Shelf Life: “The Muppet Movie” (1979)

Shelf Life: “The Muppet Movie” (1979) (photo)

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Last week, “The Muppets” arrived in theaters, and even though I’ve been a lifelong fan of Kermit and company, I was genuinely surprised by how emotionally involved I became in the film while watching it at a recent press screening. But it dawned on me soon afterward that it’s possible it’s been so long since I’ve actually watched the original Muppets content – either via “The Muppet Show” of the theatrical films – that perhaps the reason for my newfound appreciation was simply the dimming of my memories of it. As such, it seemed like a good time to go back and watch “The Muppet Movie,” James Frawley’s epic saga about Kermit’s journey from a Florida swamp to the movie studios of Hollywood, California.

After more than 20 years, is the (rainbow) connection to The Muppet Movie as strong as ever, or as moviegoers have we kept movin’ right along?

The Facts

Released on June 22, 1979, “The Muppet Movie” was a huge hit almost immediately, earning more than $65 million domestically in theaters (which today would translate to more than $205 million) against its $28 million budget, according to Wikipedia. Currently “The Muppet Movie” sits at 90 percent fresh on Rotten Tomatoes, thanks to four negative reviews of the film against its 35 positive ones. It was the first Muppet film, and it produced nine follow-up theatrical and telefilms, including the 2011 movie, “The Muppets.”

What Still Works

As a brilliant feat of meta-storytelling, “The Muppet Movie” is hilarious, and hilariously self-aware, without sacrificing genuine, affecting sentiment. The opening shots of Kermit, sitting on a log in what looks like a real swamp, strumming a guitar and singing the now-iconic “Rainbow Connection,” offer a powerful expansion of the world Jim Henson created on the small screen, and there’s an immediate emotional substance created by connecting the characters to the “real” world, even if they remain charmingly puppet-ish.

The story ranks even today as one of the movies’ great “getting a crew together” films as it somehow manages to introduce almost every core character in the Muppet universe in a unique, memorable, and most of all balanced way. Kermit, Fozzie and Piggy are as always at the epicenter of the action, but Rowlf, Dr. Teeth, Gonzo and so any others show up in substantial roles in the film, showing that Henson and co.’s affection extended well into the supporting players – or at the very least, their respect for audiences’ appetite for them did.

Finally, the humor still feels fresh, fun and engaging, even when the characters dole out some of the corniest puns and entendres you’ve ever heard. My personal favorite gag in the film is when Sweetums (the big, oversized monster who chases them all of the way to Hollywood) smacks a fly, creating a decimal point on the price tag of a car at a used lot where Milton Berle is trying to hustle Kermit and Fozzie, but there are countless other goofs like that, which are not overly complex or self-referential or aggressively clever, and yet work completely effectively to wring laughs from the audience.

What Doesn’t Work

Not a whole lot. I think the film’s simple idealism slightly lacks a deeper emotional engagement; the idea of sharing a dream is beautiful, sweet and fun, but I feel like it doesn’t quite have the same palpable connection that some of the other films offer. But as a whole, the characters are interesting and multidimensional and you do care about them, not the least of which because viewers get to see them literally from head to toe for the first time in Muppet history.

The Verdict

“The Muppet Movie” still works, and it works wonderfully. There’s humor, heart, and intelligence, all keenly observed in ways that are accessible without being overly simplistic. If this were the first time anyone had ever seen the Muppets, it would have been an historic introduction, but as their first big-screen adventure, it established an empire. And most amazingly, it operates with just as much life and energy now as it did in 1979, making “The Muppet Movie” rare among even family entertainment as a film that feels truly timeless – and best of all, its appeal is ageless.

Leave your own memories of “The Muppets Movie” in the comments below, or on Facebook or Twitter.

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Hard Out

Comedy From The Closet

Janice and Jeffrey Available Now On IFC's Comedy Crib

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She’s been referred to as “the love child of Amy Sedaris and Tracy Ullman,” and he’s a self-described “Italian who knows how to cook a great spaghetti alla carbonara.” They’re Mollie Merkel and Matteo Lane, prolific indie comedians who blended their robust creative juices to bring us the new Comedy Crib series Janice and Jeffrey. Mollie and Matteo took time to answer our probing questions about their series and themselves. Here’s a taste.


IFC: How would you describe Janice and Jeffrey to a fancy network executive you met in an elevator?

Mollie & Matteo: Janice and Jeffrey is about a married couple experiencing intimacy issues but who don’t have a clue it’s because they are gay. Their oblivion makes them even more endearing.  Their total lack of awareness provides for a buffet of comedy.

IFC: What’s your origin story? How did you two people meet and how long have you been working together?

Mollie: We met at a dive bar in Wrigley Field Chicago. It was a show called Entertaining Julie… It was a cool variety scene with lots of talented people. I was doing Janice one night and Matteo was doing an impression of Liza Minnelli. We sort of just fell in love with each other’s… ACT! Matteo made the first move and told me how much he loved Janice and I drove home feeling like I just met someone really special.

IFC: How would Janice describe Jeffrey?

Mollie: “He can paint, cook homemade Bolognese, and sing Opera. Not to mention he has a great body. He makes me feel empowered and free. He doesn’t suffocate me with attention so our love has room to breath.”

IFC: How would Jeffrey describe Janice?

Matteo: “Like a Ford. Built to last.”

IFC: Why do you think the world is ready for this series?

Mollie & Matteo: Our current political world is mirroring and reflecting this belief that homosexuality is wrong. So what better time for satire. Everyone is so pro gay and equal rights, which is of course what we want, too. But no one is looking at middle America and people actually in the closet. No one is saying, hey this is really painful and tragic, and sitting with that. Having compassion but providing the desperate relief of laughter…This seemed like the healthiest, best way to “fight” the gay rights “fight”.

IFC: Hummus is hilarious. Why is it so funny?

Mollie: It just seems like something people take really seriously, which is funny to me. I started to see it in a lot of lesbians’ refrigerators at a time. It’s like observing a lesbian in a comfortable shoe. It’s a language we speak. Pass the Hummus. Turn on the Indigo Girls would ya?

See the whole season of Janice and Jeffrey right now on IFC’s Comedy Crib.

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Die Hard Dads

Inspiration For Die Hard Dads

Die Hard is on IFC all Father's Day Long

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Photo Credit: Everett Collection, GIPHY

Yippee ki-yay, everybody! It’s time to celebrate the those most literal of mother-effers: dads!

And just in case the title of this post left anything to the imagination, IFC is giving dads balls-to-the-wall ’80s treatment with a glorious marathon of action trailblazer Die Hard.

There are so many things we could say about Die Hard. We could talk about how it was comedian Bruce Willis’s first foray into action flicks, or Alan Rickman’s big screen debut. But dads don’t give a sh!t about that stuff.

No, dads just want to fantasize that they could be deathproof quip factory John McClane in their own mundane lives. So while you celebrate the fathers in your life, consider how John McClane would respond to these traditional “dad” moments…

Wedding Toasts

Dads always struggle to find the right words of welcome to extend to new family. John McClane, on the other hand, is the master of inclusivity.
Die Hard wedding

Using Public Restrooms

While nine out of ten dads would rather die than use a disgusting public bathroom, McClane isn’t bothered one bit. So long as he can fit a bloody foot in the sink, he’s G2G.
Die Hard restroom

Awkward Dancing

Because every dad needs a signature move.
Die Hard dance

Writing Thank You Notes

It can be hard for dads to express gratitude. Not only can McClane articulate his thanks, he makes it feel personal.
Die Hard thank you

Valentine’s Day

How would John McClane say “I heart you” in a way that ain’t cliche? The image speaks for itself.
Die Hard valentines


The only thing most dads hate more than shopping is fielding eleventh-hour phone calls with additional items for the list. But does McClane throw a typical man-tantrum? Nope. He finds the words to express his feelings like a goddam adult.
Die Hard thank you

Last Minute Errands

John McClane knows when a fight isn’t worth fighting.
Die Hard errands

Sneaking Out Of The Office Early

What is this, high school? Make a real exit, dads.
Die Hard office

Think you or your dad could stand to be more like Bruce? Role model fodder abounds in the Die Hard marathon all Father’s Day long on IFC.

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Founding Farters

Know Your Nerd History

Revenge of the Nerds is on IFC.

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Photo Credit: Everett Collection, GIFs via Giphy

That we live in the heyday of nerds is no hot secret. Scientists are celebrities, musicians are robots and late night hosts can recite every word of the Silmarillion. It’s too easy to think that it’s always been this way. But the truth is we owe much to our nerd forebearers who toiled through the jock-filled ’80s so that we might take over the world.


Our humble beginnings are perhaps best captured in iconic ’80s romp Revenge of the Nerds. Like the founding fathers of our Country, the titular nerds rose above their circumstances to culturally pave the way for every Colbert and deGrasse Tyson that we know and love today.

To make sure you’re in the know about our very important cultural roots, here’s a quick download of the vengeful nerds without whom our shameful stereotypes might never have evolved.

Lewis Skolnick

The George Washington of nerds whose unflappable optimism – even in the face of humiliating self-awareness – basically gave birth to the Geek Pride movement.

Gilbert Lowe

OK, this guy is wet blanket, but an important wet blanket. Think Aaron Burr to Lin-Manuel Miranda’s Hamilton. His glass-mostly-empty attitude is a galvanizing force for Lewis. Who knows if Lewis could have kept up his optimism without Lowe’s Debbie-Downer outlook?

Arnold Poindexter

A music nerd who, after a soft start (inside joke, you’ll get it later), came out of his shell and let his passion lead instead of his anxiety. If you played an instrument (specifically, electric violin), and you were a nerd, this was your patron saint.


A sex-loving, blunt-smoking, nose-picking guitar hero. If you don’t think he sounds like a classic nerd, you’re absolutely right. And that’s the whole point. Along with Lamar, he simultaneously expanded the definition of nerd and gave pre-existing nerds a twisted sort of cred by association.

Lamar Latrell

Black, gay, and a crazy good breakdancer. In other words, a total groundbreaker. He proved to the world that nerds don’t have a single mold, but are simply outcasts waiting for their moment.


Exceedingly stupid, this dumbass was monumental because he (in a sequel) leaves the jocks to become a nerd. Totally unheard of back then. Now all jocks are basically nerds.

Well, there they are. Never forget that we stand on their shoulders.

Revenge of the Nerds is on IFC all month long.

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