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DID YOU READ

Zombies as a metaphor: a discussion on the undead in popular culture

Zombies as a metaphor: a discussion on the undead in popular culture (photo)

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“Traveling in a fried-out combi/ On a hippie trail, head full of zombie.” – Men at Work, “Down Under”

I have, like everyone, been thinking about zombies in pop culture. Let’s face facts: we live in a golden age of zombie. What is the most successful show on GetGlue? “The Walking Dead.” Further, the 24/7 web site actually estimates that the zombie genre is worth over $5 billion to the U.S. economy.

It’s a zombie world and we are just trying to survive the slow advance of the famished hordes. There’s more. Zombie mash-ups are reinvigorating classics. Zombies, everywhere, are on the march. Zombies are even, if you believe it, taking over the economy (figuratively, of course). Things have gotten so zombie out there — and there really is no other way to describe it — that the Centers for Disease Control’s “Preparedness 101: Zombie Apocalypse” blog post this past spring crashed their site.

“There are all kinds of emergencies out there that we can prepare for,” read the offending blog post. “Take a zombie apocalypse for example…. You may laugh now, but when it happens you’ll be happy you read this, and hey, maybe you’ll even learn a thing or two about how to prepare for a real emergency.”

Zombie as metaphor! For some reason – our national debt, perhaps? – the idea of an impending zombie apocalypse is the zeitgeist, and our popular culture just cannot seem to get enough. What is the meaning of this thusness?

With vampires, the glamour is obvious. Vamps are sexy, forever young and, quite frankly, built to withstand a robust nightlife for eternity. They are objects of both envy and geek lust. But zombies, with their spasmodic jerks and tortured, rigor-mortise twists as well as, one cannot fail to note, their hugely unfashionable state of decomposition, exude tragic unhipness. And I don’t mean that in a good way. Zombies, let’s face it, are the geeks of the monster world. If vampires are the undead, then zombies are the uncoordinated. And yet…zombie chic persists. How does one account for it?

There’s just something about zombies. Zombie determination to get at our brain matter is, well, commendable; their slow-and-steady-wins-the-race persistence is the stuff of the American dream. But let’s get serious. Just as “The Blob” was the perfect Cold War allegory, zombies specifically speak to our time. Zombies, with their deficit of life, mirror an economy of debt. Zombies, in their grunting aimlessness absent decent eating material, parallel the amount of Americans who believe we are rudderless. Decline is in the air, a sense of imperial overreach in Afghanistan (“the graveyard of empires”) and in competition with the rising nations.

If there is a relationship between the national disequilibrium post-Watergate and the popularity of “The Exorcist” in the 70s (and I believe there is), then perhaps today zombies represent indebtedness and unemployment. Our national debt and our unemployment– steady at about 9% — are not entirely unlike a metaphoric economic zombie infection. That might account as to why the zombie genre has gained such traction in the last few years, in books, in movies and on TV. Something rings true. If only the $5 billion that the zombie genre generates plug the $14 trillion hole we have dug ourselves in. That would be totally zombie.

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Hacked In

Funny or Die Is Taking Over

FOD TV comes to IFC every Saturday night.

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We’ve been fans of Funny or Die since we first met The Landlord. That enduring love makes it more than logical, then, that IFC is totally cool with FOD hijacking the airwaves every Saturday night. Yes, that’s happening.

The appropriately titled FOD TV looks like something pulled from public access television in the nineties. Like lo-fi broken-antenna reception and warped VHS tapes. Equal parts WTF and UHF.

Get ready for characters including The Shirtless Painter, Long-Haired Businessmen, and Pigeon Man. They’re aptly named, but for a better sense of what’s in store, here’s a taste of ASMR with Kelly Whispers:

Watch FOD TV every Saturday night during IFC’s regularly scheduled movies.

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Wicked Good

See More Evil

Stan Against Evil Season 1 is on Hulu.

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Okay, so you missed the entire first season of Stan Against Evil. There’s no shame in that, per se. But here’s the thing: Season 2 is just around the corner and you don’t want to lag behind. After all, Season 1 had some critical character development, not to mention countless plot twists, and a breathless finale cliffhanger that’s been begging for resolution since last fall. It also had this:

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The good news is that you can catch up right now on Hulu. Phew. But if you aren’t streaming yet, here’s a basic primer…

Willards Mill Is Evil

Stan spent his whole career as sheriff oblivious to the fact that his town has a nasty curse. Mostly because his recently-deceased wife was secretly killing demons and keeping Stan alive.

Demons Really Want To Kill Stan

The curse on Willards Mill stipulates that damned souls must hunt and kill each and every town sheriff, or “constable.” Oh, and these demons are shockingly creative.

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They Also Want To Kill Evie

Why? Because Evie’s a sheriff too, and the curse on Willard’s Mill doesn’t have a “one at a time” clause. Bummer, Evie.

Stan and Evie Must Work Together

Beating the curse will take two, baby, but that’s easier said than done because Stan doesn’t always seem to give a damn. Damn!

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Beware of Goats

It goes without saying for anyone who’s seen the show: If you know that ancient evil wants to kill you, be wary of anything that has cloven feet.

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Season 2 Is Lurking

Scary new things are slouching towards Willards Mill. An impending darkness descending on Stan, Evie and their cohort – eviler evil, more demony demons, and whatnot. And if Stan wants to survive, he’ll have to get even Stanlier.

Stan Against Evil Season 1 is now streaming right now on Hulu.

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SO EXCITED!!!

Reminders that the ’90s were a thing

"The Place We Live" is available for a Jessie Spano-level binge on Comedy Crib.

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Unless you stopped paying attention to the world at large in 1989, you are of course aware that the ’90s are having their pop cultural second coming. Nobody is more acutely aware of this than Dara Katz and Betsy Kenney, two comedians who met doing improv comedy and have just made their Comedy Crib debut with the hilarious ’90s TV throwback series, The Place We Live.

IFC: How would you describe “The Place We Live” to a fancy network executive you just met in an elevator?

Dara: It’s everything you loved–or loved to hate—from Melrose Place and 90210 but condensed to five minutes, funny (on purpose) and totally absurd.

IFC: How would you describe “The Place We Live” to a drunk friend of a friend you met in a bar?

Betsy: “Hey Todd, why don’t you have a sip of water. Also, I think you’ll love The Place We Live because everyone has issues…just like you, Todd.”

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IFC: When you were living through the ’90s, did you think it was television’s golden age or the pop culture apocalypse?


Betsy: I wasn’t sure I knew what it was, I just knew I loved it!


Dara: Same. Was just happy that my parents let me watch. But looking back, the ’90s honored The Teen. And for that, it’s the golden age of pop culture. 

IFC: Which ’90s shows did you mine for the series, and why?

Betsy: Melrose and 90210 for the most part. If you watch an episode of either of those shows you’ll see they’re a comedic gold mine. In one single episode, they cover serious crimes, drug problems, sex and working in a law firm and/or gallery, all while being young, hot and skinny.


Dara: And almost any series we were watching in the ’90s, Full House, Saved By the Bell, My So Called Life has very similar themes, archetypes and really stupid-intense drama. We took from a lot of places. 

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IFC: How would you describe each of the show’s characters in terms of their ’90s TV stereotype?

Dara: Autumn (Sunita Mani) is the femme fatale. Robin (Dara Katz) is the book worm (because she wears glasses). Candace (Betsy Kenney) is Corey’s twin and gives great advice and has really great hair. Corey (Casey Jost) is the boy next door/popular guy. Candace and Corey’s parents decided to live in a car so the gang can live in their house. 
Lee (Jonathan Braylock) is the jock.

IFC: Why do you think the world is ready for this series?

Dara: Because everyone’s feeling major ’90s nostalgia right now, and this is that, on steroids while also being a totally new, silly thing.

Delight in the whole season of The Place We Live right now on IFC’s Comedy Crib. It’ll take you back in all the right ways.

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