Zombie Apocalypse” blog post this past spring crashed their site.

“There are all kinds of emergencies out there that we can prepare for,” read the offending blog post. “Take a zombie apocalypse for example…. You may laugh now, but when it happens you’ll be happy you read this, and hey, maybe you’ll even learn a thing or two about how to prepare for a real emergency.”

Zombie as metaphor! For some reason – our national debt, perhaps? – the idea of an impending zombie apocalypse is the zeitgeist, and our popular culture just cannot seem to get enough. What is the meaning of this thusness?

With vampires, the glamour is obvious. Vamps are sexy, forever young and, quite frankly, built to withstand a robust nightlife for eternity. They are objects of both envy and geek lust. But zombies, with their spasmodic jerks and tortured, rigor-mortise twists as well as, one cannot fail to note, their hugely unfashionable state of decomposition, exude tragic unhipness. And I don’t mean that in a good way. Zombies, let’s face it, are the geeks of the monster world. If vampires are the undead, then zombies are the uncoordinated. And yet…zombie chic persists. How does one account for it?

There’s just something about zombies. Zombie determination to get at our brain matter is, well, commendable; their slow-and-steady-wins-the-race persistence is the stuff of the American dream. But let’s get serious. Just as “The Blob” was the perfect Cold War allegory, zombies specifically speak to our time. Zombies, with their deficit of life, mirror an economy of debt. Zombies, in their grunting aimlessness absent decent eating material, parallel the amount of Americans who believe we are rudderless. Decline is in the air, a sense of imperial overreach in Afghanistan (“the graveyard of empires”) and in competition with the rising nations.

If there is a relationship between the national disequilibrium post-Watergate and the popularity of “The Exorcist” in the 70s (and I believe there is), then perhaps today zombies represent indebtedness and unemployment. Our national debt and our unemployment– steady at about 9% — are not entirely unlike a metaphoric economic zombie infection. That might account as to why the zombie genre has gained such traction in the last few years, in books, in movies and on TV. Something rings true. If only the $5 billion that the zombie genre generates plug the $14 trillion hole we have dug ourselves in. That would be totally zombie.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.