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Rob Marshall says Johnny Depp’s “The Thin Man” isn’t a remake, movie version of “Wicked” would pull from stage and book

Rob Marshall says Johnny Depp’s “The Thin Man” isn’t a remake, movie version of “Wicked” would pull from stage and book (photo)

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Nick still needs a Nora.

A new version of Dashiell Hammett’s “The Thin Man” is moving forward, and director Rob Marshall has made key decisions about what the film will be like — but some questions remain, such as who will play Johnny Depp’s wife?

“I think anticipation [for the film] must be high,” Marshall said while attending the Princess Grace Awards gala last week in New York. “People are even asking me, ‘Are you going to write it?'”

Marshall won’t be handling those duties — screenwriter Billy Ray (“The Hunger Games,” “Shattered Glass”) is now aboard, after Jerry Stahl (“Permanent Midnight”) and David Koepp (“Premium Rush,” “Indiana Jones and the Kingdom of the Crystal Skull”). “It’s funny that those writers were even announced,” Marshall said, “because we hadn’t really started with either of them, with Jerry or David. Neither had written a word. Billy is the first writer who’s actually writing a draft.”

Ray’s draft is not a remake of “The Thin Man,” Marshall said, but “a reimagination.” Hammett’s novel, published in 1934, has been transformed into television shows, radio programs, stage plays, Broadway musicals, and movies, taking place in eras from the original 1930s to the 1950s.

“We’ll be setting it in the ’30s,” Marshall said, “because it is of that world. It’s an era that we have a great affinity for. I think both [producer and partner] Johnny DeLuca and I feel like we were born in the wrong era, and Johnny really feels like he lives in the ’30s. So we’re going to be able to inhabit a world that we really, truly love … in the time of speakeasies, one of those rich, beautiful times in America.”

The story centers on “these incredible characters, these iconic characters that have been with us for many years,” as Marshall called them: Nick and Nora Charles, a married, wealthy, and witty detective duo, who inspired later sleuthing couples in Moonlighting, Remington Steele, and Hart to Hart, among others. In a series of six films, Nick and Nora Charles were “brilliantly played” by William Powell and Myrna Loy, as Marshall put it. In his version, Nick would be Johnny Depp — but who would be Nora?

Marshall said Nora remains to be cast, but whoever plays her needs to have “humor and an effortlessness,” as well as “elegance.” That’s not something that’s easy to find!” Marshall said. “It’s about this relationship. The core of all these wonderful thrillers is always that great relationship with each other. That’s what drew us to it, and what drew Johnny to it.”

A nightclub scene might bring a musical number to the film, but the film itself will not be a musical, Marshall said. “I don’t know if Johnny will be part of the music part of it,” he said, “because it has to be organic to the story.”

Marshall plans to start shooting next year, with a targeted 2013 release. Meanwhile, the director is still in the running for the screen adaptation of “Wicked,” for which he says there is “no rush,” despite Brett Ratner’s recent entreaties that he get to take it on instead.

“They’re looking to establish the rights from ‘The Wizard of Oz,’ which is complicated, so they have the flexibility to do everything they need to do with the film,” Marshall said. “[Producer] Marc Platt is a great, dear friend of ours, and I’ve met with the writers, and they’re incredible. They want to do it right.”

The film version would pull from both the stage production as well as Gregory Maguire’s book, he said. “There’s a lot of material to work from,” he said. “It’s a film! So you’ve got to approach it differently, from a different angle. It’s what gives you so much more flexibility, and what makes it scary, too! That’s the tricky part.”

Let us know what you’re hoping to see from “The Thin Man” and “Wicked” movies in the comments below, or on Facebook or Twitter.

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New Nasty

Whips, Chains and Hand Sanitizer

Turn On The Full Season Of Neurotica At IFC's Comedy Crib

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Jenny Jaffe has a lot going on: She’s writing for Disney’s upcoming Big Hero 6: The Series, developing comedy projects with pals at Devastator Press, and she’s straddling the line between S&M and OCD as the creator and star of the sexyish new series Neurotica, which has just made its debut on IFC’s Comedy Crib. Jenny gave us some extremely intimate insight into what makes Neurotica (safely) sizzle…

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IFC: How would you describe Neurotica to a fancy network executive you met in an elevator?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon.

IFC: How would you describe Neurotica to a drunk friend of a friend you met in a bar?

Jenny: Neurotica is about a plucky Dominatrix with OCD trying to save her small-town dungeon. You’re great. We should get coffee sometime. I’m not just saying that. I know other people just say that sometimes but I really feel like we’re going to be friends, you know? Here, what’s your number, I’ll call you so you can have my number!

IFC: What’s your comedy origin story?

Jenny: Since I was a kid I’ve dealt with severe OCD and anxiety. Comedy has always been one of the ways I’ve dealt with that. I honestly just want to help make people feel happy for a few minutes at a time.

IFC: What was the genesis of Neurotica?

Jenny: I’m pretty sure it was a title-first situation. I was coming up with ideas to pitch to a production company a million years ago (this isn’t hyperbole; I am VERY old) and just wrote down “Neurotica”; then it just sort of appeared fully formed. “Neurotica? Oh it’s an over-the-top romantic comedy about a Dominatrix with OCD, of course.” And that just happened to hit the buttons of everything I’m fascinated by.

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IFC: How would you describe Ivy?

Jenny: Ivy is everything I love in a comedy character – she’s tenacious, she’s confident, she’s sweet, she’s a big wonderful weirdo.

IFC: How would Ivy’s clientele describe her?

Jenny:  Open-minded, caring, excellent aim.

IFC: Why don’t more small towns have local dungeons?

Jenny: How do you know they don’t?

IFC: What are the pros and cons of joining a chain mega dungeon?

Jenny: You can use any of their locations but you’ll always forget you have a membership and in a year you’ll be like “jeez why won’t they let me just cancel?”

IFC: Mouths are gross! Why is that?

Jenny: If you had never seen a mouth before and I was like “it’s a wet flesh cave with sharp parts that lives in your face”, it would sound like Cronenberg-ian body horror. All body parts are horrifying. I’m kind of rooting for the singularity, I’d feel way better if I was just a consciousness in a cloud.

See the whole season of Neurotica right now on IFC’s Comedy Crib.

The-Craft

The ’90s Are Back

The '90s live again during IFC's weekend marathon.

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Photo Credit: Everett Digital, Columbia Pictures

We know what you’re thinking: “Why on Earth would anyone want to reanimate the decade that gave us Haddaway, Los Del Rio, and Smash Mouth, not to mention Crystal Pepsi?”

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Thoughts like those are normal. After all, we tend to remember lasting psychological trauma more vividly than fleeting joy. But if you dig deep, you’ll rediscover that the ’90s gave us so much to fondly revisit. Consider the four pillars of true ’90s culture.

Boy Bands

We all pretended to hate them, but watch us come alive at a karaoke bar when “I Want It That Way” comes on. Arguably more influential than Brit Pop and Grunge put together, because hello – Justin Timberlake. He’s a legitimate cultural gem.

Man-Child Movies

Adam Sandler is just behind The Simpsons in terms of his influence on humor. Somehow his man-child schtick didn’t get old until the aughts, and his success in that arena ushered in a wave of other man-child movies from fellow ’90s comedians. RIP Chris Farley (and WTF Rob Schneider).

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Teen Angst

In horror, dramas, comedies, and everything in between: Troubled teens! Getting into trouble! Who couldn’t relate to their First World problems, plaid flannels, and lose grasp of the internet?

Mainstream Nihilism

From the Coen Bros to Fincher to Tarantino, filmmakers on the verge of explosive popularity seemed interested in one thing: mind f*cking their audiences by putting characters in situations (and plot lines) beyond anyone’s control.

Feeling better about that walk down memory lane? Good. Enjoy the revival.

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And revisit some important ’90s classics all this weekend during IFC’s ’90s Marathon. Check out the full schedule here.

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Get Physical

DVDs are the new Vinyl

Portlandia Season 7 Now Available On Disc.

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In this crazy digital age, sometimes all we really want is to reach out and touch something. Maybe that’s why so many of us are still gung-ho about owning stuff on DVD. It’s tangible. It’s real. It’s tech from a bygone era that still feels relevant, yet also kitschy and retro. It’s basically vinyl for people born after 1990.

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Inevitably we all have that friend whose love of the disc is so absolutely repellent that he makes the technology less appealing. “The resolution, man. The colors. You can’t get latitude like that on a download.” Go to hell, Tim.

Yes, Tim sucks, and you don’t want to be like Tim, but maybe he’s onto something and DVD is still the future. Here are some benefits that go beyond touch.

It’s Decor and Decorum

With DVDs and a handsome bookshelf you can show off your great taste in film and television without showing off your search history. Good for first dates, dinner parties, family reunions, etc.

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Forget Public Wifi

Warm up that optical drive. No more awkwardly streaming episodes on shady free wifi!

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Inter-not

Internet service goes down. It happens all the time. It could happen right now. Then what? Without a DVD on hand you’ll be forced to make eye contact with your friends and family. Or worse – conversation.

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Self Defense

You can’t throw a download like a ninja star. Think about it.

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If you’d like to experience the benefits DVD ownership yourself, Portlandia Season 7 is now available on DVD and Blue-Ray.