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Exclusive premiere: The Jezabels “Try Colour”

Exclusive premiere: The Jezabels “Try Colour” (photo)

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To herald a North American tour, Aussie quartet, The Jezebel’s have released this video for the single to their debut full-length, “Prisoner.” Singer Hayley Mary exudes a little Berlin-era Bowie and a lot of Siouxsie Sioux on “Try Colour,” with bandmates Heather Shannon, Sam Lockwood and Nik Kapoler.

“We wrote this song quite quickly,” guitarist Sam Lockwood said of this first song written on the album. “I think that’s because it does have a natural type of movement to it. Nik’s drums (as usual) are the guiding force for the rest of us to perform upon. The best part I think is Heather’s arpeggiator at the end. You can’t hear it initially but if you listen hard you realize that it’s there.” Somewhat like the shadows playing tricks on your mind in director Sam Kristofski’s video.

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“Prisoner” will be released digitally November 8th, to coincide with the tour. A physical release follows in early 2012 on Mom+Pop. The Jezabels tour dates with Hey Rosetta:

November 8th — Echo Los Angeles, CA, USA
November 9th –The Rickshaw Stop San Francisco, CA, USA
November 11th, — The Crocodile Seattle, WA, USA
November 12th, — Commodore Ballroom Vancouver, BC, Canada
November 14th, — MacEwan Ballroom Calgary, AB, Canada
November 15th, — Myer Horowitz Theatre Edmonton, AB, Canada
November 17th, — The Garrick Centre Winnipeg, MB, Canada
November 18th, — 7th Street Entry Minneapolis, MN, USA
November 19th, — Lincoln Hall Chicago, IL, USA
November 21st, — Mercury Lounge New York, NY, USA *
November 23rd, — Phoenix Concert Theatre Toronto, ON, Canada
November 24th, — Phoenix Concert Theatre Toronto, ON, Canada
November 25th, — Bronson Centre Ottawa, ON, Canada
November 26th, — Corona Theatre Montreal, QC, Canada
* -Jezabels headline show

Want to see more of The Jezebel’s? Let us know in the comments below or on Twitter or Facebook!

Underworld

Under Your Spell

10 Otherworldly Romances That’ll Melt Your Heart

Spend Valentine's Day weekend with IFC's Underworld movie marathon.

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Photo Credit: Screen Gems/courtesy Everett Collection

Romance takes many forms, and that is especially true when you have a thirst for blood or laser beams coming out of your eyes.  It doesn’t matter if you’re a werewolf, a superhero, a clone, a time-traveler, or a vampire, love is the one thing that infects us all.  Read on to find out why Romeo and Juliet have nothing on these supernatural star-crossed lovers, and be sure to catch IFC’s Underworld movie marathon this Valentine’s Day weekend.

1. Cyclops/Jean Grey/Wolverine, X-Men series

The X-Men franchise is rife with romance, but the steamiest “ménage à mutant” may just be the one between Jean Grey (Famke Janssen), Cyclops (James Marsden), and Wolverine (Hugh Jackman). Their triangle is a complicated one as Jean finds herself torn between the two very different men while also trying to control her darker side, the Phoenix. This leads to Jean killing Cyclops and eventually getting stabbed through her heart by Wolverine in X-Men: The Last Stand. Yikes!  Maybe they should change the name to Ex-Men instead?


2. Willow/Tara, Buffy the Vampire Slayer

Joss Whedon gave audiences some great romances on Buffy the Vampire Slayer — including the central triangle of Buffy, Angel, and Spike — but it was the love between witches Willow (Alyson Hannigan) and Tara (Amber Benson) that broke new ground for its sensitive and nuanced portrayal of a LGBT relationship.

Willow is smart and confident and isn’t even sure of her sexuality when she first meets Tara at college in a Wiccan campus group. As the two begin experimenting with spells, they realize they’re also falling for one another and become the show’s most enduring, happy couple. At least until Tara’s death in season six, a moment that still brings on the feels.


3. Selene/Michael, Underworld series

The Twilight gang pales in comparison (both literally and metaphorically) to the Lycans and Vampires of the stylish Underworld franchise. If you’re looking for an epic vampire/werewolf romance set amidst an epic vampire/werewolf war, Underworld handily delivers in the form of leather catsuited Selene (Kate Beckinsale) and shaggy blonde hunk Michael (a post-Felicity Scott Speedman). As they work together to stop the Vampire/Lycan war, they give into their passions while also kicking butt in skintight leather. Love at first bite indeed.


4. Spider-man/Mary Jane Watson, Spider-man

After rushing to the aid of beautiful girl-next-door Mary Jane Watson (Kirsten Dunst), the Amazing Spider-man is rewarded with an upside-down kiss that is still one of the most romantic moments in comic book movie history. For Peter Parker (Tobey Maguire), the shy, lovable dork beneath the mask, his rain-soaked makeout session is the culmination of years of unrequited love and one very powerful spider bite. As the films progress, Peter tries pushing MJ away in an attempt to protect her from his enemies, but their web of love is just too powerful. And you know, with great power, comes great responsibility.


5. Molly/Sam, Ghost

When it comes to supernatural romance, you really can’t beat Molly and Sam from the 1990 hit film Ghost. Demi Moore goes crazy for Swayze like the rest of us, and the pair make pottery sexier than it’s ever been.

When Sam is murdered, he’s forced to communicate through con artist turned real psychic, Oda Mae Brown (Whoopi Goldberg in her Academy Award-winning role) to warn Molly she is still in danger from his co-worker, Carl (a pre-Scandal Tony Goldwyn). Molly doesn’t believe Oda is telling the truth, so Sam proves it by sliding a penny up the wall and then possessing Oda so he and Molly can share one last romantic dance together (but not the dirty kind). We’d pay a penny for a dance with Patrick Swayze ANY day.


6. Cosima/Delphine, Orphan Black

It stands to reason there would be at least one complicated romance on a show about clones, and none more complicated than the one between clone Cosima (Tatiana Maslany) and Dr. Delphine Cormier (Evelyne Brochu) on BBC America’s hit drama Orphan Black.

Cosima is a PhD student focusing on evolutionary developmental biology at the University of Minnesota when she meets Delphine, a research associate from the nefarious Dyad Institute, posing as a fellow immunology student. The two fall in love, but their happiness is brief once Dyad and the other members of Clone Club get involved. Here’s hoping Cosima finds love in season four of Orphan Black. Girlfriend could use a break.


7. Aragorn/Arwen, Lord of the Rings

On a picturesque bridge in Rivendell amidst some stellar mood-lighting and dreamy Elvish language with English subtitles for us non-Middle Earthlings, Arwen (Liv Tyler) and Aragorn (Viggo Mortensen) bind their souls to one another, pledging to love each other no matter what befalls them.

Their courtship is a matter of contention with Arwen’s father, Elrond (Hugo Weaving), who doesn’t wish to see his daughter suffer over Aragorn’s future death. The two marry after the conclusion of the War of the Ring, with Aragorn assuming his throne as King of Gondor, and Arwen forgoing her immortality to become his Queen. Is it too much to assume they asked Frodo to be their wedding ring-bearer?


8. Lafayette/Jesus, True Blood

True Blood quickly became the go-to show for supernatural sex scenes featuring future Magic Mike strippers (Joe Manganiello) and pale Nordic men with washboard abs (Hi Alexander Skarsgård!), but honestly, there was a little something for everyone, including fan favorite Bon Temps medium, Lafayette Reynolds (Nelsan Ellis).

In season three, Lafayette met his mother’s nurse, Jesus, and the two began a relationship. As they spend more time together and start doing V (short for Vampire Blood), they learn Jesus is descended from a long line of witches and that Lafayette himself has magical abilities. However, supernatural love is anything but simple, and after the pair join a coven, Lafayette becomes possessed by the dead spirit of its former leader. This relationship certainly puts a whole new spin on possessive love.


9. Nymphadora Tonks/Remus Lupin, Harry Potter series

There are lots of sad characters in the Harry Potter series, but Remus Lupin ranks among the saddest. He was bitten by a werewolf as a child, his best friend was murdered and his other best friend was wrongly imprisoned in Azkaban for it, then THAT best friend was killed by a Death Eater at the Ministry of Magic as Remus looked on. So when Lupin unexpectedly found himself in love with badass Auror and Metamorphmagus Nymphadora Tonks (she prefers to be called by her surname ONLY, thank you very much), pretty much everyone, including Lupin himself, was both elated and cautiously hopeful about their romance and eventual marriage.

Sadly, the pair met a tragic ending when both were killed by Death Eaters during the Battle of Hogwarts, leaving their son, Teddy, orphaned much like his godfather Harry Potter. Accio hankies!


10. The Doctor/Rose Tyler, Doctor Who

Speaking of wolves, Rose “Bad Wolf” Tyler (Billie Piper) captured the Doctor’s hearts from the moment he told her to “Run!” in the very first episode of the re-booted Doctor Who series. Their affection for one another grew steadily deeper during their travels in the TARDIS, whether they were stuck in 1950s London, facing down pure evil in the Satan Pit, or battling Cybermen.

But their relationship took a tragic turn during the season two finale episode, “Doomsday,” when the Tenth Doctor (David Tennant) and Rose found themselves separated in parallel universes with no way of being reunited (lest two universes collapse as a result of a paradox). A sobbing Rose told a holographic transmission of the Doctor she loved him, but before he could reply, the transmission cut out, leaving our beloved Time Lord (and most of the audience) with a tear-stained face and two broken hearts all alone in the TARDIS.

“The Other F Word,” reviewed

“The Other F Word,” reviewed (photo)

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A version of this review first ran as part of our coverage of South by Southwest 2011.

When Roger Daltrey first sang “My Generation” and said he hoped he’d die before he got old, just how old was he talking about? The guys’s 67 and not only is he not dead, he’s still singing that song. That’s the weird thing about rock stars: they get older but their songs — and their fans — stay the same age. When Jim Lindberg started the punk band Pennywise, he was 23. Now he’s in his mid-40s with a wife and three young daughters. On stage, he’s still the same obnoxious guy he was two decades ago, still singing about effing authority. Off stage, his big concern is making sure he’s home from touring in time for the big father/daughter dance. Reconciling those two sides of his personality is hard and getting harder.

That’s why I liked the documentary “The Other F Word” about Lindberg and a whole generation of punk rockers who have become parents. It’s not just a fluffy portrait of dudes with tattoos and their cute kids; like a good punk rock song, “F Word” is suffused with anger and love and frustration. These guys love their families, but they love their music too. Both are full-time jobs, and it’s tough to have two full-time jobs at the same time.

Lindberg’s existential crisis and his increasing isolation from his Pennywise bandmates (who don’t have kids) provides “The Other F Word” with its core narrative, but director Andrea Blaugrund Nevins fills out the film with anecdotes from tons of punk rock dads At every turn, their interviews confounded my expectations. I wasn’t prepared to watch Flea cry while he describes what his daughter means to him or to listen to Art Alexakis talk about the physical, emotional, and sexual abuse that inspired his song “Father of Mine.” I typically don’t have a lot of patience for woe-is-me stories about celebrities, but these are different. There’s a genuinely tragic dimension to this punk rock lifestyle. Its live fast, die young ethos has been romanticized by its fans to such a degree that they expect and almost demand their heroes live deranged, tortured lives. In many cases, that expectation becomes a self-fulfilling prophecy. Few punkers have enough money to retire so they have to keep playing, and to keep playing, they keep acting like they’re 21. As Lindberg notes, that can be hazardous to your health in middle age whether you’re a father or not.

There are plenty of laughs in “The Other F Word” — who doesn’t get a kick out of NOFX’s Fat Mike’s daughter scowling at him as he giggles at his own farts — but there are some hard truths too, most importantly about the sad state of the music industry, where record sales have evaporated to the point that the only way to make a living at rock and roll is through constant touring, which isn’t an option for a family man like Lindberg. The movie really captures how soul-deadening it can be to play the same song night after night, in one city after another, while your family is thousands of miles away. In maybe the best scene in the film, Lindberg tries to do a video Skype chat with his family while he’s out on the road. The connection’s bad and the call gets lost, and his kids are left talking to a big black void on their computer screen whether their dad used to be. That scene is emotionally devastating enough to make you hope your music career dies before you get old.

“The Other F Word” opens today at Film Forum in New York City and Friday at The Nuart in Los Angeles. If you see it, tell us what you think in the comments below or on Facebook and Twitter.

Exclusive premiere: Moby “After”

Exclusive premiere: Moby “After”  (photo)

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Monday we peeked behind the scenes of Moby’s new video for “After,” and saw lots of Austrians conspiring to attach a baby to things with gaffer’s tape. They also had an amazing spacecraft which appeared to be just a touch wider than the diameter of a 12 inch LP, they called the “helicopter,” rigged with lighting and camera gear, flying all through the abandoned nuclear power plant.

See the results now, in director Antonin Pevny’s “After,” as two kids try to make their escape from the atomic sterility of the plant. But first, they must stop that pesky baby from eating the control dials and pushing all the wrong buttons.

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Moby’s “Destroyed Deluxe” drops, November 15th, on Mute Records.

Have you listened to Moby’s heavily atmospheric “Destroyed” yet? Let us know in the comments below or on Twitter or Facebook!

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