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The Revenge of the Nerds: How the 80’s movie foretold the rise of Geek Culture

The Revenge of the Nerds: How the 80’s movie foretold the rise of Geek Culture (photo)

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“Revenge of the Nerds,” that significant 80s cultural artifact, was a genuinely prophetic film. At the time of its release in 1984 it was morning in America and a muscular foreign policy against the then-Soviet Union nudged popular culture to valorize brawn and social ease and raw good looks. Introspection and lusting in one’s heart was of the previous, melancholy Carter years. In “Revenge of the Nerds,” a lovable gallery of geeks challenged the primacy of the cool crowd to the rousing anthem “We are the Champions.”

Fast forward. Raw good looks and brawn, of course, will never go out of fashion entirely. There will always be sports stars; there will always be financiers; there will always be Vogue magazine and fashion week. But there is also now an information economy — one of the few remaining sectors of our economy still flourishing — and a new-found respect for people like Steve Jobs, who made it cool to be creative, and Bill Gates, who makes it cool to save the world. Even our President, a self-avowed Trekkie, has made it cool to be perpetually wonkish. And former band nerd and President Bill Clinton channels his inner Superman daily in dealing with global inequalities.

But it is Hollywood that is the ultimate proving ground for cool – on a global level. It is why even a global star like Jackie Chan wants to make it here. Hollywood’s A-List – the Depps, the Jolies, the Berrys – epitomize what it is that we all want to emulate. Hollywood exudes cool. Nowadays that cool, incredibly, seeks the approval of the geeks.

Look at who is Hollywood Royalty now. Steven Spielberg: geek; James Cameron: geek; JK Rowling: geek; Oprah Winfrey: geek; Anne Sweeney: geek. Further, the great myth-makers – George Lucas and Peter Jackson and John Lassetter – are so utterly geek that they are as interested in the technical side of film-making as they are in the storytelling.

Comic-Con’s triumph, perhaps more than any other single event, signals the rise of the nerds. Niche programming is the hallmark of this fragmented digital age, and geeks are a highly educated and valuable demographic. It not so long ago that at some imaginary Comic-Con like event geek icon William Shatner, in his infamous SNL parody, asked the citric question: “Have you ever kissed a girl?” Such a question, while perfect for 1986, would never be asked now because the lords of Hollywood are too busy trying to win the approval of those “avids” – the film-goers formerly known as nerds.

Chris Nolan, perhaps the most famous nerd made good, rescued the Batman franchise. Nolan made Batman cool and borderline psychotic again. Perhaps it takes an avid – an intensely interested fan – to understand the psychology of an obsessive personality like that of the Bruce Wayne/Batman character. George Clooney and Val Kilmer (both consummate Hollywood player Joel Schumacher’s choices), two of the most handsome men of the age, had run the damn thing into the ground. They made Batman look too freshly-fucked. It was the case of too much Bruce Wayne – the lie — and not enough Dark Knight.

Joel Schumacher’s solution was to focus more on the movie-star looks of the leads, sacrificing story for one-liners and tongue-in-cheek quips. It was like Schumacher thought of Batman through the outmoded lens of the swashbuckling swordsman of Hollywood yesteryear and not through the gritty prism of Frank Miller. I’m fairly sure neither Kilmer nor Clooney ever read a Detective comic previous to making the film, just as much as I’m fairly sure that Chris Nolan did. Thus the broody Christian Bale, another avid formerly known as a nerd, was the inspired choice to carry the franchise forward.

Comic book movies are Hollywood tent poles because they perfectly combine action and story. Their heroes fight against the odds and they are more at home when they are saving the world than in everyday social situations. Nerds, of course, have always known this. The Sam Raimi’s of the world were always wondering whether or not Mary Jane and Peter Parker would ever get together, whether Spider-man would ever balance the lives of both the spider and the man. And now they have the power to make it so.

Are you through being cool? Tell us in the comments below or on Facebook or Twitter.

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Grow TFU

Adulting Like You Mean It

Commuters makes its debut on IFC's Comedy Crib.

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Jared Warner, Nick Ciavarella, and Tim Dean were once a part of Murderfist, a group of comedy writers, actors, producers, parents, and reluctant adults. Together with InstaMiniSeries’s Nikki Borges, they’re making their IFC Comedy Crib debut with the refreshingly-honest and joyfully-hilarious Commuters. The webseries follows thirtysomethings Harris and Olivia as they brave the waters of true adulthood, and it’s right on point.

Jared, Nick, Nikki and Tim were kind enough to answer a few questions about Commuters for us. Here’s a snippet of that conversation…

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IFC: How would you describe Commuters to a fancy network executive you met in an elevator?

Nick: Two 30-somethings leave the Brooklyn life behind, and move to the New Jersey suburbs in a forced attempt to “grow up.” But they soon find out they’ve got a long way to go to get to where they want to be.

IFC: How would you describe Commuters to a drunk friend of a friend you met in a bar?

Jared: It’s a show about how f*cking stupid people who think they are smart can be.

IFC: What’s your origin story? When did you all meet and how long have you been working together?

Jared: Nick, Tim, and I were all in the sketch group Murderfist since, what, like 2004? God. Anyway, Tim and Nick left the group to pursue other frivolous things, like children and careers, but we all enjoyed writing together and kept at it. We were always more interested in storytelling than sketch comedy lends itself to, which led to our webseries Jared Posts A Personal. That was a show about being in your 20s and embracing the chaos of being young in the city. Commuters is the counterpoint, i guess. Our director Adam worked at Borders (~THE PAST!!~) with Tim, came out to a Murderfist show once, and we’ve kept him imprisoned ever since.

IFC: What was the genesis of Commuters?

Tim: Jared had an idea for a series about the more realistic, less romantic aspects of being in a serious relationship.  I moved out of the city to the suburbs and Nick got engaged out in LA.   We sort of combined all of those facets and Commuters was the end result.

IFC: How would Harris describe Olivia?

Jared: Olivia is the smartest, coolest, hottest person in the world, and Harris can’t believe he gets to be with her, even though she does overreact to everything and has no chill. Like seriously, ease up. It doesn’t always have to be ‘a thing.’

IFC: How would Olivia describe Harris?

Nikki:  Harris is smart, confident with a dry sense of humor but he’s also kind of a major chicken shit…. Kind of like if Han Solo and Barney Rubble had a baby.

IFC: Why do you think the world is ready for this series?

Nikki:  I think this is the most accurate portrayal of what a modern relationship looks like. Expectations for what your life is ‘supposed to look like’ are confusing and often a let down but when you’re married to your best friend, it’s going to be ok because you will always find a way to make each other laugh.

IFC: Is the exciting life of NYC twentysomethings a sweet dream from which we all must awake, or is it a nightmare that we don’t realize is happening until it’s over?

Tim: Now that i’ve spent time living in the suburbs, helping to raise a two year old, y’all city folk have no fucking clue how great you’ve got it.

Nikki: I think of it similar to how I think about college. There’s a time and age for it to be glorious but no one wants to hang out with that 7th year senior. Luckily, NYC is so multifaceted that you can still have an exciting life here but it doesn’t have to be just what the twentysomethings are doing (thank god).

Jared: New York City is a garbage fire.

See the whole season of Commuters right now on IFC’s Comedy Crib.

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C'mon Fellas

A Man Mansplains To Men

Why Baroness von Sketch Show is a must-see.

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Mansplaining is when a man takes it upon himself to explain something to a woman that she already knows. It happens a lot, but it’s not going to happen here. Ladies, go ahead and skip to the end of this post to watch a free episode of IFC’s latest addition, Baroness von Sketch Show.

However, if you’re a man, you might actually benefit from a good mansplanation. So take a knee, lean in, and absorb the following wisdom.

No Dicks

Baroness von Sketch Show is made entirely by women, therefore this show isn’t focused on men. Can you believe it? I know what you’re thinking: how will we know when to laugh if the jokes aren’t viewed through the dusty lens of the patriarchy? Where are the thinly veiled penis jokes? Am I a bad person? In order: you will, nowhere, and yes.

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Huge Balls

Did you know that there’s more to life than poop jokes, sex jokes, body part jokes? I mean, those things are all really good things, natch, and totally edgy. But Baroness von Sketch Show does something even edgier. It holds up a brutal funhouse mirror to our everyday life. This is a bulls**t world we made, fellas.

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Oh Canada

After you watch the Canadian powerhouses of Baroness von Sketch Show and think to yourself “Dear god, this is so real” and “I’ve gotta talk about this,” do yourself a favor and think a-boot your options: Refrain from sharing your sage wisdom with any woman anywhere (believe us, she gets it). Instead, tell a fellow bro and get the mansplaining out of your system while also spreading the word about a great show.

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Dudes, that’s the deal.
Women, start reading again here:


Check out the preview episode of Baroness von Sketch Show and watch the series premiere August 2 on IFC.

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Happy Tears

Binge Don’t Cringe

Catch up on episodes of Documentary Now! and Portlandia.

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Photo Credit: GIFs via GIPHY

A brain can only take so much.

Every five minutes, all day, every day, ludicrously stressful headlines push our mental limits as we struggle to adapt to a reality that seems increasingly less real. What’s a mind to do when simple denial just isn’t good enough anymore?

Radical suggestion: repeal and replace. And by that we mean take all the bad news that keeps you up at night, press pause, and substitute it with some genuine (not nervous, for a change) laughter. Here are some of the issues on our mind.

Gender Inequality

Feminist bookstore owners by day, still feminist bookstore owners by night, Toni and Candace show the male gaze who’s boss. Learn about their origin story (SPOILER: there’s an epic dance battle) and see what happens when their own brand of empowerment gets out of hand.

Healthcare

From Candace’s heart attack to the rise of the rawvolution, this Portlandia episode proves that healthcare is vital.

Peaceful Protests

Too many online petitions, too little time? Get WOKE with Fred and Carrie when they learn how to protest.

What Could Have Been

Can’t say the name “Clinton” without bursting into tears? Documentary Now!’s masterfully political “The Bunker” sheds a cozy new light on the house that Bill and Hill built. Just pretend you don’t know how the story really ends.

Fake News

A healthy way to break the high-drama news cycle is to switch over to “Dronez”, which has all the thrills of ubiquitous adventure journalism without any of the customary depression.

The more you watch, the better you feel. So get started on past episodes of Documentary Now! and Portlandia right now at IFC.com and the IFC app.

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