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Watch the exclusive premiere of Primus’ “Tragedy’s A’ Comin'” video, with bonus Les Claypool interview

Watch the exclusive premiere of Primus’ “Tragedy’s A’ Comin'” video, with bonus Les Claypool interview (photo)

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If Primus wanted to go for the obvious, the band’s new clip for “Tragedy’s a’ Comin'” — their first video in eleven years — could have featured any number of post apocalyptic scenarios or personal tragedies. But then they wouldn’t be Primus, and we wouldn’t have a lobster lament on our hands.

“Musically, it’s upbeat,” singer/bassist Les Claypool told IFC. “But lyrically, the song is all about impending doom. This last year has been a trying time in my world, with my mother fading away, my brother’s baby boy getting diagnosed with leukaemia, and other people having various ailments. So the song is about a storm coming, the rain must fall. But to depict that would have been the cliché thing to do, so we’ve got lobsters.”

As a lobster sits in his tank, he’s forced to watch all his friends get plucked out and served up to socialites one by one, and all he can do is wait and fantasize about being on a beach, where his larger-than-life self is played by Claypool.

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“I spent so many years dodging goofball bullets from doing the ‘Wynona’s Got A Big Brown Beaver’ video that I don’t resist it anymore,” Claypool said. “I got to put on a giant lobster suit, and that doesn’t happen every day.”

Claypool famously directed the “Wynona” video himself — and went on to helm several more before the band’s lengthy hiatus. To get back in the groove with “Tragedy,” he tried a combo of taking on some directing duties himself, but sharing the title with Mark Kohr, who lensed “Tommy the Cat” and “Jerry Was a Race Car Driver” for the band in the early ’90s.

“I wrote the treatment, and I directed him when he was in it, but he’s officially the director of the video,” Claypool said. “Mark is one of the unsung heroes of the video world. His contemporaries are Michel Gondry and Spike Jonze, and he would have been just as massive as they are at this point in time, if an unfortunate illness in his family hadn’t caused him to fall out of the film world for a bit. We’re just excited to get him back in the saddle.”

Kohr plays the maître d’ at a restaurant who is about to serve up the unfortunate lobster. “People think it’s Steve Jobs when they see him, but we made this video before he passed,” Claypool noted.

Also not intended is any sort of animal cruelty statement. Claypool is an avid fisherman — hence songs such as “Last Salmon Man” and “Salmon Men” on Primus’ new album “Green Naugahyde.” But he’s never pulled a lobster out of the water, nor does he think a lobster’s culinary end is necessarily inhumane, despite it being boiled alive.

“PETA would probably hate me for this,” Claypool said, “but I think it’s kind of like going to sleep in a hot tub. Or like having too much wine and going to sleep.”

Speaking of wine, the restaurant scenes feature vintages from the musician’s own winery, Claypool Cellars. “You couldn’t put any real alcohol in videos before, because MTV wouldn’t play them,” he said. “We thought, ‘What the hell? MTV’s not going to play this anyway!”

RELATED: Les Claypool describes his top 5 movies

Leave your thoughts of the new Primus video in the comments below, or on Facebook or Twitter.

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Car Notes

Portlandia Keeps Road Rage In Park

Get a lesson in parking etiquette on a new Portlandia.

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It’s the most American form of cause and effect: Park like a monster, receive a passive-aggressive note.

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This unofficial rule of the road is critical to keeping the great big wheel of car-related Karma in balance. And naturally, Portlandia’s Kath and Dave have elevated it to an awkward, awkward art form in Car Notes, the Portlandia web series presented by Subaru.

If you’ve somehow missed the memo about Car Notes until now, you can catch up on every installment online, on the IFC app, and on demand. You can even have a little taste right here:

If your interest is piqued – great news for you! A special Car Notes sketch makes an appearance in the latest episode of Portlandia, and you can catch up on it now right here.

Watch all-new Portlandia Thursdays at 10P on IFC.

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Naked and Hungry

Two New Ways to Threeway

IFC's Comedy Crib gets sensual in time for Valentine's Day.

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This week, two scandalous new digital series debut on IFC’s Comedy Crib.
Ménage à Trois invites people to participate in a real-life couple’s fantasy boudoir. And The Filling is Mutual follows two saucy chefs who invite comedians to make food inspired by their routines. Each show crosses some major boundaries in sexy and/or delicious ways, and each are impossible to describe in detail without arousing some awkward physical cravings. Which is why it’s best to hear it directly from the minds behind the madness…

Ménage à Trois

According to Diana Kolsky and Murf Meyer, the two extremely versatile constants in the ever-shifting à trois, “MàT is a sensually psychedelic late night variety show exploring matters of hearts, parts and every goddamn thing in between…PS, any nudes will be 100% tasteful.”

This sexy brainchild includes sketches, music, and props that would put Pee-wee’s Playhouse to shame. But how could this fantastical new twist on the vanilla-sex variety show format have come to be?

“We met in a UCB improv class taught by Chris Gethard. It was clear that we both humped to the beat of our own drum; our souls and tongues intermingled at the bar after class, so we dove in head first.”

Sign me up, but promise to go slow. This tricycle is going to need training wheels.

The Filling is Mutual

Comedians Jen Saunderson and Jenny Zigrino became best friends after meeting in the restroom at the Gotham Comedy Club, which explains their super-comfortable dynamic when cooking with their favorite comedians. “We talk about comedy, sex, menses, the obnoxiousness of Christina Aguilera all while eating food that most would push off their New Year’s resolution.”

The hook of cooking food based off of comedy routines is so perfect and so personal. It made us wonder about what dishes Jen & Jenny would pair with some big name comedy staples, like…

Bill Murray?
“Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to… Oh, that’s easy Meatballs with Lingonberry Space Jam it’d be great, but then we’d have to avoid doing any kind of silly Groundhog Day reference.” 

Bridget Everett?
“Cream Balls… Sea Salt encrusted Chocolate Ganache Covered Ice Cream Ball that melt cream when you bite into them.” 

Nick Kroll & John Mulaney? 
“I’d make George and Gil black and white cookies from scratch and just as we open the oven to put the cookie in we’d prank ’em with an obnoxious amount of tuna!!!”

Carrie Brownstein & Fred Armisen? 
“Definitely a raw cacao “safe word” brownie. Cacao!”

Just perfect.

See both new series in their entirety on IFC’s Comedy Crib.

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Dark Arts

Foot Fetish Jesus And Other Nightmares

Meet the minds behind Comedy Crib's latest series, Quirks and The Mirror.

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The Mirror and Quirks are really, really strange. Deeply disturbing yet hauntingly beautiful. But you really don’t need to read a synopsis of either of the aforementioned shows to understand the exact variety of nightmare-bonkers comedy these shows deliver — that’s why the good lord made links. Instead, take a peek behind the curtain and meet the creators.

Quirks

Let’s start with Kevin Tosi. Kevin does the whole show by himself. That doesn’t mean he’s a loner — Kevin has a day job with actual humans. But that day job is copywriting. So it’s only natural that his suppressed demons would manifest themselves in biting cartoon form, including “Foot Fetish Jesus”, in ways that somehow speak to all of us. If only all copywriters channeled their inner f*ckedupness into such…expressive art.

The Mirror

Onward to the folks at Wham City Comedy.

These guys aren’t your typical comedy collective in that their work is way more left-field and even elevated than your standard digital short. More funny weird than funny ha-ha. They’ve done collaborations with musicians like Beach House, Dan Deacon & Wye Oak, television networks (obviously), and others. Yeah they get paid, but their motivation feels deeper. Darker. Most of them are video artists, and that explains a lot.

See more of The Mirror and Quirks on IFC.com and the IFC app.

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